Film

Run, Fat Boy, Run I.‘ \.

[MI]: I“ ‘lI.::II lI‘I 1H ~‘II *jll IIUI 'fll *iji. \l\‘* 'll't' lilll l,III.]l

ll;

\I\IIIIII\ \zl “If”. Rush Hour 3 I.‘ \.

I).II|_'. ‘IIII, III ‘I *‘l \lw IIII' llIII l.‘ 1‘ 3“" Shoot ‘Em Up IxI

I)IIII:. l 15 “I” “I \III. LIII- I ll .\ \II III The Simpsons Movie II'I'II Hall} H -ill.IIII, ill)

The Sound of Music l I \\L'(I “will. i {H Superbad I IN Hill} ll -llI.IIII ‘l jIl

\lxII l.III- l ll .\ \.II III Surt’s Up II’(..

III \lllll lll .\H.lllll 3.10to Yuma H. l).iI|_‘. ll I‘LIIII. .Wlll. iWI. \lxnl.llt'|III\ \.Il l‘lhil Transformers I I.‘ \I

ill \IHII IIHHIIIII. I H” No Days in Paris IM

III lllt' Ijm (Illl

Emplre Clydebank

(‘lIIlI' RI'yIIIIml (I‘IIIII'. ( 'l'xIlclMIIk .‘Illli IIIIIILIII;'\ I\ llllH ll.\ 'I-i "H 'H \till|l\ III I Li I‘L'hllt' ‘rlllll \lIIII l'III. \IIIIlI-nlx to ill I III ill lII-IIIII- Rpin \lIIII Illl. ('lIIIIlII'II i_-1*II.()\l’\l_-l ill l.iIIIIl_\

III kI‘I Ll!» MI I L M (iii III'IIIII' *pill

\inn I'lll linpm' “mum leu'IIlII’ llllll\ SIII I\ \IIIII LI

._l<

Jill. VIII \ IS

IS “I

Hill ifIll/Ii'.

AtonementIlwI Sun. Sun. mm The Bourne Ultimatum I IJ.\I 3 RII.

R an. .\-lll

Bratz:TheMovieII’(II I III IIIII Death ProotleI Tim, ‘l {ll DisturbiaIlfii l.lII. HII. II in. I) lll MOBIHI SIIIII *jii, .\ Ill Knocked UpIIM I: III. 4m. IIIIII. 5w

Bun,FatBoy,BunIIji\I Ijfiil. <1” 5 in .\‘_‘II

Shoot‘Em UpII.\I 3 III_ II III. IISII Ii ‘II

Superbadilii I: III III). (IQII~ ‘lllll 3.10toYumaIIRI Jill. RIIII. .\ III IIIIIWI I‘H‘I IiitsIII‘I‘i . Atonement I Ii.

|)..I|I: jiiil \‘IIIL .\llll .-\|\II I'll \iIIII ll IIMIII The Bourne Ultimatum I I.T.\I Hull) ISII. I lll_ I\ :II Bratz: The MovieII’III

l'll \iiill Ill-ULIIIL I Hi. {.11} Sun IIIII’ |.lll. Mill. (Ill), The Brave DneIIxI

Hi I\ S.” ‘I III

Death Proot I I.\.

Hill} I) ill, HI). (I Hi. ‘ljll Disturbia I ISI

l).nl}. VIII (NHL .\5Il

Evan Almighty I l’( I I

I'll Mun II “Lilli

Evening I I_‘.\I

MINI}, JIIII. ~ISII. ‘SII

I Now Pronounce You Chuck and Larry l|:.'\l

|)Ill|} l2__‘II. Nil. (IJII nun James and The Giant Peach II I I'll Mun, llIlIMIII

Knocked Up I ISI

l‘l'l “ml. 5 III. I\ III

,‘\I\\‘ Inc lhu 3.31)

Michael Clayton I ISI

l‘hu: 5N). .\'.lil

Run, Fat Boy, Run I I:.\I

l)Illl_\I ISM), 3.30. 5.5”. .\_‘Ii The Simpsons Movie II’III

l‘l'l Mun. IIIRIMIII. IZSII SuperbadIISI

Hull}; :50. S40. .\.4II .-\lml’ri Mun: llt‘t‘ll.

Surf’s Up I l’( i l

l'I‘I Mun: IIISIMIII. lllll. NIH.

3.10 to Yuma I ISI HI I\ Sal: 0. III. l‘uc ’l‘hu: ‘Hil.

