Isle Of Mull
I Phil Cunningham 8- Aly Bain An 'lohar. .\r:} H lcr'ratt'. 'lulrcrrnur}. 0th3 ill: III S iliprrr tllllth rrrcrnhcrxr .\ rrrght ut lltltllk' .llltl lmx lr'nrn tun nl tht- tnuntr} \ hut ll‘\L'tl
Wednesday 8
Glasgow
I Workshop Series IllL' \allutral l’rprnj: ("t-nut: \lt'l’hatt'r Strt-t't. ('rruttrtltlt'llx 35” §<ll Illalrl Irwin. Li) tL-ll \t't' \lttll (\
I CLASP Competition RS \\l| ). Rt-nlrt-u Strt't't. “I illi" lllarrr *prrr l'r't't' .\ «la_\ ol uunpctrtru' cwutx lrrr arnatt'ur prpcrx or;3.'rrrr\t'tl h} tht' (‘nrnpt'trtru' |.ca§;ut' lnr \rnatt'ru Solo l’rpt‘r‘x. l’url n/ I'l/ung [Ill '
I Piping in the Square ( it-urgt- Squart'. Ilarn iprrr. l'lt'k' St't- \lnu (\ I Piping Live! Recital Series "I lit' National l’lpllljJ ('t'ntr't'. \lt‘l’hatt-r .Sll‘t't‘l. ('tm t'ntltlt‘lh. .337 RRll lpttl (3 (Ur). 'Itrtla). \Vrllrt' \latt 'allurrr [‘t'l'ltlHHS
I Gordon Duncan’s Tunes lllt' National l’rprng: ('t‘ntrt'. \lt'l’lratcr Strt't'l. (‘rmt‘atltlt'nx LS7 *5] l. 2. I ipin. l‘rct'. ('l) and hook launt'h t't-lt-lrratrng tht' latt' St'ntltxh \ rrlurmr l’tul u] l’r/mru [MN
I Pipe Idol lllk' National l’rprn}: ('t'ntrt'. \lt'l’hatt'r Str't‘t't. (‘mwatltlt'nx 387 55] |. 3pm. l't‘t't' Sct- \ltrn (r.
I Four Nations Concert 'l‘ht- National Piping: ('t'ntr’t'. \lt'l’hatt'r Slim-t. ('tmcatltlt'nx. 3S7 SSI l. 5.30pm. LS (UH. Piping: ll'iltlllltllh rrl lr't'lantl. l-‘ranu'. liuglantl and Scotland. \\ rtlr Rt'narxxant‘c t\' t'ar|_\ (iat‘lit' harpx. I’m! H! I’m/nu lire"
I Oirfeid RS.\,\H). lx’t'nlr'm Strt't't. H3 5(l57_7.-15prn. t'l-lrt'lllr..v\n cu'ning ol (iat'hc lraxctl piping; \xrth Hochax. lain antl ;\||an \lat‘lhrnaltl and (irrogair l.£l\\l'lt‘. .-\nna .\lurra} and Brian (l'llt'atlhr'a. l’ur/ u/ l’i/rmu lir'ch' I Michael Simons 'l'char (h na. I)L‘&lli\lt)ll l)rr\t'. (r10 7358. Spur t3 (ilaxgrm haxt‘tl guitarrxt plan lolk/hlut'x.
I Piping Live! Festival Club 'l‘hc National Piping: ('t'ntrt‘. \lt'l’lratt‘r Sll't't‘l. (‘tm (:ttltlt‘lh. 337 SSI I.
Ill. illpnr. [7. Su‘ Mon (r,
Thursday 9
Glasgow
I Workshop Series 'l‘lrc National Piping: (‘cntr‘ta \lt‘l’halcr Strt‘t‘t. ('uut‘atltlt'nx IS? 55! I. Want noun. Ll) tL-ll. St‘t' \lttll (i.
I CLASP Competition lx’S.-\.\ll). chl‘rcu Str't'ct. 333 5(l57. Illarn Spin. l'il'L‘L'. St‘t' \Vt‘tl S.
I Piping in the Square (inn-gt- Squarc. l Iarn ipnr. l‘rt‘c, St‘c Man (i, I Piping Live! Recital Series Ilit' National l’lpllig ('t‘ntr‘c. \lt‘l’hatcr Str‘ccl. ('mwaddcnx 2h" 55| l, lprn. LS (UH. .llltlil}. f\lt‘ll 'l'ul|_\ pt‘r'lnr‘rnx. I’ur/ (if I’i/rmu lut'.’
I Pipe Idol 'l'ht- \atronal Piping: (I‘llll't‘. \lt‘l’llttlt‘l‘ Sll‘t‘cl. ('tm t'iltlklk‘llS. 387 SSI l. 3pm. l-‘rcc. Scc Mon h.
