Indian Summer \ IclHlla i’atk. \ ictoita l’atk i)ll\t‘. \\ hitcinch. (LS—00 (“Mill”) if)” \L'\' S,” 3 I The Scottish Drum Day Ro}.tl ('Hlltt'll “it”. .2 \allcillt'ilaii \llt't'l. ‘2; S000 l- lll L5: l)tutti ('ciittal lll .l\\ti\ ration lulu: ll\ lill\ onc d.i_\ lcxlnal ol tillllllllllllL’. lcatutinj: Inc pctlottnantcx. \Mlliwittlllx. \L'llllll.tl\. dcttto .ucax. kc} triauulactutctx and drum o iuctct' \tllllpk'ilill‘ll
l (ltnburgh
I The Rab Howat Band liannctuiank. \Iddt} Sttccl. 55“ i254 ipui ltcc Scc Still 2“
I Bic Runga ( 'alxuct \oliauc. W» *3 “Ian Sltccl. 33‘) (rial) (i illpltt tk llptn Llll Scc l til
I Shutter, Gasgiant and Refuse Boy |lcnt_\ '\ ( ‘cllat Hat. S Ilia \lotriwn Sticct. 33S ‘l *‘l i. Spur U llcax} poxl rock lioni thc Highlandx I Acoustic Open Mic l'hc lion. 0 Huntct Squatc. iiljJil Strcct. 230 00*]. ‘lpui i'lt't' Scc Sun 3“
I Kid Mist, Dee Mond, Martin BSE and LAN Formatique 'l‘hc l.clt Hank. i" (iuthric Sttcct. 325 07H. ‘lptti i‘lt't' i.l\t‘ clcctionica at lill\ illSllllllL' lot lzlccttonic .\lll\l\ [llk'\L'lll;tlItlll.
Monday 4
Glasgow
I Acoustic Jam \icc'ii'Slcax}. -13l Sauchichall Sttcct. H l 0000, Split. i't'L‘L'. SL'L' \lotl 33.
I Green on Red Kl”): 'l'ut'x \\'ah \Vah Hut. 372a St \‘inccnt Strcct. 32| 527‘). S. illlllll. U5. \ctcrau :\lllL‘l’lt‘;tll;t outlit. lcaturtny gtittarixt ('huck l’iophct. uho \\crc part ol thc \ainc \\a\c ol p\_\chcdcltc l'olk lroni \xhich Rl'..\l lirxt ctncrggcd Ill thc car|_\/ntid~ Sllx.
Er‘linburgh
I Open Mic \VilhliL‘i‘IllleS. 4 (l Soutlt Bridgc. 557 5| l4. ‘lptti. l‘rcc. Scc .\lon 33.
Tuesday 5
Glasgow
I Adriana and Pictures of Sound Soundhaux. ~17 ll_\dcpark Strcct. 32l ~lh5‘l. 7.30pm. £5 tU l. ()\cr- i~i\ \lltm. |.oca| \uigcr/wnguritcr pla_\\ this lionihxlicll night.
I Peter Rowan and John Renbourn ()ran .\lor. 73| 735 (ircat \chtcrn Road. 357 (i300. Spin. £13. (il'allllll) .-\\\ard “inning: hlucgraxx artist lx’ouan ltlllh lorccx \xith c\-l’cntang_'|c \ trtuow guitarist chhourn lot" a connoixxctiIN cwning ol~ tlltl\lc‘.
I The Seventh Stair, The Rodents, Pablo Goes Nuts and Opportunity Club Barth. 3m ('lxdc Stt‘cct. (M) on" WM. 3pm. [4. ml punk pop lroni I‘hc Rodcntx.
I Breaks Co-op King; 'l‘ut\ \\'ah “ah Hut. 3"2a St Vinccnt Strcct. 33l 537‘). Sfitlpin. [7. .\tuio\phcric Hcck— inllucnccd :\u\\ic trio lcatnruig otic /.anc [on c tit thc hnc‘up tplcaw notc /.anc hasn‘t conlirnicd that hc \\ ill hc appcarnig on lill\ particular datcl.
I Co-exist, The Black Lodge, Remains of the Dead and Warwound I501 \otc (.iliL'. .50 (ill King Strcct. 553 “SS. ‘lptn. L5. l-'.\trcnic nictal \inorgaxhoid.
