Thursday 27
(3k)$(fl)V/
I Jan Douglas 8. Primetime SILIIhIluiL'. i * iiiiltkillill\ \Iiu'l. "‘3 (NW Spin i’lt't' \I‘c Hm I”
[i(iniI)Iir(;Ii
I Fair Witness and Hip Operation iilt' Jiiiii Hnuw. ‘ ()llt't'll \Iiu'l. 32“
.1 HI) 7, {0pm I'iI-c lu‘lnic L Iiiplli. ti .‘illm l)iin i'illl \\ llllk‘\\ ph} nul lnlk}/|;i//_\ HlL‘Jlllt lllllNII‘ \iiih \U\t'l\ lni’Iii Hip ()[k'lililiill
I Fat Sam's Band iii'IiiiInii lilt‘dilt'. |.;id_\\w|l \\;i_\. .'\1ii\\clhiiij_'li.h(\5 33-1” 7 Wpiii tl.‘ It") VII inc Lippiiigg illllt'\. UI\(‘llll_L' lump Inc In «my. and |.'l// pit-gin liniii (ilciiii \lillt-i In i‘;Il\ l)niiniin liniii lill\ lllllL' pit-u- In! h} ii.ll|ll\il
Md iIL‘jJUI
I The Paddy Flaherty Quintet .l.'i// (l'llll‘t'. 'i'iIL' i.Iil. -1/(i (iI;i\\Ill;il‘i\cl. MIT 5301) H iiiplll LII ILSI .l;i// illlllllt'l II'II h} Inp t‘lgixx Ili‘iiiiiiiici Kidd) l-lahcil} \Hlil l’iiiil Huii‘ixnn nii plilllii and Kniiiuil \Vix/Iiimuki nii \;i\
I Beat Root Juice iilt‘ .l;i// Hm. I ('liuiiihcix Slit-CI. 22H L‘UII III. iiipiii i'lk't' St't' iii“ 3”
Friday 28
[EIiiIiI)Iirg3II
I Bancroft/Milligan .lu/I (‘ciiiiu 'l “C i,Hl. -i/() (il';l\\lllgll'kcl. -i(i7 531)”, (i iiipin £350. Sinnphniiixl l’hil Huiici'nll ;iiiil Plilllhl I);i\id Milligziii ill\L‘ t'illllt‘llipiil'ill) |;i// :iiiil Scnllixh Ii'IiiIiIiniInI lllll\lL‘ I’III'I n/ I/H' lai/m/mru/i .lilq.‘ um/ Ii/m'i /'(‘\II\ (1/. I Jazz at the Zoo ladiiiliiiigli /.nn. ('Iii'\Iiii‘p|iiiic Rnud. “4 ‘H? I, (rilipiii.
t' H) ((8) .-\ xiiiiiiiici'x I'm-iiiiig nl |;l// giiiil t'nt‘kliiilx nIi iilt' ()£l\l\ liim no
I Todd Gordon 'I'lic Huh. (Iixllcliill. RH);|| Milc. 407 53H”. Xpiii. [III Siiigci 'l'ndil (ini‘dnii pimivux il|\ iicxi :ilhiiiii. \iiih yum \;i\nphniii\l :\l;iii liIii‘iicx mid Ii'iiiiipcit'i' lii‘Iiu‘ Admin. I’m! n/ Ilu' I‘kliIi/iul'g/I ./i1.'. 41ml Ii/m \ /¢'\III'II/.
I Zyderythmics Rn)..i1 I tug: \sm ik'JL'Uk', I'M iiiiiitk'\ \Itch 1'7 ‘3'" \pm L" .lnm /}Ii;'Ij.Ii1:Ii1\ \ .I\ 'l'zi‘x IK'IIniIii iiik'l.’ fnnI \InIinIII.‘ quIIi» liliiilL'ka‘ii In ( .IillH In'lk \kuII'.‘ mum
’m.’ n' (/1. llii’nsfkugt Ii. Ii au~
I! \.'.’ Ali.
