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Events are listed by date, then city. Submit listings at least ten days before publication for Glasgow to glasgow®list.co.uk and for Edinburgh to henry@list.co.uk. Listings are compiled by Mark Robertson, Fiona Shepherd and Henry Northmore.
Thursday 25
Glasgow
I Hot Chip, Grosvenor .llltl Park Attack Kin}: 'l!i!\ \\'.ih \Viili lllll. 333.! S! Vina-n! Slit-cl. 33| 533‘) 8 illpni. 80].!) ()l "l‘, ()iiirk}. !ilwi>!liintcgililr' clu‘Hnnnn li'nni lhc ‘( )\L'l ;lll!l ()wr' t'l‘llk'k'lHL'
I The Black Chain, Sooth, The Threat Remains, Syth unil These Guys 'l'lic (Killiniiw. l5 l'iiinn Slit-cl. 3~1X (ihllli. 7pm L5 er- leis \lilm. \lt'ml lnll. I The Mighty Rickets, The Long Walk Home, Epic 26 .llltl Wrong Hands Rt'llllt'“ l'ci‘i'}. .\lltlt‘l\lllll (Jun). 'l'ht' Hi'iioiiiiclnii. “HMS 35 5|] 3 illpiii L5 Inuil lmml \ll(l\\L'il\k'.
I Shot of Rhythm and Blues l<n_\;il ('iiiiu‘r! llgill, .\l.'iin .'\ll!lll!!lllllll. 3 Siiiicliit'linll Sliccl. ‘5‘ Hllllll 7. illpiii. {l5 [I750 ()iiinli'uplc liill ml lu'gcinlni‘} R‘ii'li rot'lwix 'l'ht' (illx-mxlic llllL‘ up iiicliiilt'x lllk' 'l‘i'iiggx. .'\llllll;!l\ !\ l‘l'lL‘lltl\. I);i\c llci'r) !\ !lic ('i‘uixcix iind 7o!!! Mont-i.
I The Amazing Magpie, Gav Uri, Astro Anonymous unil Torag 'l‘lic l'niu‘rxiil. 57 5‘) Siiiichicliiill l iiiic. 333 880‘). Spin. H. llltllL‘. liliicx .llltl (‘r'llic iiil'lucnu'x kiii! logclhci' iii .-\\ll!! .-\ii!iii}!iiiii!\' w!
I Karina’s Acoustic Showcase 'l'cliiii Hum. 43 (Mayo |.;iiic. ‘5'" ~153-l. Spin. [3. Biiiioiilhl} nigh! lmliiring
wiiit- n! llic t H} K "on! “noun: \illlj;\\lllt‘l\
I Old Solar lll'J (ii‘Jl. E35“ \igj. it" Slit-cl. ‘5" “i”; \piii l'lk't' \llllin‘llt‘llt \Hllllil\.l[k'\ iii lllk' ‘-k‘lll n! \piri!ii,ili/t'il .lllil lllL' lilllt' \llk'
I Reverend 8. the Makers, Hip Parade .lllxl Blind Pew \itt"ii'\lv.:/ji. l3l \illtlllt'lmll \llt't'l. l5;”‘"”’
8 illpiii Ur Rcwicnll .nnl ilic \l.ikci\ l\ lllL' lllll\l\.ll .ll|.l\ ul \ltlk \lniikgv L'lilll .lilll \ltl ‘liiic lll\ l‘lillllt‘l pintt'x ll!!- \'!i\t'l o! lhc \lniikQV .lll‘lllll
I Robbie Maclnnes imil Navajo ll!!- liqiiiil Ship. l“! l”5 (llk'Jl \\t‘\lt'll‘. Rllilll. “I I‘m] .\ illpiii lim-
l-«rlk l‘lll\'\ lilcinl .ll llll\ l in" ( )nilh Smxiuii
I Club Olum ll.” lllm. ll" ll.iili Slim! 571mm! ‘lpiii I it'c \ ll‘l.llll lll;!\ll up u! llk'\\ llllhlt llillll llll\ ! liili llllell \ihigli lll.l!lt' .i \plml! .i! l.l\l _\c.ii\ l'lllljJL‘
I Genoa .lllil Michael Clark llic ll.lll llill. llill \\!H\!ll.lll!l\ l\’!‘.!tl. :33 "‘“Hi will“. l‘lL'L‘ l\’t‘_‘.‘lll.ll .lt'thllt' \ll\‘\\\.l\k'. llic Slniiilnill l .iiiip \t‘\\li'll\
I Thermal .llltl A Quarter l iili \nh- (’iilc. 5‘! (ill King; Slit-cl. 55i lliih ‘lpiii L5. Rock in!!! pine liuiii li.ii!;_'.ilni!'. llltlld uh!» ll.l\t' \lllll‘!‘llt'!l l)t'k'|‘ l’niplc .llltl .lt‘llii'n lllll
I Pop Up illltl The Hedrons l‘iicunu'i. i-ll \‘iiiit'hit'linll Slit-cl. ‘5-1 “‘51) lllpiii l'it't‘ \lclmli! llltllk'l‘llll llHlll l’npl p,
I The Little Kicks ( )mn \lm.
