Film
Partner l l:,-\i ‘l)a‘. ttl l)lia\kati, ltitlia. 2007i Salrrian Khan, l.ara lltllltt,
(itixintla An lntlian \erxitin til l/Ht Ii. '-'~llll Khan xlippine intti \kill \iiiith‘x rttalehrrialititie xlitiex (It/inn I'll I/it Quin. (i/tiieuiz (it/t tin I'll/l A'iirritiiltl. lit/iii/iItIe/r * Les Petites Vacances t l’( in
.0. illliuer l’eitin. l‘raiite Illeii “L'rlliltlt'llt‘ l,.iltitil. :\tlele (\CLll. littax l'ranthi ‘Hliiiiii See llllL‘HlL'vi. page I" (I‘ltlilfliit liliii Hit (NH, (i/tittguit
Radio on t lhi O... I( ’lirixttipher l’etit. l'K/Wext (terriian). l‘ifl‘h l)a\itl liearniex. l,ixa lxrt'ti/t-i. Sand} Ratlelill Illxlniin ln I‘Vllx llritairi. a laettir} \xtirliter tlriiex lrtiin l tintltin tti lirixttil tti inxexlieate liix hrtitlier'x tleatli 'l‘lie ptirptixe til liix trip ix tillxet li_\ erittitiiiterx with a xeriex til titltl petiple (turn (I [JIIIl/llll'e‘ll
Rang De Basanti l l2:\l lRtllkL’\ll ()inpraltaxli .\leliia, lntlia. .‘lllllii :\.ilritt Khan. Stiha '\ll lx'lian. \Vaheetla Reliinan. ()iii l’iiii lltlll}‘-\Htitl prexeiitatitin telling: the xttir) til a ititiriy \Htllltlll lttiiii l’.ll}_'ltllltl Villl) etitliex lti ltitlta lti ttitilte .i tltittiiiientar} alitiiit the that} her grandfather \xitite in the l‘)2llx (i/titetiit I'Ilm Illl'lllll‘, (r/(I\lftlll
Reign Over Me t lSi O... l.\lll\e liintler. l'S. .‘llll7i .-\tlaiii Saiitller. l)tin ('lieatlle. Jatla l’iiikett Smith 134mm (‘liailie tSantlleri ix a \xitltiuei xtillering: lrtini l’tixt 'Iratiinatie Strexx l)ixtirtler li\ e )earx alter ‘l/ll until he litinipx intti liix tiltl etilleee Pill Alan l(.llt'.ltllt‘. e\t‘ellellll 'l‘lte man} etiiiiie iiiterltitlex antl xitle xttiriex are xtiperlltititixl} iiiee hut tiltiniatel) tletraet litini \xliat ix lllti\ll_\ a tlitiiiglitliil. e\en xtupelyny xttitlix’etinietl} til litiiiian lrailt). (irtiii‘t'mii; (i/ttxetiit.
Renaissance t tSi 000 tt‘hrixitan \'tilt'kiii;iii. l-ianee/l 'K/l.ti\ernlitiri_'. lellm |)aniel ('raig. Rtiintila (iarai. Jtinatlian l’ryee lll5iiiiii. linprexxne ltitiking til) l'tittirixtie thriller \iitli a lilaek and white rentler \\lllL'll iie\ei quite getx gtiing. l’arix 2054. lltina 'l'axxtieii ((iarai l. a )titing and brilliant rexeareher ix \itilentl} kitlnappetl, /\\£ll0ll. a giant multinational etii‘ptiratitin and her eiiiplti}ei. \xantx her ltitiiitl. Dellenliaeli tl’i}eei. .-\\altin'x (‘li( ). liax retitiextetl that ()ll-ICCI‘ Karax t('raig l. a litixtage retriex‘al xpeL‘lt’llhl and the intixt etintrtii erxial etip in the ltiree. lie in eliai‘ge til the eaxe. (‘learl) inlltieiieetl ii} the graphic ll()\L'l\ til' Frank Miller. tliix ix an interextiiig titltlit). l-i/m/itiuit: lat/iii/iuijgli. Rush Hour 3 t llAi O. tint-ti Rainer. l'S. lell7i Jaekie (‘lian. (’lirix 'l‘iieliter. \‘innie Jtinex. ‘illmin See .-\lxti Releaxetl. page 20. (it'lrt'm/ rt'lt'tiit'.
