Theatre
I PAISLEY ARTS CENTRE New Strccl. HHT Hill) Ill. “(I “A! Defying Hitler lit 22 Sup. 7 3UP”). £3.50 tL'5i. l'nllmxtng it sell-nut \utu-xx on Bituithui}. 'l‘hculi'c l'nliinitcd hi'iiigx llll\ candid account nl .‘l )niiiig iniin‘s lllt’. le'tnklllg up in “t'l'llll under the .\'ai/ix. hack to thc l'K.
Vox Motus: How to Steal a Diamond Salt if) Sup. 7.30pm. £3.50 1L5),lllc inui'k} f'L':lllll\ (ll intci‘nnliuniil thnnmntl \tnugghng.
I PAVILION THEATRE
ill Rt‘llllt‘ltl Silt‘t'l. 552 L540. \\‘( '. \VAI
Mrs Brown’s Last Wedding l‘niil Silt ill St'p tnnl Sun/Mont. 7.30pm. £15 U050, Brendan ()'(';ii'i'n|l ls .\gncx Bitmn III the lii‘xt purl til the pttplllill hit t'lllllt‘ll} trilug} about it t_\pit‘.'t| |)iihhn inninni} zind hcr t'ninicul .‘ltl\L'llllll‘L‘\.
Mourning Mrs Brown The 3 Sui I4 (m. 7. in In I5pni. L'IS Unfit). The second part til Hi‘t'ntlain ()’(';it't‘u|l\ hiliii‘iutix ll'l\ll clinictl} in which he Illil}\ lhc nutrngt'nux .\lrx Brmxn.
I THE STUDIO
0| Sgiltniui'kct. 552 7578. Zug-Zwang & Did I Call You? 'l'uc i Sin 7 ()L'l. .\'pni. £5. Dutith hill til L'Ulllt‘lllptil'ul'} hutilitluc pci'ltirinnnccx. .\liii‘lin ()'('unnur ltt|k\ uhnut llllltIL‘l'll llliht‘llllllll) zintl tillers group therapy in /uu fitting. and in /)itll('ul/)ii1t.". Inn .\'tilt} inwxlignlm him lcchnulng) has \lmpctl our liwx. through intct'uctnc lc\ting_' :intl ll dash ul' i‘cti'u- lttltii'ixnt. l’url u/ (i/muuv.’ 2mm.
I TRAMWAY
25 Albert l)ri\c. “845 Ml) 350i. |\\'('. \\'.»\|
My Dark Sky l'ntil Sat 23 Sup «k l'nlil Sztl 3” Sup. 7.30pm. £5 £7
tU Ht. light-ti on the ti'uc slur} nl‘ Ham and Sophie Schnll. this new piccc limit Rut-ling: & “tithing i'nlltmx incinlwi‘x ml The White Rtm‘ group through the lilxl darn til thcit' pl‘t)lL‘\l.\ against lllllL‘l' and the .\'zi/i regime.
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I TRON THEATRE
(i3 Tmngutc. 552 «1267.
Drenched Thu 2] Sat 2“ Scp. Spin 2;" H4 t£5 t"— l. .-\ tlllL"\\Ulll.lll \htm lmnt Btvilcrhnuw uplnrin; murder.
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I BRUNTON THEATRE
I.§ltl}\\C“ Viki}. .\luxxclhurgh. (m5 224i). [l’. H. \\'(’. \VAI
Lion of Kabul l'ntil Sat 23 Scp. Scc Klkl\ |i\tingx.
Losing Louis Thu 21 Sui 23 Scp. 7.30pm. 9; NS“ «9.8:. lini‘dcrliitc Theatre presents Simon .\lcndcx dc ('mtii’x \t‘l‘llllh coined) about ltllllll} llltlllL'I‘N. In one (ll thmc rgii'c ninnicntx ul l‘L'\(tllllltlll. it lillllll} wnlrunt their past in the bedroom uhcrc thc chum hcgun. 5i) _\Cur\ hclnt‘c.