I Scottish National Jazz Orchestra Play Gershwin (‘ilik'kii‘li\ iiJii \7‘ V’ ('chk \III'I'I, NH 3”!" \ l“I‘m
L] i i“ L Ih “I lnIuIiI} \IIiIIII iL'.l\i\ IIII' \H'Jlll nI \nIlJIMk i‘lf,‘ i‘dllxi LIL-III Iliinuph ( mxhuiii'x /\'1:..‘;mu:fl [’3 I)" n \iiIh \Pk'lii rug-xi iiimli lxcllntl. l'm.’ 11:4 lJ/II/HHQ/I In, A li.:u \ /I
I Guest Bands Night Hiv ,|.l// “.11. I (‘li.iiiilwi\ \iik'k'i. SSH-1.7"“ "I‘m lies \I'i‘ i'll 3| I Rene Marie \i.liHI.Il\I‘H. I’m/.1, Hu- \iliflk'. I willy-1h" *fHH "pm L l ‘ illll‘lt‘\\l\\‘ I.i// ‘-\'\.lil\i nn .1 Lin- Hip In iilL'l K I’m} 1” [in Iii/III/UlIfl/i' Ii; um," li/m \ ll \Ilui/ I Shuffle Demons ,|.l// (‘I-nin: Ihc Inl, J h ( il.l\\Hl.lli\\'i, In" \‘IIII i) {III‘HI ti: lhc( .lHJIi'JII L'lHllI‘ Imin [ik'li uninit‘ \iilliiik‘ huh In HR" | nI I’m.’ lI/HI/img/I ./I1.. and Ii/m \ /( \Hiizx' I Jam Session HIL' \pu-yI-III-ni. (it'I‘|}'k' \qiiuic.-1n" THU 1 1pm tR \ii .liik'! iIUIHN hlnu nul Ini Ihc [N'liiillllt'h ill Ihc chliml. ik'ki h} IilllllHllI'l I’.iI ()uuiii I'm! 11/ I/Ii II/III/mluh ./I;. am] lifiu \ It \i'liii/ I Late Nite Groove lhI- .I.i// IL”. I (‘hgiiiihch Slim-I. T2” 43"“
iiiiIlIiipiiI Kim ‘5 \n' i'll II
Dundee
I Summer Jazz \pm ('1!) Qua} HnII'I & 81m. 1 “ml \It'lnim ank Rn.id. (‘iII (Jun). HI ‘5': -1 WWW \piii t’lht' \\ iHiL' .i\\;i} iilt‘\lllllllit‘lk'\k‘1llll;‘\\\liii\IIIHL' InnI lapping; \HIIllii\ liniii \iki Kin}: .iiid .\i.llL'll\ i‘HlIi.
Saturday 29
Glasgow I The George Penman Jazzmen Mniilinxc (‘t‘iiIi.iI. (i/N \\'.ilci'|nn Slim.
"‘W‘ f “TH. i:,'\' \‘c \if I David Patrick Quartet iih'i. 1" 3% \\III~~:: l .H‘Ix‘, W.‘ WM“ iI‘III licc
I’mmxt I’IIIII, i. .iizi‘I 'IinII! puI iiix‘H \i.:I‘.I;‘
niIIII; i.://'1Y.Iiii'.li‘l‘i
E IIIIIIVII'II" I Dave Keir Hot Five Rde I )\I'l \‘m | Iniguth IHH iillli\\'\ \III'I'I. “V 3W“ 1: ‘HIIIII 1h ii‘llh \Iiuxuniyz~ IIIlluquu'Il IIuIiipI'I i‘.lli\i I'm: lili’i/“UJ/i I“, an," lffqu \ I. I The Mellotones \" (jut-cu \III'I'I H.“ ,iIiIi i{\'\1.llll.IIIi_ \H ()uccii \III‘I'I. .‘jh *H‘V ‘I‘Iii I icy \x- \.:I .‘f I Piano-Mania lhc iilli‘.( .hlik'i‘ilil. lx’nyii\lllt',~1n‘ Y‘HH .‘piu t\ l‘An pi.iiIn Illiix In! I\_\ km in Hum .lliii I).i\ M \iliil;’.lli. Iniin Inz'thcI Ini ,i IIIHIIIII I'\Ii.i\.i_-.'.IiI/.i I’m." 1" (/2. Iii/Ifl'r'ilg'lf /.;.. “vhf/{[114 \ ll \.';x..'.' I House Trio iilk' .l.i// “M. l (‘li.iiu|\ci\ \III'I'I. .‘IH WWII l Wpiii i ICC \k'k' \.Il if I Niki King \l.iliii.ii\nii l’|.i//.i. iik' \hnII'. | Uliil. 1h~ Y‘HH hplii 2‘ III |iI|n\ lhc \lli‘iit' I Ii.iiiu nI \ikI king .l\ \iik' \lllf.‘\ \iilllkiillki\ I’m; w’ 7/1. li.’/r.'/".Iu:j/: ,/i.',, ii".'i//i'/1u\/«\i'1ii:." I Sister Maj‘s Blouse lhv Huh. ()ixIlchill. Rnin \lilc. 1(i'\,‘Il4i (Il‘lll till lniii nl lilk' '_‘l\‘.ll\'\l mun-x lll Sucilixli |.l// likikllll \lilIII'I. linlin \Iciiwii |’.i||I‘ i).llllt'i\\till .Illii I‘iniiik \Hlt'll x'HllIi‘lllx' iii .i yinup Ili.iI l\ Ulli‘ nl ii]t'iilf_‘i1il;‘il[\0i iilk'.