I Failsafe, Red Snowman and In Ernest Bar Bloc. l l" Bath Strcct. 5‘4 olloo. 0pm. l'rcc. Ra“ k.
I The Low Miffs and Information Control .'\B('3. 350 Sauchichall Strcct. 332 3233. 10pm. £3. Kalcidoxcopc night l'caturing 'l‘hc l.o\\ Mitts. \\ ho hclpl'ull} dcxcrihc lilL'ltl\L‘l\C\ a\ ‘Stockhauxcn mcctx .lon l’crt\\ cc'. ()h. likc that . ..
Edinburgh
I Band Showcase \Vhixtlchinkicx.
4 (w South Bridgc. 557 5| l4. 9pm. l5rcc. SCL‘ Tuc 2‘).
46 THE LIST .f-i Anti-5 Set 2303
Wednesday 6
Glasgow
I Buckcherry lhc ('athouxc. l5 l'ntott \II'L'L'I, (ilillh “pm {Ill ()\ct i-lx \hou Hard toc kcrx trout |.o\ \ngclw
I Acoustic Open Stage llic Hall Hat. loll \\oodland\ Road. ‘53 00”“ Spur i'lk't' \L'L‘ “Cd ill
I Colette McKendrick, Lou Hickey and Some Boy Hartl}. 2o0 (‘l_\dc Sttcct. llS-ll‘lllqll‘)‘l‘l Spm {J lltlt‘ll
\lllfJL'l \UlljJ\\lllt'l \xho ha\ hccn likcncd to (‘_\ndi l.atlpctslltg»Kcatlc
I Eighteen Visions, Take the Crown and The Blackout Ktnj: lutK Wait Wait Hut. 253a St \tnccnt Sttcct. 22l 53‘” Split Llll ()xcrl-lx \ilo\\ l‘nc angular hancutx and \HlllL‘ hclt} punk rock l'lli\ lrotn lill\ l'S hand
I Michael Simons 'l \ilill ()Hta. loll l)can\ton lltnc. h-l‘l "35S Spur L3 Scc \Vcd ill
I Spaceman Lance, The Glass Animals and The Dirge l lth .\'otc ('alc. 50 (iii Klll}: Strcct. 55i HHS ‘lpui U Rock. nictal. \ka. punk,
Edinburgh
I Open Mic l) ( )nc. ~1.\' 52 ('onxtttution Strcct. Iclth. 553 2020. hpnt, l'rcc. Scc \Vcd 30
Thursday 7
Glasgow
I Aiden and Audition 'I‘hc (iaragc. 490 Sauchtchall Strcct. 333 l|30. ,"ptn, {I3 ()\L'l* Hx \htm. Scaltlc ilttltd .~\ldL‘ll proniotc thcu' alhtun .\'tulimmrc .vl/tqu/m. I Jeff Finlin .-\H('2. 330 Sattchichall Strcct. 333 2232. "pm. U). .»\tncrtcana. Brucc Springxtccn illlll\L‘|l has climcn onc ol l'inhn‘x trackx. ‘Sugar Bluc'. ax ill\ intro lor all hix \ito\\\.
I Kino Box, Feral and Social Schism 'I‘hc ('athotixc. l5 l'nion Strcct. 3.18 (itillo. “pin. [5. .‘\ilL‘l‘llilll\ c rock bill. I The Subways and The View (’arling .-\cadcin} (ilaxgtm. l3l liglinton Stu-cl. 0370 77] 3000. 7pm. {I350 'l‘ccn riot indic rockcrx. rcccntl} \potlcd cntcrtaining thc hcautil'ul kld\ on 'l'lic
(K i.
I Neville Staple 'l‘hc .-\l’L‘llL‘\. 353
:\rg_"\ Ic Strcct. 0870 340 7538. 7pm.
[l0 L'l3. l-‘orutcr Spccialx and liun Bo} 'l‘hrcc \ocalixt \xho hax kcpt hintscll hux} hcar “ith a lilnt. talk. gig and UL until .itlltl.
I Ummagumma chlrcu l'crr}. .'\ndcr\lon Qua}. 'l'hc Brootniclan. ntms 2(i5 5| I. 7pm. L'llltaduincc‘l. £13ldoorl. i’lllk lilo'ul trihtttc.
