released li'l some tirne A (fl/(:ijfll ritixturr: of crunching beats, micro sarnplh-U. (we drums. processed vocals and drearii:y guitar floes. the divine atrnospherirr- prevailing on Awake', ‘.‘/lll appeal to those ‘.‘/lttt a soft upot for 80s indie pop legends, The Cocteau IV/lfl'i. who appear referenced throughout. not to mention Slowdive. and then local heroes the Boards of Canada. to whom Isaac is surely a musical norf Gracrously. this is all done in the best

pr ssible taste and should ensure a large raft of new fans navrgates gently towards this Portobello based imprint before the year is up.

(Andrew Richardson)

AMllll Nl (KIND (ll) GROWING Color Wheel

(Rock Action) 0...

lo a veteran scholar of the school of weird for thesake of it. hollow. experimental. avant garde. chin stroke music (yawn . oh, pardon me). Growrng may sound like a hunch of charlatans (or even The Charlatans. I dunno) or a work of true sonic awesomeness. To the unrefined rock fans ear » and l have two of those ~- these pulsating. defocussed splenetics out trip anything Spacemen 3 or My Bloody Valentine ever brewed up. being something less conventional but broader and ultimately brighter, These massive. beatless. vorceless drones Vibrate. twrtch and churn. There are moments of dark and glints of sunshine. This sounds like huge open spaces waiting to be discovered.

(Mark Robertson)

'NUIE [AH/xi :4 or/Nfl‘f/Hlft R

BEERJACKET Accident History (80‘ tfléthK‘1Tl ...

[here are so rnarw Worthy indie singer songWriters out there that you really have to have something exreptronal going on to get noticed among the throngs. Glaswegian Peter Kelly (aka Reenacket) is likeable enough, and this collection of gentle and thoughtful musings is delivered professionally and With some soul. but there's (ust nothing whatsoever remarkable about any of rt. Obvrously Influenced by Elliott Smith and Jeff Buckley, Kelly has nerther the effortless songwriting prowess of the former nor the extraordinary charisma of the latter, which leaves a hunch of guietly strummy tunes which are pleasant enough, but almost instantly forgettable. (Doug Johnstone)

JA/Z

JONATHAN BRA‘I'OEFF Points of Perception (F IRE) oooo

The London based French gurtarrst's second CD pushes hrs experimental mix of (it/.1 With contemporary urban tTTUSIC to greater lengths. drawrng on a broad and constantly changing sonic canvas that dips into hip hop. breakbeat. drum 8. bass and electronic in creative fashion.

He draws on the core band from hrs earlier disc. With Acoustic Ladyland's Pete

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Nick Warm". (kw; ._ {,l ,u ,5 rrgrtqr. r’r‘ (that. .‘t'l't‘ the extendertf IFTf (Lotte! 'l'."' r)! "we

(or hiding a "get Juln‘: Riel. trurnileter Terri Arthur“ and “Lt-'t'fi'lfi O‘ kar purify *ll )f‘ wrth programming ,trvt (to produr Tlflf‘ fier': Warnpa A tit’wltt'HHt‘y“ and at r‘essible take on rionteinporary (it/x" fusion

(Kenny Mathiesoni

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TAPES ‘N TAPES The Loon

le Recordingsi

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Currently the band of ltlt) ltl()tTT(?tTl. Minneapolis outfit Tapes 'n Tapes are being name dropped by hipsters and media types alike. followrng hype surrounding therr DIY background anrl acclaimed SXSW performances.

Nothing special on the first listen, repeated plays reveals a number of deftly crafted songs. There are traces of Pavement. The Prxres and Talking Heads in their energetic shuttling rhythms and eclectic delivery. best displayed on the quirky ‘Manrtoba'. which veers from gentle lullaby to a groovrng rock finish.

While a handful of tracks lack that spark there's enough ideas here to “18th the hype. So if their debut is not quite as majestic as say, last year's sensations. Arcade Fire. it nevertheless shows huge promise. (Andrew Borthwrck)

METAl

SIKTH

Death of a Dead Day (Bieler Bros) .000

Norsecore for nurmetal kids? According to the scene police. maybe. But it’s unfair to describe Sikth's brand

of (*xfté'lllw metal as

llletwl‘y ttle ,",(]rtto‘- (t7 lostri'ophets and Dillinger l st ape Plan. I‘ttftlt ularly beraus- rfespite the ot‘xious influenres they'Ve niade a (‘tlll‘rttlt'x sound That I‘ Proving the point, the

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English sextet"; sophomore outing tones down the (Melt/ht!“ .r'trf (tries fur the (uttular with of‘ kllter tunings. teih nietal rifts at"! a dual voral attark Mikee (Toodrnan‘s ‘.()fittl‘3 still verge on the tartoon:slt but when the UK metal seene is so lacking in distinctive voices. It's (:hurlish to

criticise Sikth for having

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MILLAR 8x DOMINIC SPENCER

The Isle of Skye Joe: in 5‘» litia'rdi OOO

lnis (Lt-("wit alttui" troin the l (lll‘t‘llf'lf‘ flamed uaxop" "w r": [H.t'tf‘ (film ii-tlet t‘; tt‘wrr atferxtion for the isltrnl t‘tlf also taken in tornpt initions (outwit-(1‘ t)\,‘ St Andrews

(ilenr (\t‘ and Harman KnoWe in l (Ilthillfttll Millttt, who l‘; responsible for all the (‘()lfl[)()‘3ltl()flfi. hat. added soprano saxophone to his

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-\i‘ ‘Tt‘n‘r 'i. (To‘t‘l'f'rlr‘ In". ‘t‘ ‘;l\ "(inflated srwr‘tmte \rurww'i (nu in (3h. ~l‘ the (\lax- in mark '.'.‘°.‘l( till ("i \ (‘f‘il"‘l‘.i‘(l ‘:t"i: titre» 'f‘ the a)...” .(mr ('l‘tll“\l‘..tttttll‘ twrt I." and Wu lured ?.l‘.t‘.l(llt lho

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Check out the

on paqet3

Debut solo album “'i" (rennin-4991‘“

,Clmm "II3I6‘IIOI9 “13383.” “D24”!

.4310 131.51"

ALL CDS WERE REVIEWED ON A SYSTEM SUPPLIED AND INSTALLED BY LOUD 8: CLEAR

\ ,gél Loud

OCleor

7’) Jul 9 Au’; 7/)", THE LIST 67