Sweet Home Chicago Wed 27 Scp. 7.30pm. “4 if! l.5llt. The hit \llll“ featuring lllll\lt' from Mr lilim limi/it-n. l‘llh Arcthgi l‘runklin. JitlllL'\ lfrtmn. 'l‘uinni) Wytcttc and mum \\ ith the Bullet Blllt‘x Build
John Laurie, Frazer and film 23 Sup. 7.30pm. t‘l l.5l) it‘ll. Inn \Vult tillers u tribute to John lnuric. l'ih/Ci‘ from TV \IlU\\ [hit/K .-lrm\. on the 25th illllll\L‘l'\;ll‘} til the actor'x tlcailh.
Jaleo Sui 30 Sup. 7..‘~(lpni. [I I50 (£0.50 UH. Award-“inning authentic llgtincncn packed \\ ith mplmixc llltll\\(ll'l\ illltl \ ii‘tumn guitar plzi} ing. Meet the Curve Foundation Dance Company Wed 4 ()cl. b.3llpm. live but lickclctl. :\ chuncc In ntccl thc Bruntnn'x rmidcnt duncc cnnipun} and Mitch cwcrplx from their pcrl'ni‘ninncc pmgruniinc.
I FESTIVAL THEATRE
l5 3‘) Nlctilxttlt Sll‘ct‘l. 53‘) NH)”. Ill. .\'( ll). \\'(‘. \\'.-\|
Zurich Ballet: Winds in the Void (In Den Winden lm Nichts) Wed 4 Sui 7 ()cl. 7.30pm. L‘Itl £28. Sec pit-x icu.
I THE JAM HOUSE
5 Quccn Street. 226 4380.
A Play, a Pie & a Pint: Sea Change l'ntil Silt 23 Sup. lpnt. L'll). mm llcthcringtnn L‘.\Dl0l‘L‘\ the lure of the ocean and the cl‘l‘cctx of climate change. A Play, a Pie 8: a Pint: Tir Nan 09 Mon 25--S;it 30 Scp. Ipni. L'll). Sec (ilnsgtm. ()run .\lur.
A Play, a Pie 8. a Pint: A Fortnight in The Seychelles Mon 2 Sat 7 ()cl. lpnt. i l(). Scc (ilusgtm. ()i‘un .\lm‘.
(it >Mé MM map. THE BED CCA. Glasgow, Sat 23 Sep
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How does sleeping with 40 strangers in one night grab you? Well. the mother of all one night stands is about to arrive in Glasgow. so dig out your best pyjamas. Despite how it sounds. The Bed is in fact a perfectly respectable contemporary dance show. created by award-winning choreographer Angela Praed. Unlike most trips to the theatre. however.
this one lasts all night.
Armed with a sleeping bag and pillow, you arrive at the CCA at 9.30pm. watch some dance, sleep, eat breakfast then head home. having experienced something quite unique. ‘It‘s not in any way frightening or daunting,’ Praed assures us. ‘Most of the audience will fall asleep. which is
actually part of it.‘
This is the fifth time Praed has staged The Bed. and the show has evolved along the way. Two dancers perform throughout the night. their actions initially centred on a double bed. But as the upright audience slowly becomes supine, the movement Spreads through the room.
‘People tend to wake up. watch some more movement and then drift back to sleep,‘ Praed explains. ‘So the dance mingles with their dream state.’ As the hours pass, audience members are free to leave the performance space to grab a coffee in an adjoining room and talk about
the show.
‘lt’s really interesting watching how people’s perceptions change,‘ says Praed. ‘To see them wake up in the morning and eat breakfast having shared something together through the night - it’s quite beautiful.’
(Kelly Apter)
I KING’S THEATRE
2 [.0 Cl] Sll'L‘L‘l. 53‘) hill)”. Ill. “(1 \\'.'\I Two Mon 25 Sat 30 Sup. 7.30pm (Wed & Sal ntail 2.30pm). {I3 {2| (LN) L l 3). 'l.\\tt Ul SL‘UllulttIK ltt'xl lt)\L‘tl ilt'ltll'/L‘UlllL‘tllilll\. lilninc (‘ Snitth and And} (il‘;l_\. star in Jim
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Theatre Guide Thursday 21 Friday 22 Saturday 23 Sunday 24 Monday 25 Tuesday 26 Wednesday 2/
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88 THE LIST 2i Sop—:5 Oct 2006