I Playtone, John Carson and Mindset Halli}. 260 (’hdc Strcct. 0870 ()07 000‘). Spin. [4. A 'uniquc hlcnd ol' acottxtic and clcctric rock‘ l'roin l’|a_\}onc, I The Plimptons 'l'chai ()\na. 42 ()tago l.attc. 557' 4524. Split. £2. .-\nolhcr ol‘ 'ahxurdo-pop' hand 'l‘hc l’lirnptonx‘
x) inpoxitnnx ol' pop
I Bronto Skylift, The Makos, Little Panic and Stroszek \icc‘tt'Slcal}. JZI Sauchichall Strcct. 533 0900. 8.30pm. £5. lndic and clcclronica.
I Gamble Gamble 8. Drever, Calibrate Jack and The 1,2,33 Soundhau» «l7 llylcpark Strcct. 33I 4(i5‘l. S5llpttt. £4.50. chular Soundxct \hoxxcaxc ol' llL‘\\ hand\.
I Live Music .\lc(‘huillx. 40 High SlrL‘Cl. .552 2155. 0pm. i'il‘CL‘. 500 Thu 24. I Page 6, The Contradictions, A True Story and Exit Pilot I501 .\'otc ('al'c. 50 (ii) King Strcct. 553 MRS. 0pm. £4. 'l‘hc hcadltncrx arc pop l‘unk l‘rom Dundcc.
Edinburgh
I Jackie Treehorn chr} \ ('cllar Bar. S Ilia Morrion Slrccl. 238 9593. Split. [-1. itldlt‘ t‘tk‘k.
I Spies in The Wires (‘aharct Voltairc. So 38 Blair Strcct. 230 him. I lpin 3am. £5. Scc Spicx in thc \\'irc\ L‘UllllllllL‘\ \\ ith the dark. throbbing clcctronica from S}dnc_\ -ha\cd duo The l’rcxctx and indie pop from Foal. l’roduccd in conjunction “ith 'I'hc List.
Events are listed by date, then city. Submit listings at least 14 days before publication to henry@list.co.uk. Listings are compiled by Henry Northmore and Kenny Mathieson.
Thursday 24
Glasgow
I Jazz Jam Session Rio ()nc. 3‘ H_\ndland Sttcct. H~1‘l‘lll‘l Spin l'tcc .la/l |.tlll lcd hx diuniutct .lnn \\ intc
Edinburgh
I Niki King and Marcus Ford llic .i.t// Hat. 1 (‘hauihcrx Sticct. 220 ~12‘lll lpni LES It'lldt'l and uttunatc .tcttthllc halladx and \ophixltcatcd \l.tlld.ttd\ ttotn thc \tar |a// chantcuw and talcutcd guttarixt
I BBC Four Late Edition, The Transworld Orchestra and The Cha-Cha-Cha's lhc .laut Hottw. 5 ()uccn Strcct. 220 J iS0. 5pm Ihc l\c\l til lilL‘ lL‘\l ltll' lt't'tlldlllg\ Hl lilk' “Hf l-onr\ l.atc Izduion at 5pm. lolloucd h) \mrld intmc and thc houxc hand.
I Colin Steele Plays Miles Davis .la// ('cntrc. 'l'hc l.ot. J/(i (it';t\\lll.tl'kt‘l. Jo"? 5200. 7.30pm. L'S. (‘olin Slcclc rc\t\it\ claxxtc .\ltlc\ |)a\t\ ltotn thc 50\ and (illx. \ktth \llppol'l lroin l’htl liattcroll on \a\. Hand Mtlltgan on ptano. l\'cnn_\ i’.”l\ on haxx and Stuart Rttchtc on tll‘tltllx.
I The Maria Speight Quintet so ()ticcn Strcct Bar attd chtauranl. Sll ()uccn Strcct. 33o 5007. Illptii. .'\n Atticrican plttl/ \ocalixt lrotn thc dccp Sottlh [k‘l‘ltll'llh \\ ith thc Marta Spctght ()uintct. “can my tc\turc\. colour\ and \tllli throughout llltllll\ll'L‘;llll \tandardx and thc (ircat Antcrican Songhook.
I Beat Root Juice 'l’lic Jan liar. l ('hatnhcrs Stt'cct. 220 4300.
10.50pm 3am. l-‘rcc. .-\lro-hcat. l.attn and \ktt trout rcxidcnt hand thc (ioal Stcu ()rchcxtra. plux I)J Barn and thc odd |i\ c gucxt attd \pinncr.