* The Seventh Seal ll’(il COO. (Ingmar Bergman. Sixetlen. l‘)57i .\la\ \tiii S)tlti\x. (itinnai liltirnxtrantl. liilii Antlerxxtin, ‘lllllllll. lierginan'x litigel) ietinie antl xtixtainetl metlitatitin tin the ine\ itahilit) til death and xullering in the Middle Agex inakex a mute than \xeletime return in the big xereen etitii'tex) tit tliix Itiiel) ne“ print (I'ltlx‘g'lill I‘ilm 'I'lit'titrt'. (i/uietiit,
at: Shadows t um .00.. titiim (‘ttxxmelex l'S. 195‘“l,etl;i(itiltltitil. llttgli lltirtl. lien (‘arrutherx 81min. lt .»\meriean intlepentlent eineina \xaxn‘t litirn here. thix ix
Falkirk Town Hall I alkii‘lx (.Utlllt'll
Jindabyne (15) Weds 75 Aug 7 .‘30pm
Tickets and further information from The Steeple Box office or on the day
from the hall
(01324 506850)
26 THE LIST 9—16 Aug 2007
xutel} ax gt" Kl .i\ ll e\ er etit \Ilitt'tt'vtn'. \ l‘egati lite ax an irnprti'. ixetl tlrarria .il‘iitll a litihernian \e‘a \tillx tairiilj» antl lieeairie a film )eatx aheatl til itx time l‘he great (hailex \linetix irnprti‘i ixex the tan xetire l’ait til Jtihn (thxaxetex xeaxttn lil'iiiizwau lit/lIl/lll/L‘ll
Sherrybaby t l<t 000 it attrit- ('tillxer. l S. IUHU \lageie (i)lleiihaal. liratl \\illiarii llL'llle'. Sam lititttinix ‘l‘riiin "l \' llltl\lC til the \hk'Clx.’\l'\lL' xtitial tlraina alititit a white traxh lttlll‘lrtl uhti triex tti reelalltl her tiltl ltle .tlttl eltlltl tilt r‘eleaxe .-\ ptmerltil leatl perltirniant e lrtirri (l) llenhaal nialitex it alnitixt \xtir'th the title ("iirt'ittiii't/ It’t Ir/It it Silt t I. (i/tixetiit. (ti/ll! ti lat/iIi/irugli
Shrek the Third tl'iOO t( 'lin Miller. l'S. lelTi \tiieex til Mike .\1_\erx. l‘.tltllt' Murphy ('aniertin l)ia/. Jtixtin 'lirrilierlake. litltlie \ltirpli}. .-\nttiniti lialttlel'ax ‘L‘llllll 'l he green tiete l\tileetl l‘} \l)erxi rtinx aua) lrtiiri parental and rtiial rexptinxiliilit) tti gti tin a itiiirne} \Hllt ltl_\tll etiinpanitinx l)tinlte_x tXltii’ph) i and l’tixx in litititx tliantleraxi tti xeelx titit antitlier lieii tn the thrtine t'l‘inilierlaltei 'l'he tliiitl inxtaliiient tit thix liltiekliuxter phentiinentin leelx a hit ltirriitilait mm but there are elititigli hm hm“ itiltex tti keep tilttlet etltieatetl eliiltlien entertainetl (it Nt'ltl/ I'('/t'tl\¢’.