\\.lii\ilii.l\lilll |.l// \I’I'III' I’m! n/ [In [JIM/1mg}: .IIIH um/ li/Iu'x ,(\,/\1U'. I Zyderythmics lhI- Spit-ggcllcni. (it-nigc Squaw. IIW iIHH (IPIII I" Sn“ i'l'l 3.5. I Stuart McCallum Trio with Konrad Wiszniewski _|.l// (‘I-niic .ii iiik‘ lvnl. In ( il.’l\\lll.lli\t‘l. 1h" \‘HH “ ml‘lii L‘I iI), (illli4lll\l \ldflilluni laxile i’k'ik' I’IiiiII'i. (iciic (Kildcinnn .lllii gum \.I\II|IiIIilII\l \\ ix/iiimxxki. I’m! n/ [In II/m/nuu/I .lu'i’. 41ml li/m \ ll'\[l\ll/ I Jacobi’s Bottomland Orchestra Rn}.i| ()u'i Sam I tuiyuc. IINI l’iiiit‘t‘x
v. "if Few octogenarians are still taking to the stage, but trumpeter Humphrey Lyttelton continues to knock out classic jazz with the best of them at the grand old age of 85. With
over 50 years in the game under his belt, highlights include his long running radio show, I’m Sorry I Haven’t a Clue and his guest slot, adding some trad jazz elements, on Radiohead track ‘Life in a Glass House' on Amnesiac. Here he's joined by his band and special guests Acker Bilk, Jo Fooks and Joe Temperley as part of
the Edinburgh Jazz & Blues Festival.
Queen's Halt Ed/IIDUIQ". Tao ’ Ali/u.
\HCCli 1'“ 5““ \I‘III 1‘." \[‘\‘\I.Iil\1\
:I: IFII' c.iil\ I.i.'.' ti‘iill‘i‘\\‘l\ .'.H qu'IIiIiz‘ .‘I i‘Iiz‘iIl, IuIi :.i.'. I'm? "'I
I..'I'."‘i’.'f /., li.u\
I AI Carson with Ginger Pig III,- \I‘It‘fi‘llciit (icniz'c \Iiuuc. lh' \‘IN‘ \ WI‘HI il.‘ Hic Puff \nuziIi n1 \nI.i‘ I.i1I‘III \l (flaixnii Iniucil In Icii I‘icu‘ him! I ilIl;'\‘l I’it' 'w /.. .."..'/i'...\ /r\.'
I Martin Taylor‘s New Gypsy Trio ()uccuk ii.ill \‘ \‘H II-Ik \III-gl mm ‘I'l"\1|'I‘IiI 11‘ ‘H !l\ ‘H Iliii‘c \II‘lli‘M‘ :‘llll.lll\l\ i.l\ii‘l l\ Iniiini in ('Iiiixlmii l \Inuiic .iuIi Mini-I RCII‘iiLIlIiI' I\|.i\ .l Illt‘iH n! :'\I\\\ I.i.'.‘ ’m' fui [Haw/flux»: l.. .\ Ii.“ I /« \.'I...,
I Ragtime and Early Jazz Piano HII‘ Hul‘. ()ixllchill, lx‘n\.il \IIII‘, 1h \‘IIII .\ i‘l‘lll tl.‘ \lnIII‘u ( Illilll.“ i.ll\\'ll \i\‘\'\ ill\ Iiiiiij.‘ nu IIII' pmiin. \\Ilil .i \I‘u i.iI IiihiiII' In Ilic \ it llllI\ nI IIII‘ \mx ()iit'.lli\ illllllt .iuc \il\.l\ik'l I'mI M {iii [JIM/tilzfi.‘ II. ..'1,." I)...“ \ I: \i'I'..;.v I Birdland \H ()um‘ii \Iiccl ll.” .lllii i\)\‘\l.llll.llli, MI ()iim‘u \III‘I'I ‘ ‘h ‘H"' "I‘m III'I‘ ('Inw \nI.i| iLiIIunuch J Li \lltil\'\\\ \|\li‘l\, liniii lill\ it‘liidik' iil‘ilik'li pinup \I‘llll‘lhlllt' In“ \i‘lJlllN |niIi.i RI-iii .lllii \i.l||.llillt' l'.iliiI k
I The Jazz Bar Quintet IIII‘ Lu» iiJl. l (‘hJiuhI'Ix \lim'l, 77H 17"” "pm i ik'k' \t'k' \dl .‘.‘
I Rene Marie \l.i|iu.ii\nu. |'I.i//.i iilI' \ilwlt'. i ('liii. iii. ‘ “m "PHI !|\ \Ik't' ill .‘3
I David Patrick International Quartet with Bobby Wellins |.i// (I'lllic ,|l Ilu' l ml, iii ( il.l\\lli.|li\k'i.