. Valery Ponomarev International Quintet 'l'hc Jan liar. l ('hatnhcrx Strcct. 330 4200. l0.30pui. L'5. l)ircct
lront Ncu York thc l'S \tar. u ho took thc
trutnpct chair \\ ith .'\rt Blakc) \ Ja// Mcxxcngcrx lor l'otir '\car\. pla'u \l\
tughh at thc .|.l.'/ Hat .tittllf3\ldc‘ an ail \lal Intcttiattona‘. ltnc up \t‘llll‘lhlllj,‘ \latttn /cnkcr l‘axv. (link | \.1ii. upiano'. (iotdou \lc \ctl \.v.\ and Hill |\'_\lc ‘tiltlllh
I Goat Stew llic la/x ll.” ('hatul‘ctx Sltccl. 330 13"“ l :llall‘. \\otld tootx. .tllt‘ l‘cat and l .tllll lla\outcd la/X ttonl lol‘} Slupptw ix x:\ pictc hand
I The Really Late Jam Session Ihc .|a// Hat. 1 ('hattil‘ctx Sttccl. 220 43"“ i 5am .la// \attctx \hon ax thc Housc ltio lxuk .dl klllti\ ol taxi plawt \xlto drop lll lot a tint. k \cxxton
Ltltnliutgh
I Niki King and Marcus Ford lltc .l.l// Hat. l ('hautl‘ctx Sttcct. .‘.‘ll 13"“ lpttt LS Scc Ihu ,‘l
I James Winter, Bobby King 8 The Kingfishers, The Trans World Orchestra and The Flavours llit- .latti llouxc. 5 Uncut Sttcct. .‘.‘h liSll hptn (‘o\ct~. acouxttt. tunk and \\i‘liti llltl\lc trout thn lit): hnc up
I Colin Steele Quintet .i.t// ('t-nnc. lhc l ot. l o ( il.t\\lll.tlkt'l. UV 5300
5 illput LS ltutnpclct ('oltn Stcclc ik'\t'.li\ lilt' llt'\\ \t'iSlllH ill ill\ .t\\.tlti \\llllllll_‘_' qtuntct. \\llil \a\ophont\t \ltchacl Hucle It'llllllf.‘ thc t‘\l.ti\it\ilt‘ti th}thui lilo ot Il.i\c \lilllg'au lptanol. .\tdan (lillonncll ldoulilc i\.t\\' and lohn Rac ltil'lllll\l
:11 Valery Ponomarev International Quintet llic .l.t// liar. l (liauthctx Sttcct. 230.1300 l0 iiilllll L5 Scc lhu 2-1
I Melissa Stott 8. her Trio Ml ()uccn Sttcct Hat and |{t'\l.tllt.ttll. S0 (‘luccn Sttcct. 23h 50”" llptil ltcc iitlltlfgtlgt il.t\t‘ti \IlljJL‘l Mull \Hlllt‘S lH |'.dtnhurg_'h lot t|u\ c\c|u\i\c pcrlottuancc
I Fish Fry 1 hc .la// Bar. | ('li.itithct\ Sttccl. 320-1300 ll illpui 5am l5 Scotttxh |.l//. lunk. \oul and I .lllll il.lllti\ ltlllt |)J\ lattk l)’\ lkllljJ and \\lttti\iI}. lllL'illdlllj.‘ ia// atid lttnk ltoui (noon-ink
Stirling
I Bert Jansch lolhooth. .lail \\_\nd. iii-‘3“ Zilllllll, S lllpm_ Ll: tLIlll \ li\turc on tltc l'lx' lllll\lc \ccnc \lilk c thc Niki-(ilk. thc ground htcakuij: t'llll.tll\l contuiucx to lll\[lltt‘ \xtth ill\ untam- hlcnd ol lolk. lilucx and |a//
I, V,. Being the only all female band entertaining the
' baying rawk mob at this year’s Download festival can’t have been the easiest of propositions for The Hedrons to take in their stride. But by opting to strike out on a traditionally male-led path as a hard living, big riffing, guitar swinging four piece, playing the game on the boys’ terms is something they’re clearly prepared to accept. And with a seemingly non stop touring schedule booked and debut single on the shelves, they ain’t half bad at either.
K'Tg Tut's. Glasg Thu 37 Aug.