Shrigley. Maybe it’s just the impatient

scrawling. or his ability to capture the grotesque with stark monochrome. Or maybe it’s the fact that they can make you smile and feel sad at the same time.

Such is his prolific output that he has left in his wake a score of books. spoken word LPs, posters. prints and photographs.

Shrigley comes up with enough ideas in an

I t‘s hard not to love the work of David

Macaw” EMSH EN

guy ncmmou |~ Forfn Aflf,‘ 5t~¢E TH'EY 9" ~°T HAV‘ Rfawftws

AUTHoRlithoN To (ONTIDJUE' Fun-«err

/ roULl canth / n H“: V RtéEPTIom

DISK “REE

\Ei”‘"‘>l er.

l

«.r""

OFF1L£51

VAULTS, ETC (flvrhofllzeo

PERIONNEt O~LY)

WOULD YOU 5ftLL IF I LOOKED (AND :MCLr OF Pin-t)

LOVE ME

LIKE THIS ,’

afternoon to fill galleries from Hoxton to Helensburgh. It may look disposable. but like his spiritual forefather Ivor Cutler a man who was judged as ‘funny’ when he was in truth something more elementally brilliant Shrigley has gathered devotees worldwide while remaining aloof to commercial forces. After 12 years hovering on the fringes of public conscience he finally gets his first solo Scottish show at DCA. For the new exhibition he asked

N EITHER USEFUL NOR THOUGHT- PRovoKmG

DAVID SHRIGLEY

people to submit ideas for posters for events. He ended up with 300. Here are a few of them. along with some of the highlights of his earlier work.

In a world where so many things are wrong, David Shrigley‘s work just feels so right.

DCA, Dundee, Sat 18 Nov—Sun 21 Jan. Dr Clock’s Handbook featuring contributions by David Shrigley is out now published by Redstone

FACE$

' r nut You! PM",

2-16 Nov 2006 THE LIST 21