The Simpsons Movie Wm 00. t|)a\itl Silierinaii. l'S. 3007i \‘tiieex til l)an ('axtellaneta. Jtilie Kaxnei. .\'ane_\ ('art\xright, 30min. lt‘x ntit gtiing tti eliarige the world and. at (it) mintitex_ it xliglitl} runx titit til xteam liut tliix ix ntinethelexx a lairl) eriitiyilile hi}: xereen tinting ltir t'\t'r‘}tiiit"x laxtitirite lainil), ’l‘lie pltit. ax e\ei. ix xeetintlar) lltiiner aeeitlentall} ptilltitex the Springfield uater xtlppl} antl eatixex a iiiaxx extitlux. While the xtrting ptilitieal xatire til the earl} epixtitlex litix ltitig lieen t‘epltieetl li} ptip etilttire telei'eneex. thix “ill xtill he tine til the xtirelire liitx til the xtiinnier. (it’llt'l’il/ I't'lt’uu'.
Surf’s Up ll’(il O. l.-\xlt liranntin/(‘lirix lliielx. l'S. 2007i \tiieex til Jell' BrltlgL‘\. Slim l.‘.tlietitll. Xtitie} l)exelianel. 85mm. See ie\ text. page It) (it’llt’l'tl/ I't'lt'tlit‘.
Surviving Picasso t ISi O.
lJainex l\tir_\. l'lx'. I‘Ntii :\lllllUll_\ lltipkinx. Nataxeha Mel-illitine. Julianne Moore. l32niin. Mereliant-lxtir‘}"x liliii ix lexx lttlerexletl in the xeeretx til l’teaxxti‘x eralt
JolnCasSavetes
than with prexeritin; a ;‘\'l'tl.ill til the artix'. ax ltixer lhe argument rx that the ehatninixrii he xhtiixetl the written in liix li'e xx ax neeexxar} tti hix gelllll\ l‘lll thetex nu attempt tti tiller lll\l_L'l‘tl llilt‘ hix ereatix it}
\\ hat alnitixt retleernx the llllll ix lltipltinx'x axttinixhin; perttirrnanee antl phi \l\ at tranxttirniatitin l’art tit l’ieaxxti tin l ilrri III/rflituixt I til’I.}’lll'e'll
TMNTtl’(ii... tlxt'xiri \ltinrtie.
l \. Still“ \tiieex til Janiex \riitiltl laxltir \like} lx'elle}. \tilan \tiith \fiiiiin lhtixe It t ritxet Within! \iIi/t; lit/lit \ are l‘ae le xtitipetl tip \xith il) aniinatitin antl ltitilting prett} learxtiine (itititl \lk'\l:._'ll antl euellent light xetitient ex lia\e replat etl a ltit til the litinititii til the tirieinal and make tliix \\t‘llll eatehing. xtirprixinel) limit t Ilt'l.
(i/tiwiiit. ( iirt ittirtlti’ / trill/rule}; l1tt’iIr/irt/gli Tales From Earthsea (Gedo Senki) tl’( ii 0.. t( itirti .\ll.\tl/.tl\te lapan. :lllllil Jtinitlii ()katla. -\tii lexliinia_ litinta Stigaxxara ll5inin lit/arre exentx xtart tti liliii the linex lietxxeen taiit.ix_\ antl iealit}. and the \ii/aitl (Betl ix xeiit tti tlixttixei the eatixe .-\ tleeent entitigli aiiiniatitin \\ itli a text inxpiietl iiitinientx. hat the lienign \xtiiltliieix that made Spur/til ‘lHtH xtitli a reielatitin ix xtiiel} iiiixxine lrtiiii the xtark "gtititliex antl liatltliex~ tlelineatitin tilleretl here (‘iirt'ittirlt/ Rt Ir/It i-. \I/t t I. (i/tixettii (ti/new. lat/iIi/iiue/i
II: Taxidermia t Ixi O... ill}tilf.'} l’alli. llllllgttl}/.-\llxlll.l/l'l.lll\'t‘. ltllltiiexalia ('/ene. (it-rgti 'lr’tit‘xttri}i. .\laie liixelitill ‘llllllll See .-\l\ti Releaxetl. page jll .tlltl pitilile. pat; ' I .(i/tiietiit liliii llrt'tirn'. (i/tlietiii.