~5l "*5 (HUJI\\CflClHl{Hdd.5SW “3”” [NW 'lippul. iiplim! ‘\l‘t'ltlk'k'll lmxnl liiiii' picu‘ “llll h.i\c int-nil} \llppllllt‘d Hk‘hkv\ifl lihhn\.th Knmk\.uhllhc \l}\k1}.kfl\
Edinburgh
I Croft Revue .ind The Debonaires lllk' .l;iiii UNIV". 5 ()uccii Slit-cl. 33h ‘lRHll. Tillpiii. l'i'cc lwlurc lllpiii; L“ alli'i‘. \Vt‘xlci‘n \\\lll“..‘ iiiill t‘liiwi!‘ \Hlll.
GLASGOW SE CC
0870 040 4000/0871 230 2619/0870 160 8833
Online www.tichetmaster.co.ul2 or www.seetichets.com
www.marshall-arts.co.uh
lIU-Eli 3.5 9:! lo tooling ‘ee 1 Pumps: le' '2 is (cnziliom (:elal : cn 'e: 3:!
¢ fl‘ué‘aAshlrd/cwmafchca ~ 2;: T :-
64 THE LIST 3:5 de- :4 Juli!" 3PM?
Dice: e: (.cl0” a". me: lo :cot. 90',
dudel l3
It's always nice to see the genial gentleman get on
over the boorish glory hunter, so when Futureheads earnest, considered pop frenzy found an unnaturally huge audience with their debut album it was smiles all round. Their follow up, News and Tributes is similarly enthusiastic but they’ve tempered the pace to allow Barry Hyde’s imperfect. parochial tones to shine through.
I Dead on the Live Wire, Karass .iiid Moya liniiiit‘iiiiiiii'x. \itlili'} Slit-cl. 55h .‘35‘l. 8.15pm L31. |)t-|iii! ll\L' \liim li'iiiii t'lct‘li'ii im‘k unipr |)c.i!l on lllk' l.l\k' “no
I Born to Be Wide l'lic Sim-i. 3 I’nxiixl) I’Ln't'. 55h vl3fi3 ‘lpiii l.!!!l l'i'cc. .\l!i\it‘ iiiihixli‘} wt'inl \"llll‘ !li.i! iiiinx in liring lllll\ii\. |Ulllll.lll\l\. leIHUIL'l\. rcuiril \hnp \wikci‘x .lllll lllll\l\‘l.lll\ loyalit'i: \\'i!|i .i \Hlllltlll'dt'lx lron! lllL' 55\ and lllL' llHlll 1o lw \\ iilc lt‘\ltlL'lll\ i35 Mu} l.
I Last Great Wilderness and Ten Storeys High llL'l'lUl \\.i!! l'nm-iin} l'iiion. th‘t‘dl'lilli. ~15! 5 i i i. ‘lpiii. l'icc. l'.l‘lL' llltllk' lriiiii lllL' l..!\! (in-n! \Vililt-incxx. Pllh \t‘i li pup \\llll |;l//. hip hop. rock and nt'oiixlit' lliiiirhlicx li‘nin 'l‘cn Slurry High.
I The Set Up, The Jack .llltl Strait Jakit \\'lii\!lcliiiikic\. -1 (i Sniilh Hinlgc. 55“ 5| H. ‘lpiii. l'i‘cc. llltllL‘
Glasgow
I Taking Back Sunday llnmm lunil. 3~H (inllnugnlc. 553 Mill]. “pm. M H.” ()l "l‘. ()\t'i-~ l-lx \llU\\. lung: l\l;lll\l CHI!) qiiiiilcl \iho ll;!\c union-«l .1 pie!!! \llitl!‘\[lllt‘l‘lL' l'I\L' in lhc l;i\! L'Ullplk‘ u! )mr‘x lhniilxx In )t' Ulth lHll\\ Iniii'ing HMW!\Hck\ifli
I G4 (lulu \iiililoriiiiii. l llllllk‘\lllll (gimp ri.\"!i i!!!) Jllllll, Turpin. (2‘50. llltlt‘lt'l'lt'd li} uriiipcmion lruni Simon ('im cll'x ll l)l\U lynx llic (iiilwipci'n \l}llll:_'\ nl iiicc ho} .\5/m'1ui i'iinnci‘xhp (34 ll;!\ liikcii ilic iiriihllc lllill'le'l li_\
I Death Before Dishonor, Broken Oath, By my Hands and The Burning Scars of Betrayal lliiill} lllp\l.!ll'\ I. 3(ill ('l_\dc Sli‘ccl. “Nail 0”" ll‘N‘). “pni. L'Ilic, liminn hand \xlin pi'niiiixc 1 ill" lini‘duii’c. ;I\ ll llin! \\;l\ ninllicniiiliciill} ri!i\\ililL-.