1h" S‘III) ‘I iilpiii t I“ |’i.iiii\I i).l\l\i i).lil|\ k lunix lill\ I'\k‘ll|ll‘.' nI ii.llll|illl|\.lii\ iiiwiiliw l.l//. \\llil Ilii‘ g'iI‘JI .\\'Hlll\il \.i\nplini\I linlilix \\I'iilll\ .l\ \IN'LIAI g‘iiml 1n! n! I/It li/IH/iulzjli ,liifi i/I'H/ Ii/I'u \ I: Mini/
I Fish Fry llic |.i// |€.ii. | ('li.iiuiu'ix Sliu'l. .‘.‘.H 1.“)II Illiiii Kiiii III'I‘ lwInic ll Wpui. H .liik'l \I-c \iI .‘4‘
I Jam Session Ilu- \pim'I-IiI-m. (it-nig't' \Ipmn: 1h'\.‘HH iil‘lll 9‘ \t'k' i‘ll .‘3
l)IiIi(iI2(>
I Summer Jazz \pm ('iI_\ (‘)ll.l_\ lil‘ik'i (\ 31M. 1 “UNI \ikiliiiii “ink anl. ('iI} (‘)Ii.i_\. III ix.‘ 1 {1‘} III Slim LII» \\ liilI' .i\\.iji Iliv \llllllllt'l ('\I'lllll‘.‘\ \xilli \Hlllk’ Innl Lilipiiiy \HllllIi\ liniii iilt' S}iill\'_\ /\'|Iliil .i.l// H.1iiil
Sunday 30 -
iaIiIIII)IiIg;II
I Gus Ferguson Jazzers RIB.” (MCI SUN i t‘.lf,,‘llk'. “Ni i'lIlIt L'\ \lli‘i'i, in” film) I: Winn In \k'il'lilll llllllllk'lt‘l (ill\ i’k‘l}‘ll\Hll til'('\ lilI' i)|\lt‘i.lllii Iliiiij.'. \iiIli |.iiii Hn_\II-i nii k'iilllllk'l. ( Liiiipiwll \niiimu nii Imiiin. KL'II \It'l )nimld nii luv .iiiIl ( 'hit l, \Iiiim} nii Iilllllh I'm! n/ {In li/lll/Hllifll Ill . (I’ll/ li/m \ Ii \I/iu/
I Melodic Moments l<gml [Inuim (i.IlIit'll. ilHt'liL'liil Hniiw. ‘3‘ q l "I
3 5pm lin- \Hml lit-III-i v.4} In \killit‘ .mu} .i Suiidu} .ilII-iiinnii Ili.iii lj.iii;' nii Ilic I'm“ lixlciiiii}; In \niiic lithI |;i// .iiiII t'.l\_\ ilflt'lllllj,‘ iii Ihv 1'.llIit'l|\
I Julian Argiielles Patchwork Quartet Hic Huh. (KNIt'hiH. i<ll}.li .\1ilc.»1(i" 431)” 3pm LN .\ii iiiIt'iiLiIiniml lll|\llllL' nl |.l// \u'llk' leilllh. ik'ii h} i'..’l\i l nIhiIm Ixm-Il \;i\nphniii\I .liili;iii \ifgucllI-x. \iiih l:lh.iii i\t'l\HH. l’ullu i);Illlt‘|\\Hll :iiid l'IL'IiI'ik \Hlt'ii 11/] u! [/14 li/Iiilwn'li lug: (I’ll! Ii/mw Immiz/
I Lazin’ on a Sunday Afternoon XI) ()Ilt‘t'll Slim-I Hui iiiid Rt-xiuumiil. H” ()uccii Slit-cl. 23!» *ll‘)? 2pm i‘lL't' 8w Sun 3 it
I National Youth Jazz Orchestra Of Scotland i “U Huh. (iihlit‘illii. Rn};il\1i|t‘.-l(i7 5300 *piii Lb Mult'nliii i'.IilllHll\lHllt' :iiid .\ll(il't'\‘. ligiiii iliict'l Ihc lIL'\l hij: [illlifJx iii .‘i pingiuiiiiiic Ih;iI IllL‘illiiL'\ .'l llL’\‘~ SI nmi/i ./u'.‘.' XIII/r h} iltillltilhltillt‘ I’m] n/ [/11‘ I'.¢/1/1/mr'g/i lag" and [Hum [TX/INN.
THE LIST 77