Visual Art

Exhibitions are listed by city, then alphabetically by venue. Submit listings at least ten days before publication to art@list.co.uk. Listings compiled by Rachael Street.

Glasgow

I THE ARCHES

3“ \i:_\iv Sin-cl. “5"” 31H iliuln Winn. \un nmui illpin

The day without work, the night without sleep 1 Hill \un h \n: iiiiniinigii L'l.illiil .unxl i ipiiK ni-v. \iim‘. lm ll\t'\ on .iitliii‘iihlii .liili u limw lin' \l}ic\ nl \iiuln \culc. I).i\|\i(iii1lk‘ .uni

i’nuwn

sjs

I BACKDOOR GALLERY

liuiinnn i limuy *icnniu i’iuu'. ('i}iit'i\.uii\. “3‘ i‘ if

Clyde Redevelopment: Drawings by Patricia Cain l'unl in II lul \ulu \ium ii} linx im .li .ili|\l imian .u liic nvu niimn «icwiupnn'nlx .uunmi lin' mm (init- ' § ' :2?

I CCA

fill \uminciiuli Mini ‘53 ~1‘ilili

inc I‘n ii.un (min. Sui iliuin (iplll Test Transmissions 00.0 [mil Sul 33 Jul .\ slum mpinnng \ltit'li .unxlx' it'i.lil(lll\ii|[‘ \\ Ilii 'i V. lmln iili‘ t'.u|_\ \uukx nl \uin .lum' i’ulk .uui \Vnil \iwlr'ii [H ilk" [\H‘wlll (in) XL'L‘ iillil\l iAf-si fill/M“ i ll) rl i,

I COLLINS GALLERY

l'Inu-ixll} nl Snuliuinic. 3.7 ix’n'innumi Sli'ccl. 515' 35%. \lun In illuni 5pm. Sui noun ‘llllii ilcc

The Scottish Glass Society: Annual Exhibition l'uui Sui I3 \ug; (‘unipiciicnxiw minimum umi \uic nl \‘UlilL'lilliUl.il'_\ piuxx h) nmniwrx nl HIV 8( ES.

I GALLERY OF MODERN ART

Rn}u| izu'hungc Squun‘. 23‘) WW»

Kate Temple and Vicky Falconer

\inn \Mwi .\ \u iliun. {gnu in“

illuni \i‘xn. i ii A \n:: iinn ‘g‘nt Material World: Sculpture from The Arts Council Collection

O... l nni \iwn 2* \cp in‘; \ \cit'tliun ml IM‘liA i‘} illlihii .zlii\i\. liltiliiilli:i).1liii\’liiill\i.\.:l.:iiiil\.:\.ifi\i RikiiL'i \\ iiiit'it'Jtl

Chad McCail: We are Not Dead O... i liili \un i; \n: int \n miniunun w! nmx \knlii‘} ('i1.ui\i\( .ui ‘~‘~iit'\\' \‘lil'iiiliii [minim-5, \lliiii.:l 1n \ltit' in \iniiin'n'x inmkx .uui miumnwnui In! iumi.» «\piun- Iiu'nu's wl .uui Mn mi nnn-xl

Youth Panel Exhibition l n I\ lul \un i" \k'[‘ [in uni n-snil ml .: }\'.lli~‘ll;‘ [magnuan n1 ln'iiinip» \il\\ii\\ll‘il L'lillil‘\.1liii \‘.i|li.\iiw[‘\ in (in\l \\ §~iliiil [Mini

I‘L‘Hpii' .if,.'\'\i i<

: iHii‘iTtt'

.I plunp ml \nun:

I GLASGOW PRINT STUDIO

1\ ixlnj: \nwl. “3 (Fill luv \u

iii.nn < iiilllii

Rachel Duckhouse l nl!i \.u in Jul \Muk (\[iiwllllL' lin' M‘i.iln'li\i11[‘i‘x‘HM'x'li \nnpinil} .uui uunplmn}

I THE GLASGOW SCHOOL OF ART in" lx’vnln‘u \llm‘l. 3‘ li‘h Cordelia Oliver Festival Drawings 1949-1960 l‘nlii 'i in! ii \an \iut‘kinlmii illniiiing: i’nl'il.lll\ .uni til.l\\llij_‘\ lnun lin‘ k'.lii|k'\l ii.r\\ ml lin' iiiiniungii Inn-inununui immui Terra Nova III l'unl Sul 22 Jul \lut'iunlmh Building: \n miniuliun inguinxmi Iii uununt‘lnvn \\llil \iup .\i.ij_'u/1nc looking; .u liu' in'sl \uu‘k lnun lilt' i‘lllL' \li i)L'_‘_‘ICL‘ Silt)“ . '13)"

imlli'i ‘" Sufi Going Places l Hill in ix .\u;_'. i'i‘u' :\illlllil (i.iiiL‘l'_\. .\ yrin cnilmui «\unnnunun nl liuwi h} um Mun \li‘\lj_‘li \lllllt'ill\,