I The Hedrons, The Zips Allltl The Apple Scruffs 'l‘hc l.l(]lll!l Loungc. ‘M \Vm! chcn! Slit-cl. 353 0‘33. "pin. H, Singer/Ming“ rllL‘l' 'l‘ippi\ .ill«;_'i‘ri'l liiiiitl lit-nil [lll\ local !i'ip|c hill.
I Mary Lee’s Corvette illltl Smash Palace :\l§( ‘3. 55‘) Sniichiclinll Sli'L'L'l.
ii3 33 ‘3 “pm Hi ()llk' Ml \k'“ \uik'x lllii\l iiilcicxliiig inlcipit-lt'h ul !li!‘ llllklt‘l'll wii}: llt'l \i‘l\lilll u! lhlnnk H/tHH/ un {In Inn Ax Iiiiicipiciml iii ll\ t'lllll't'l} l ll.l\ \xnii lll.!ll_\ [llllllillh
I Sarah Harmer .lllil Vienna Teng lllk' .\lL'llk'\. 35; -\l_‘_"\ lc Shu‘l. llhiill 3-lll "53h wpiii {Ill iL'M l),!\\l!ill.llt' t'llllllll_\. lolk .!ll!ll‘lllt'f1l.l\\ lioiii('.in.i!li.iii l|.niii!'i \\Illl \iippoi! liniii Minn}; \iii l‘l'.lll(l\\‘.lll \iirgi'! lung I’m! n! li'izj li'iu ('uiuiili
I Man Rt'llllk'“ l‘t'll_\. .-\!i!l!'i\!nii ()im}. 1 llk' Hiimiiiit'lnxi. lllli‘lX 305 5ll
" {llpni lQll 5ll l.l!l\ i. {I i ltllHlll \t'lt'inii l‘L‘.lltl_\ \M'lxh pin: im‘k Ullllll
I The Moonshiners l'lit- Annex!- (Kilt: ‘l.i S!!'\i.i!!\ lllk' Slit'cl. l’.iilit‘l\. 5UP”) [-1 (il;l\;3!l\\ linwil lilucyginxx liiiiitl pl;r}iii;: ll.!!llllHll.ll .lllll lllHtlL'lll
I Paul Buchanan l{!i_\.!l (‘unu-r! ll;ill .\l.iin .\ii!li!oii!!iii. 3 Siiiit‘lin'hnll Sliu'l. 35% Nllllll. ", 5lllllll L33 5“ L35. .\ lliicc llllell i'!iii lo! lllk' t“lllj..‘lll.!ll( lllllt' \ih' ll'HlllllMll. lll\ lim- lii! lli!~ \!.i;;!' lt'l’xllltllk‘d lolliming :i l\llll.lllll .\ppc.il j..‘|_‘_‘ l.!\l )CML
I Penetration .lllll Goldblade 'l lu- (Killioiixc. l5 [mini Slit'ct. 3-18 (ihllh
3. illprn. (Ill, ()\L'l l-l\ \ll(i\\ \t‘lt‘ldll punk (minim lllllllk'tl li} lliu lL'Hlllt' |’;iiili!ic Murray \Vilh \llpplill llHlll (inlillilntlc. \\ ho UHHlHllL‘ r;iiii;i|;iiii;i i‘m‘k'n'mll niiil \iggui'niix wiil lllllllL‘llu'\ \iilh llic niliiiiiiilih' “curing: nl lii'!i!lic| ClccpClx
I Luxury Car Sit-rm. l-l Kt'l\ Illll.!!lj._‘ll Slit-cl. 5V» 5M8. Hpiii. l’cr!li cit-c!!!) PUPPL‘I\.
I Big Business .lll!l Creepy Morons \it'c'ii‘Slcn/y 43| Sniichicliull Slit-cl. 3 ‘3 (Mill. 8. ‘sllpiii. Ur llli iirc n (Xih rock tlllU \ihmc lllHllH l\ ‘pi'uiccliii: an HHdgciil\U(CC\\h
I Channel One Kill}! 'liil'x \Vuli \Viil! Hill. 373;! S! \‘inccn! Sim! 33| 537‘). H.3llpiii. L5. Dublin ll\L'-PlL‘L‘L’ Vth lilcnil guihirx \Hlll \giiiiplcx iiiid \}lilll\.
I Da Flava Boyz, The Scuflers, Revolutionize .lllll Reckless Fleck l'ur} \liii'r} \. W» .\l;i\\i.cll Sli'ccl. 33| (i5l l. h’ .5llplll. H. lllk‘llltllll}: cnlr} in post-gig L'lllli. \M'ckl} \hrmcgiw nl local llltllL’ hand»