54THE LIST. :~-_; -1I _'

\II .. “P..l‘ I ._ 1“ {l . I \ " '\- § I In»“ ' \ I: (ll I (III :IIIIIII L (Ill IllIi II IIII'II The Legacy (L’Neritage) In. I TrueNorthII<I 31* ;_‘II IIII. :5

MoDaysinParis I\ 3w IIxII

Yella l.‘ \I I ‘ll_ \ {Ii \ \Il As You Like It I.‘ \I .‘ III The Yacoubian Building (Dmaret Yakobean) II'(.I s III

\Lii \i\

Firehouse Dog II’( II II IIIIIII YellaII.‘\I I in: II 1% x w As You Like It I.‘ \I .‘ III. The Yacoubian Building (Dmaret Yakobean) IN I. I :II

‘1”. \I‘

The Yacoubian Building (Dmaret Yakobean) II’( II I I<

Yella I I3 I135 in AsYouLikeltII3,\I III< Pickup on South Street I I'( II -l III Silver Jew I I iI II The Holy Modal Rounders: Bound to Lose IR. I. h

<15

As You Like It (Parent 8. Baby Screening) I I3.\I Ill III.IIII

I Have Never Forgotten You: The Lite 8. Legacy of Simon Wiesenthal I I: :llll‘ () ill

AsYou Like It I I:.\I : HI. Yella I l.‘ \I -1 Ii. 5 ill La Cage Aux Folles I lie (I |*

NH

La Cage Aux Folles I IR. I: -l\'

I?"

. r .

PickUpOnSwthStneet

‘I I

I Have Never Forgotten You: The Lite 8. Legacy at Simon Wiesenthal .‘ \

AsYouLikelt ‘I :II : I Yella .‘ \ ; « Germany in Autumn ~

Yella I. \ .‘

As You Like It ‘\ f Mysterious Skin x s h The Sound at Music I Have Never Forgotten You: The Lite 8. Legacy at Simon Wiesenthal .‘ \

Hi

lllll \\Il

Yella I.‘ \ I Have Never Forgotten You: The Lite 8. Legacy of Simon Wiesenthal _‘ \

Il‘

AsYouLikelt I.‘\ <IIII IIIIII

TheSingerII.‘\I IINI 'I'III \ ;II BocketScienceIh .‘IIII ll‘. .\1Il

As You Like It I.‘ \I

QQIl

The Wizard of Oz II II III.IIII Project Ability Screening: Young Talent on the Big Screen I'( ‘II IIIIIIII

Rocket Science Is .‘llll. 1%. II III. x In AsYouLikeltIIf\I Hm

The SingerII.‘\I II III. x :II

The SingerI I.‘ \I Inn. \ In

Rocket Science I IN :IIII x In

Girl with a Suitcase (La Bagazza con la valigia) I In %I\

AsYou Like It I I.‘ \I will

IIII \ III lli~ i. Hi

The SingerI I.‘ \I I IIIL Rocket Science In 3 HM .\ .lll

AsYou Like ltII.‘ \I IIIIII

"i

As You Like It ‘I .\ Rocket Science \ : ~ I ;

TheSinger ‘\ II -I .I \; Triptych Short Films I I

TheSinger ‘\ \II AsYouLikelt ‘\

BocketScience \ L \ II ~I \ :II Manhattan ‘\

\ I' ~ ‘l' \ III Rocket Science \ II ; \ I ;II As You Like It \ II II

TheAnimals Film '\ I~ \

\II' I ll \1 '

Ill ‘I \IL'. K. II I

\- lI II. I\i \ \ ~ I \ II

III \;II \.I I\ \ \ I II

,I, \ N, . I

\I \\ I‘l \ (

(‘II {I °. \r {(i\l':‘. Iain’ I l" \H. IIII‘: "'le i\III l‘I'

\\..I .’. ..:’I Hi. l I” “I

\ I‘ \III "

AtonementIhII‘III II-I I:IIII

The Bourne Ultimatum \ I 1‘ Catch and Release (Parent 8. Bab Screening) I l.‘ \I iII Death Proof II ‘III Lethal Weapon I TWO Days in Paris I \I

[Iii

illll Atonement I).‘.|l\ IIIII\I.I‘II l.‘ 4H il\ iIIIil \IIII ll i‘.:III .‘ 1II \|\ \llll

Bridge to Terabithia I’( II

\.II I\ \IIII III *II.IIII

Death Proof x

I).l!l\ IllHl Mill» 1]“ *1‘ In \Im. l_‘§ll illll.\1\ \‘x

Sam Fuller's wonderfully unbalanced 1953 film noir about pickpockets and communist spy rings gets a rare outing to the big screen this fortnight to coincide with the publication of The Dark Page - Fuller’s long thought lost 1944 crime novel - by Glasgow publishers Kingly Reprieve. The screening will be introduced by David Will, an old associate of Fuller's.