Tell No One (Ne Le Dis a Personnel t 15i O... t( itiillatiiiie (lint-t. l'r‘anee. lelltii l‘l'dllL'tlH ('lii/et. .\lari Jtixee ('r'ti/e. Nathalie lia}e l25iiiiii Superli l’arixian-xet thriller atlaptetl litiiii llarlan (‘tilien'x ntiiel. .-\le\antlre lleek it‘lu/eti reeeix ex a \ itleti email til liix \llppt)\L‘tll_\ tleatl \\ ile antl tinetii en a litit hetl til tlanger lrtiiri etipx antl killerx alike
( ‘tinit'ti. lidiii/iitre/i,
Ten Canoes t lSi O... thili tlt- lleer. :\ll\lr.lll.l. lllllm ('rtixtie Ktiitltlal. Jamie (itilpliill. l)a\itl (itilpliill. ‘llinin, linprexxiie antl lairl} xingular aetitin atl\enttire xet in tribal tiinex in tlie ntirtli til .-\tixtialia. \\ here ten iiien heatl mm the ltirext tti liai\ext liath
ltir eantie making. But tliix ix the xeaxtin til gtitixe e23: gathering and there are iinptirtant
Before the cinematic onslaught of this year’s Film Festival, Edinburgh’s leading art house
cinema has just enough time to squeeze in highlights from this fantastic BFI season of the great US auteur’s work. Actor, writer and director Cassavetes was the spiritual father of American independent filmmaking who steered a brave course freelancing on the fringes of the Hollywood studio system. Over five days audiences have the chance to experience his most highly regarded works: Shadows (1959), Faces (1968), A Woman Under the Influence (pictured) and his underworld masterwork from 1976, The Killing of a Chinese Bookie. Plus there will be a screening of a new print of his rarely seen, long thought lost, intense theatrical drama Opening Night, starring Cassavetes’ beloved wife Gena Rowlands. Miss
at your peril.
IFi/thuse. Edinburgh, Fri lO—Wed 75 Aug.
it l' 4 l .tt \ x l
Inuit.
Transformers 1.‘ \ COO
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La Vie En Rose (L Mome) \ .C. It )li\ier ll.ilt.ill l l.'.Z'.\t‘ l l\t h lx’el‘ttl‘ltt :lll"i \lalttilll tilrllattl \\l'. :e lt'\llltl.l',t\\.ll(1l\';':'|'l\ l'olllllll‘. lhtx liielili xt\lixetl llllll iietttlretx liet\‘.eeti tlilleient tiiiie perititlx t-l l tenth xiii-.'e: ltlith l’iat 'x t( \‘llll.lltl' Itiilitilt lll lite lht liiiel aiitl tilteii ti\er'.xititi;_'lit xteiiex are xtiiiietiiiiex hartl tti :‘iaxp '-\lllll‘ltl prmi hllt‘\\lk'\l_‘.'\' til l’ial l‘tll ( I‘llll.tltl x tentrai lip \}ll\lllll;‘ l‘t'llttllllalltt' ix ll|.l‘,'ll|lltt‘ltl
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... t,ltiliti l’ilz‘t'i ('liiix \laitiii
l'l'x' \iixtralia. .‘Hll 'i ‘l ‘iiiiii li;\l 'l \ \kiiirier l’iltrei liax teaiiietl tip Illl att'liixixt ('.ii| Heart In inake tliix