I KELVINGROVE ART GALLERY & MUSEUM

'\l;."\|c Slit-cl. IX" INN .\inn ’i iill t\' Sui iligun 5pm; I‘n & Sun ii;un 5pm l'i'cc

Building Stories i 111:1 \m " \‘g‘ \ u'ici‘iulxui‘. u? til; u'xtnzgizui‘ w?

(ii::\;“‘\‘~ \ I.:\unri!c inn'liitn-g

[‘itnlwgrufn .xrui liin;

I THE LIGHTHOUSE

\iihiu'ii I unc. ::i “in: \ini‘. .\ \\cii \zl ill “tun <pin. luv ii.nn fl‘rn \nn nnun *pm 1 i “UPI

Katy West i nni \nn h \n: (trunanx .znii iuinpsimiux in i\.:l_\ \\c\t Defining Place i nni\:1n_“ \‘u;

i \ininnnn ul nn.:§_'c\ inxpnuii i\_\ liic prawns minimum. in mm "m :r

\( .qJ'U-it-“v' 3111).} Still/i

Marcel Breuer Design and Architecture .0000 l nni \ui: 3 \u; \u' 1m Icu. pugc \.\ .uni ilnim SIX Architecture Awards l uni \nn 1liini \Muk in up .iiiti \unnn: \u‘iihil .ll\liiiL.\l\. .xii u! uiinii u.“ iwcn \nimnllni lul \.uiun\ .muni uunpcnnunx ' ; ' E4 Lightweight Medical l n 31 Jul \nn iii \cp liginxwigin \ininui nnwni tin-n um uvnnncn'iui pimiinl lnun ux l.illf,’\' ml il.ill\l‘Hli imuimluix ii‘t'll in! nunxlcnlnf; unnuii} lii iminm

I LILLIE ART GALLERY

\‘iulmn I\)H.l\i. \ilinymn'. Vs .\.\.lfi

luv \'.u iliuln ipni \\ 3 5pm

Face and Figure l liili i ii i-\ \ng; i'n'c iinx (\ininnun on the human inui}. \il.i\\li Imin Iin' guilt-u \ pvnnuncnl tniiu‘nnn. int‘iutim pmnuinnc .uui liu' uhxliut'l 1m- ul lilL' ligulc lli t‘t‘lliptklllnlh

Riotous Abundance / Still Expanses [hill in i.\ \ng iicc ilcuixticn imin .unxl Shunu Hun txiplnn-x un ‘ii‘liiitirliit'k' ml \‘Uiiilll .uni ilgiil Ill imlii iul‘gc \uukx .uni \nmil \Luic \nnin'x

I PROJECT ABILITY (‘cnlrc i'm Hon-lupinvniui \n\. i.\ \iinun Snu'l. 553 3533. \iun in lliuni 5pm. Face Value l liili i'l'l 3i .lui i’nrnuih h} urnxlx ll'Ulli liic 'i mnyulc Slutiim .nni Slcppm; Slum-x ..f~:?,7 ' "

.:

A mixed-media constructed environment using household materials and found objects. The installation will reference

Bauhaus stage design and deal with notions of illusionism and redundant ideals. I Pro/cc! Rom“. Gasgm. Sum 50 up —Sa.’ :T

90 THE LIST 3 A»: .f X'

Living with the Sea 1 uni l :2 i1 \‘ :\\.:;\‘\ “\ .ntth ‘.‘.".i‘. 3;..tr‘:'i:‘

ii \ "vilgx’ 'n (x \ .\\ ii‘uts. n: ‘i‘ 'n i i‘. t

I ST MUNGO MUSEUM OF RELIGIOUS LIFE AND ART

.‘( .:\ii\‘\il\\‘i. *‘1.“"‘ \inn iin; :\ \zl ilknn ‘pnx, i ll :\ \nn ii.‘.'i. ‘znn iiL'C