I Todd’s Bar Piping Recital Challenge lord It‘tltl liar. ('arnpux Villagc. l'niwr‘xit} ol‘ Stratht’lnlc. 5-18 3435. 7.30pm. ("a l-t‘aturrng. on thc Highland hagpipc. .-\|a\tlarr (irllicx. .-\ngu\ Mat-Coll. Stuart litltlcll. antl Iaxt _\car'\ \\ rnncr‘ (itrr‘tlon \Valkcr. ’trrr ufl’i/rrirg I.rr‘¢1'
I Pipes 8. Strings St .-\ntlrt~\\ '\ rrr thc Squarc. St Andrcxx '\ Square. 55‘) 5002. 8pm. {l4 r£lllr lixcnurg ol' traditional Scottixh rnuxic tlctlicatcd to the fiddle and the hagpipcx. \xrth l-‘rnla_\ MacDonald and (‘hrix Stout. Sarah .\'a_\'|or and R0“ Kcnnctl} antl lain MacDonald and Iain Macihrlarrc. ’ur! afil’r‘pin‘u lir‘t'.’
I Piping Live! Festival Club 'l'lrc National Piping (‘cntr‘c Mcl’lratcr Strcct. (\“VCRILILIL‘HS. 287 55l l. l0.3l)pm. £7. SCL‘ Mon (3.
38 THE LIST :-9 Aug 390‘
I Bohemian Strings \trt-laai; \. 3W Hall; Mtg" 21‘ 1"“ \g‘t‘.‘ 1‘ \ "li';'l.:lllllrt' .r? :rrmu Y. ' rrrfirrtlrrr:
Events are "Sted by date! the" hurl» lv. I'\«ul.rl\ .:rr.l Harttrialrx'rtwrtrrcti city. Submit listings at least 14 r rrrrl‘. \rwrrt-wr .m |.-.r: ulnar days before publication to ‘.rwlrr‘.\ “.1 r ;n.r\...§. \r..,rz:n.r.ri_~ an suzanne®list.co.uk. Listings are tullr»
compiled by Suzanne Black and (a I V
Carol Main. I Culross Music and Arts Festival \.:rr~~u\ ‘\\ll‘l‘l Irrrrcx
Thumday 2 \.u‘. l’rrt A '-.:l‘~ l 1w tl.r_\ \ r‘atla'tl at. rtlr
t'\t'r_\thrrr-' trorrr \ll.llll.l .rrrtl turrrt'tl} to GlaSQOV/ lhc t'xcrrt .rlw rnt lutlo I Organ Recital l\t‘l\|tlf,‘lrr\t‘ \rt (Balk-r} .\ \Ill\k'l|lll. \rjgtlt- \llk'i'l. To ‘H‘l‘l lprn lrt't‘ \ wrrm ul tlarl} organ in rtalx In mid .rural attornr‘arrrrncnt to lllL' lit-autrlul \urrurrntlrrrgx nl Kt'lxrrrgrnu'
xt‘rurtw. “I W
upt'ra .urtl ltluw
llrt‘ (‘ulrrrw \lt'tlrt"..rl Hrrrglr | air on Sun ‘ \llf_'llr\lltrrtrt~r1
St. Arrrlro.‘.'s: I Thursday Evening Chamber Recitals \t \ll\llk'\\\l run'rxrtt \luxrt
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EDINBURGH YOUTH ORCHESTRA WITH JULIAN LLOYD WEBBER Paisley Abbey. Tue 7 Aug
One of the UK’s top youth orchestras, Edinburgh Youth Orchestra understandably has an impressive roster of professional artists keen to work with its talented young musicians. But this year it is the stuff that dream teams are made of as the 100-strong group welcome not only RSNO Principal Guest Conductor, Garry Walker, but also world-famous cellist, Julian Lloyd Webber to their six-day Scottish tour. After opening the Aberdeen International Youth Festival, a first for EYO. they then notch up another first in making their Perth Concert Hall debut before the tour’s final stop in the magnificent Paisley Abbey.
It is of vital importance to Lloyd Webber that he plays with orchestras such as EYO, of which he has also just become a Patron. ‘I love working with young people,’ he says. ‘They have a tremendous enthusiasm for the music. Of course they very much depend on who’s working with them and Garry Walker is an excellent conductor who gets enormous respect from the players.’
An ex-member of EYO (another cellist), Walker is almost young enough to be one of the band. But, says Lloyd Webber, ‘One of the first things I noticed was the great discipline he maintains in the rehearsal room. He gets on with the job and the orchestra plays for him.’
