Rebus 20 \Vrllcrx' .\Ill\t'lllll. Ind} Starr's (lust. IAIWIIIIIilrht'I. ‘3‘) Jun! I'nlil Sat 2‘) Sup InnI Sum Mun \it “In!” 5pm. l'rcc :\ \pccml L'\I|II‘IIIHII marking Ilic ZIIIII :mmwrxgir} HI IIIL' puhlicnlmn HI Kmm um/ ( ‘mm'x. I.m Runkm's lirxt Inspector Rt'lnis III}\ICI"\

Fairs

CD and Record Fair x\\\t'IIIIII-\ Rimllls. SI (ii-urgc Strut-L (II Will 4405.", Ilium 4pm, Ll iL'TIIjH 44\ \\|(It' sclu‘lmn HI ('I)\. \in}l .md unsung-x. lmth ncu .md \L'UIIHI Iiullil.

Food & Drink

Edinburgh Farmers’ Market I'.\L‘I) Sumnlgix, (‘gixilc 'Ivrmu'. (63 Will

‘Ium Zjim Morelix'ul.ijii;i|1l}.vllilcgi| jinxluu' lIi.m _\Ull could shake :i \llt'k ill Jolly Toper Tastings 'I'hu I l Sen ‘l'hc 'I'nllmnth Inn-in. lh7 (Xinnnuulv. 5% SUN 7, lllpm. L'ZII lung: I'lIIIIIIII_L' In mnnIIIl) \NIII\k_\ III\IIII}_' \L'\\IUII III um- “I IIIt' IX‘\I \lnckcil Imrs m III\\II. I} plcgill} IIIL'IIItIIlI}: Iiu' Illgill \kIII\I\lL'\ .'Il (gisk slit'ngth, 'I‘it'kcls nmsI he Iiimknl m

fliesormI‘msiu’iq

.nlhmcc c.1lllll zI 55h 3V4 nr cm.nl clm \(H u incmlcnlicml cum In rcwrw

Spon

Rugby World Cup: Scotland vs Romania 'Iuc IH Sup .\Iurr.i}Iit-Itl Smilan Rmclmin Slit-cl. \Iiirr.i}liclil. (INTI) MANN" hpm IIIC III\I HI [no pool mnlchm comm}: In \Iurraflicltl Ilnx Man .I\ jmrt ml the RIIfJI‘} \Mnltl ('up the “mills Iliml hi}:ng \jmrlmg: cwnl .IIIL'I llk' ( )l}mpics illltl the I'imllmll \Vuilil (‘up

Talks

The Trial and Execution of Captain Green: The Trigger for the Act at Union \Vt'il I3 Sup \giliulml liluxn’) ul Scullunil. (imiiuc IV Ilinlgc. (Ci iXJR "pm, In April |7II§ ('giplum (ilt't'll \\.I\ Imnggul HII [with hands Inr prime} and the alleged nmrilcr nl a crew nl Darn-n

\III'\ I\UI‘\ UII IIIL' t'(I.'I\I HI IIIiIIu I'.Ilt' (ililllillll mplurcs Illc chum HI cwnlx Icmlmg: up In IIII\ mcnlcnl. “Inch \Iim'kml IIic Iinulisli and Scottish L‘\I;IIIII\IIIII\‘III\ mlu cmhrucmg Ihc mmm on [Inuit nl cix II

I

When choosing eight Scottish songwriters to profile, the BBC Radio

Scotland series Thank You For the Music wisely eschewed yer flashier, more tabloid-friendly Tunstalls and Fratellis, focussing instead on low- profile, home-grown indie and folk heroes like Norman Blake and Aberteldy's Riley Briggs. Borders-based folk queen Karine Polwart, fresh from her glowing, lyrical collaboration with Edwin Morgan on Ballads of the Book, is the perfect person to end to a celebration of the

quieter gems of Scottish songwriting.

I Tho [VOg/(I/Hlllt‘. It’ll/(TI fulfil/(’5‘ Po/wu/t p/(iii/ig NW and (,‘(llll/(P/S/llf} WIl/l Janice form m, m// In.) retro/dud Ill (i/zisguw on Mon 1080;). C(IH 08/0

.1] I 18/0 to book (1 two fur/wt

NGSTONEW $13011: 3H AWéfiéLbfk A~86vtil=8 BERT E weenie lizitgé twigk étu ooem K u HIS N GTONIR VING‘A NIAI‘ {Illicit} 'tfiir’ls Hi3 CHARL ESLYEL LAtl‘ilt NHtNlIVI AVAIII‘

illl‘é m

JOHN MURRAY

gages

0

I1 :

