SIMON AMSTELL Not (10an it for the kids 00..

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. 531' ~wrwwvw~ e~~~ ,atw .Aag, I 4M: 1 H w ' ' ' i - - . FRANKFE BOYLE attraction, the Falkirk Wheel (‘the people of Scotland ' ' ' -5 -' ' r ' S|aughter'ng a sacred COW or ten .... have come up with a wheel. Only 2000 years after every other fucker‘), to the notion of sending glass-bottomed At one point, about halfway through his set, Frankie boats down the Clyde (‘I can just imagine the tourists ED BYRNE Boyle takes a break from his rapid-fire delivery, dons a faces when it goes over the first corpse'). He‘s also Ranting “Wing and rOHiCkmg huge crown and steps into a tight spotlight to deliver wizard at taking a theme from paedophilia to ID cards .... his ‘thoughts for the day’ accompanied by Alice to the government‘s ideas on education and wringing Cooper‘s ‘Poison‘. He advises his audience that this the last outrageous comedy drops from it. section is ‘a bit mental, but go with it; it‘s very short.’ Boyle is particularly adept at zeroing in on the This five-minute diversion aside, The Voice of Black audience members who are ripe for humiliation. When America is refreshingly devoid of gimmicks. Boyle’s an asking one woman where she comes from, the shrill unapologetic stand-up of the old school, railing shriek of ‘California!’ is enough to send a ripple of acerbically against all the nonsense that surrounds him bloodthirsty anticipation around the audience. ‘You're with eye-popping incredulity. gonnae wish you hadn‘t stuck your hand up,‘ grins The punchlines come thick and fast, the comic Boyle wickedly. (Allan Radcliffe) tearing up an entire farmyard full of sacred Scottish I I ' ~ .-' x ' ' cows, from the country's most frequently visited tourist : ' ' .- ' ' ' : i ,-

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