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Whale Ridertl’tti 00. t\tlait at” \e\\ /e.il.ititl. Illllii Kt'ixli.i( .ixtle lltiz'lie lllliiiin In a xiiiali \eu /ealaiitl ettaxtal \lll.lj.‘t'. lllt' \l.ttill [‘t‘tll‘lt'\ \ l.l|llt tlt‘\t t‘til lrtiiii l’ailtea. the \\ liale lx’rtlei, a |‘\t’lltlt' lll_\llll\ iiiale eltlei \kllti \\.ix tint- with the lktl'llde’lt'tl lit'.t\l\ lllt‘ liltiiitlllllt‘ lx \tlltl‘iixt'tl tti lead in Ktirti‘ ntiu an tiltl iiiait \‘-llti ix \MillHlljJ tliat liix xtiii l’niutiiaiu'i liax tiiil_\ pix en llllll .l L'l.llltltl.lll_‘.'lllt'l l'ai. uliti t aiiiitit eair} tin the tl_\iiaxt\ lxeixlia ( ‘axtle llllt'llt'\ tax the tlitixeii tine. Pan and the text til the eaxt are tlelielitltil. \kllllt' ( 'aiti iiial.ex iiia\iiiiiiiii iixe til liei ltiu lititlg'et and amateur tit-xx h} \KtHlxlll}! \‘-lllllll the ttitilttiex H! a teal eaxl ttiaxl \latiti rexei\.ititiri area lt‘llxlllll}' antl llllt‘lll;'t'lll iiattiialixtit tlraiiia ltir tiltlei hltl\ .llltl .ttlllll\ tliix liax erilliialletl .ttitlient ex at llllll lexli\.ilx tlklll\\ the ‘.‘.titltl ( Hit inn/lit" I’tll'A/lt tit], (i/tfl'fliii'.
Wind Chill 1 l‘i C. tliret'tirj. Jattilix. l'KJl \. ZilliW l lllll_\ liltitit \‘~llltlll lltilriiex. \laitiii litiiiti‘.ati ‘llriiiii etillejJe xltltlelllx \lialtlij; a title litittie lt-t llit litilitl.i}x take a xlitirtttil tlirtitizfli a ieiitt ile etitititr} rtiatl tti liiitl tlieiiixel\ex ltirtetl Hill a xntitxlianlt h} a llt}\lt'llllll\ xehit le (ixel the L'll\lllll_L' ltiiij: nieht an iiitenxe r‘elatitinxliip tle\eltipex l‘t'l\\t't‘ll the part ax the) lit‘a\e the eleinentx ttieether ( llllll.'x lrlglll lllkk Vintat an (int mt; l'tti tit. Pith/t". (it/t iii: Iii/I A'iirlitt‘rlt.’ It/Imuu'ui =21 A Woman Under the Influence
l lSl .... lJtiltlI ( 'axxa'. elex. l \ l‘l "i (iena Rimltilltlx. l’eler l'.ill.. \lalllte'J. (Lixxel l-lliniin litirriextie tlraina t eritietl wit a rnarrietl etlllplc \er} iiitieh lll ltii. e litit tinahle tti etiriirntinieate \\ lien tititxitle etinltixitinx iiitenxity inner enitititiiix ext .tlah~ hi the le\el til niatlnexx Rextrairietl aritl eltixel). liietlxetl llllllllttllJllL' lltal liliillL'lll ()\i.tlf ritittiinatitinx ltir ( axxa'.etex aritl RtN-ltititlx l’all til ltiliti ( 'tixx.i\elex xeaxiili ll/Ill/IHUH, [Milli/NU i311
Xanadu WW 0. ll<tilietl (ll'CL'll\‘vt'lltl.l S. l‘hlli ()li\ia \e'.i.ttin l-ihri (ierie Kell}. \lteltael llee li. \(iltitti lli antitlier elaxh tit xtantl tip etiriietl} and had lilriix. the ntirrrial|_\ lmel} Jtixie liilt'.‘ lal.t'x the prmerhial titii tii llllx Mix elaxxie .tlit'tll \iixh llllllllllL’lll antl rtiller \l.tlllll:,_’ ;\ Hatl l‘lllll ('luh xereening ( tiiiit I‘. l.tliirliiiieii