National Library of

I'hc' \cimc l\ \IIII In IX‘ cunlirmul plum‘ phunc Iur mnrc \IL‘I.III\

Cate Scientifique: Barcoding Lite \Iun III Sup I'llmhuuw. $5 I ulhmn Rmnl. 3-15 I‘Ihh 8 ill ‘3 30pm I‘ru' I)! l’clcr Ilnllmgsanh \Il\t'll\\k'\ the impact on I immum I.I\tlIIIIIII_\ IIIIC science HI tummy .nnl t'l.I\\lI}lII:J IIIL‘I HI .itlmnccs m I)\.\ lulmulug} \gcx l3+ lliwkm; t'\\t'IIII.II

How the Other Half Loves I‘hu 2U SUP I‘L'\ll\.II IIICJIH‘. l i 3" \Ic'UIMIII Sliu'I. *I‘HMNI Ill ilkim til lnlurmal I.Ilk\ \KIIII Mike Rulings. on me III\IHII\‘.II. Ilium} .md theatrical backgrounds uI wmc ul lhc III.I|\II \IIU\\\ .il Iln' King‘s .md I'c'sliml I'Iimln'x Ilnx nun

Workshops Paper Making 8.” 3 Sup him \Vmilx III\IIII;IIIUII (‘cnlnz I'Iu' I’;i\ilinn. IIIH‘IIt'IlII

l’.irk. Arboretum I’LM‘. “I 333”

“‘0' 'v“

disruptive technologies

Around Town

III ilkim 5pm {-15 (Iplimml ulcnsmn lo I nurse “hile one \I.l_\ (lull t‘I.l\\k‘\ an SJ! 2h .\IJ_\ ,mil SJI .‘5 -\u§_' (‘umc JIUII}: .md CHIN) .I dd) nmkmg t‘\[\‘IIlIIt‘III.Il pieces nI Ii.mdm.nlc paper Using: ri‘cylcil m.ilcri;il. Hooking: t‘\\t‘IIII.II

* Dance Base Taster Sessions Hm I i Sup. “pm. Sat lR Sop. I lam Ipm Ikmcc Ii.l\t‘. H In (imssnmrkcl. 225 5525 live \VJIch delimnxlmlmnx. II) .l mini t‘l.t\\ .mil/ur ru'cnc .l [X‘IMIILII t‘UII\lIII.IIlUII In liml the pulled dance \l_\ lc Inr _\UII

Renewable Energy: DlY Solar Water Heating System 8.” I5 Sun In Sup I-nm \Vmils III\[III.IIIUII ('cnlu'. I‘Iic l’unlnm. III\L'IICIIII I’.u'k. .-\rlxirvlum I’Ln‘c. “I 233‘) 1' ill) mu III.IIt'I'I.Il\ Inlnrnmliun. malermls .md gunkmt‘c «in IIU\\ In \‘I't‘dlt‘ _\um mm ml.” Ilt'JIIIIfJ \}\It'lll. including: .ul\ ice on salt- III\I;III;IIIUII

forget thinking outside the box, smash it up and build a better one.

The MIDI Scrapyard Challenge Workshop is an intensive I-day workshop where participants build new electronic equipment out of found or discarded junk.

The Scrapyard Challenge series of workshops have been held 25 times in II countries since 2003, encouraging a collaborative space for ideas and enables hands-

on prototyping.

Led by New York-based researchers, innovators, artists, and professors, Jonah Brucker-Cohen and KGIIH‘HIH- Alums/0k}, you can build gadgets Irom old electronics,

furniture, outdated computer equipment, appliances, turntables, monitors -

in ioct any

old thrown away technology can be brought back to life with a little imagination.

No electronics skills or techno savvy needed to join in - just bags at enthusiasm and the desire to have loads of tun! Get your creative juices going and sign up today!

Please note that places are strictly limited and are allocated on o Iirst-corne, first served basis.

Venue: Lighthouse Date: 20/09/07 Time: 90m-5pm Cost: {50

To reserve a place please contact Events Manager, Yvonne Kinmid n - u I (M I

on 0I4I 225 0I03 or at m.LIKu~v

Urban Learning Space

Visit www.m‘banlocrnmgspuecom/ulsmnts/vwvlmts for W intormatm.

YOU’LL BE AMAZED AT WHAT YOU FIND IN

FREE ADMISSION

NATIONAL LIBRARY OF SCOTLAND GEORGE IV BRIDGE EDINBURGH, EH1 1EW www.nls.ukljma

é Heritage

LOTTERY FUNDED

6-20 Sep 2007 THE LIST 25