In the year that marks the 150th anniversary of the birth of Sir Edward Elgar, it is perhaps inevitable that they'll be playing the ever popular Elgar Cello Concerto. ‘lt's played worldwide by all cellists and we all love it,’ says Lloyd Webber. ‘I never tire of it and every performance is different. Fascinatingly, it got off to quite a slow start and really only became popular in the 605. It’s a personal, intense, deep and lovely statement by a man who was near the end of his life.’ (Carol Main)
tt'rrtrc. \«rturgcr Hall. \nrtlr \trt‘t't. tll 1‘; HUT?“ \r‘rr: :1 Air lx‘cstrlar \cxxrunx Tmturrrr: \\:'1l:.::rr \rcwrrwn on tlrc prann
.rrrtl ‘~.:llr‘ll\ rrruxrt r.rrr\ .urtl \lll‘.‘\'l\
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I Organ Recital lxclxzrrsruxc \rr (iailcn t\ \ltrxcurrr. \r;'\lt' \trct'l, _“t\ ‘5‘)" Huh lrct' \‘t' llrrr _‘
(errross
I Culross Music and Arts Festival \.rrrnu\ \t'rrrrm. “I “i \Stli-l‘l lrrrrm \.rr\ l’rrtcx \.u\ \‘t' llur .‘
Saturday 4
Glasgov.’
I Organ Recital l\\'l\lll:.'l\‘\k' \rt (Lillcrx t\ \Ill\t'lllll. \lL'\l\' \trt‘t't. .‘ ‘tr ‘5‘“) lprrr lrt‘t~ \t‘t‘ llru .‘
I National Youth Orchestra of Scotland Rmal (‘urrtt-rr Hall. .‘ \autlut'lrall \trt‘t-t, “I Slltltl ‘ Ktrprn tlll LIN '1‘ f". \lutlt'nt t llll\l LN lht' \xurltl prt'rrrrt'rt' ml (it nsrrsr h} \l.r\\\t'|l (it'tltlt'\. \\.tlltllli\ \14'.vti'(l”itl’.’t'tlll\l
I lyarK / rrrgnrrz larrun'rurrx. \xrth l’.rul \ll\t‘llllt\lllt‘ .l\ \ttlt\l\l lt‘l lllt' \\.tlltlll .lll\l ('lrrrxtupht'r \1ullt'rnrrtlrt‘hatnu I’rt' turrtt'rt talk .rl tr l‘prrr
Culross I Culross Music and Arts Festival \arrnux \k'llllk'\. lll iSi SHIN” lllllt'\
\.u_\ l’rrtt'x \.rt_\ St't' lhuI
Dtrrrlrlarro
I Organ Recital llunhlant' (atlrt‘tlral. llit' (.l\l\\. lll “Wt lhlllxl \tmll l‘lt‘t‘ (‘lu’ixtnpht'r Bragg: lrnrrr lllt' \L'lllt'lldlltlS \r\rt\ St‘ullantl it” a rt-trtal
Glasgow
I Organ Recital Kt'lxrnurmt- \rt (iallt'r_\ t\' \luwurrr. \lL‘}lL' Slit-ct. _‘"h ‘H‘l‘l lpnr l’lk'k' St-t- llrrr 3
Culross I Culross Music and Arts Festival
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\ar} l’rrt't'x nut St't' lhu .‘
Monday 6
Glasgow
I Organ Recital Kclungjrmc \rt (iallt‘r) «k \Ill\t'lllll. ,\r;:_\lt- Strcvt. 3"!» ‘5‘)”, lpur l'lt'k' Sct' Hm 3
Glasgow
I Organ Recital Kt-lxurgrmt- .\rt (Lilla) tk \luwrun. .-\r'§_'_\lt' Strt't‘t. Salt 040‘) lprn l-rt-c St-t- 'lhu 3
Parsley
Edinburgh Youth Orchestra Summer Tour I’.ll\lt'_\ ANW}. lll~ll 5S] Illllll t,-\( '( '( )Rl) Htrxprtcr a illprrr L I: ttrcc L lllr. \Vrth (iarr‘_\ \Valkt'r conducting: and Julian l.l(|)tl \M'hht'r ax wlruxt ltrr‘ inlgar‘x ('t'lln ('ont'crtn lll t‘t'lchratrurr ol thc lillth .uuuxt-rmr} rrl tlrc jgrcat l‘.tij.!ll\ll comptrer lur‘th to rarw llllltlS lor' thc M '( '( )Rl) Hmprt'c .r\ part nl rlx \rlwr rululct' progr'arrrrnc /’1t lurm (I! (III /. t/rr/u/mn h} \lll\\t)l"_'\l\} and thc hcar't luggrnp \tilllltl\ ol llru/r/mrt/ ('uI/m/m/ grrrrrplctc lhc lull SL'C [H'L‘\ IL‘\\. lL'll.
Wednesday 8
Glasgow
I Organ Recital Kch rngrow :\rt (iallcr') & Muwurrr. :\rj_'_\lc Strcct. 37) 959‘), lprn, l'r‘cc Scc ’lhu 3.
Thursday 9
Glasgow
I Organ Recital Kcl‘. rngrmc Art (iallcn & Muwurn. .‘\r:_’_\lL' Strcct. 276 959‘). lprn. l‘rcc. Scc Thu 3.