Women and War i nni \nn i i \il‘.‘ i‘iiulm'iupiw i\\ icnnx \i.ellizw.\.\ \xi‘u‘ imx ukntkmi l‘ \‘~.1f ,’\‘l1\'\ \il\ i‘ .i\ i \.li\.l\i\‘i lily \iitiiiic i .‘.\i \ilnu .H‘ii \l‘.‘ii.ilil\i.ili \nnu i"\‘

I TRAMWAY

7* \iiwii Iiin. "\1‘ WI‘ “Hi

inc ill ilknn ‘i‘lli \.:i \\ \nn

nunn ‘l‘lll

The Collector‘s Landscape: Pamela Sol nni \nn ill ini.

ipin iiniiicnlmnicnx \liHiih'l

\ ii.ilit\‘ in \vv linx (\iiii‘lilwli in i’.un;i.:

\H. \kiiw {\l‘ifll‘N i luv \ lliilllJi Iin'nlcx wiulinp [w in'i ( innmc \tulnxii in'lnup't' ' ' " Henry Coombes: Laddy and the Lady 0.. l liili \nn 1" ini \m'

In n‘\\. pugw‘ 5"

I 0TH ANNIVERSARY OF INDEPEN-DANCE \\mi \nn ‘li \ng' iiixpiu} ul pm! pnhln Il‘. [\iinlngmpilx .uni liilil \k'ik'l‘lJiiiii' nn \x'.il\ ml [in ii.iii|\‘..l\ \ lt'fliix'lii Inmcnu'nl ll.lli\t' .uni (ll\.li‘lili_\ uunpum '- '

Private Galleries

I CAFE COSSACHOK GALLERY iii i\lllf.' \nm‘l. <* i ii" W Iiik' \u

H “tun lipin

Otar Imerlishvili l lii|i\l1ili {I Ini i'l}_‘lil.iil\i' \xiukx [Nilil.l\lllf.' «it‘llik'\li\ \u'ncx nl ilik‘ Ill ( ix‘UljflJ .uni t'n mph ilHlli liik' ivpt'niis nl lin' ( Lun .l\ii\

I GLASGOW SCIENCE CENTRE

iii I).lk'lil\' ()nu}. ii" i355 iH.un hpln L55” (ii iii Lilli

Sound i llili X.” .‘h \n;' i’.nnllnj_'\ unii llllL'l.l\’il\L' winui \\t|ll\\ i\_\ \lulluliln‘ ( inuumi ('\[iiHllll‘.‘ \iliii'li‘lii .l\|‘t‘\'l\ nl mun nmic \Hliilii\ uim ii .illt't’l imlii [X'Hl‘it' .nui v. iliiiilk'

I LIME GALLERY

3‘)" i)lnni\.ulun Kiwi. iii h l‘.‘ \inn l'll iliuni ipin

Made in Scotland i llili i ll 1 \ll‘.‘ \cu \‘-Hli\\ i\_\ Rims i<_\.in_(nii1.in (inuiiilk‘ll. l'l.lli\ k'\ i .i\‘. \l.ll|Hll

’i inunwn. \ngciu i .mn'm v .uui i m \Ikl'.ikl_\k'il

I THE MODERN INSTITUTE “i Ruin-inu Slim-l. \nnt- (r, i iHHI i. 3-15 i"ii \iun ill lil.nn §pin. \il numn flnn

Tony Swain - The Flashes that came to Stand For Us oooo l'nni 'iiin I" in! \cu mui. in HM“ (iiuxgmx i\.1\k'ii.ilil\ili\lli_'_'lHllllli inulcnuix .uui \Hllik' Hump i'ncli luiinlqln'x “A ,9 " W" Manfred Pernice \u 3‘) ini \u Io Sup \cv. uniplnlui Inxluiiunun ii). linx (iL'iiii.lli .1lil\i. \‘.iiH l\ IL-uipiim-ii lHl ins plows lildl cxpinrc Incliuuix ml \hu'ugc .nni L'.‘ilL"_'Hl'l\;ill¢ »n

I PRACTICE GALLERY (FORMERLY THE LLOYD JEROME GALLERY) 2(iiil5uli18ircci. iiI “"22 inc \ul ‘Iuni ()pin.

Remnants: Endurance in the Wake of Progress l uni \M-d 2!) ini Photograph» ml uimminnui (lulu \ili[‘}ill'ti\. L‘liipii.1\l\lll}_’ iilL‘ ik'uulj. Hi [how «icxcrlcd nnimlrmi \llcx. h} \iultiicu i’midcn. 433' Quill/j i0 8?}?