I lamchemist, Sol Diablos, The Encierro .ziiil Heywood I'i.:iiw.|.l.i:..f. :I-Ili.iIIH'.'.‘_'.ili‘ QT: “MI ‘IIIII 1h ll'.k'l II\ \Ill'l'v \IKINIK'I ‘Itlll'll IIHll; |‘IiL‘

iii.iii uIi-i lIl'illtil I‘.llill .il lIIk' IIk'JlI ml IIllx hill

Jack Penate llii- I him-g; 2W \iiitliia'lmll \im-i. <4: lifw "iii. \HI I) I )I I “In |I\ \Iin'.~. \uiilli l.l|lllll>ll ~IIIL'i'I \l'lit'lklllk'l '-‘-Ilil Ik'.lllllll.ilk'\ IIIK' Z'IIH\I\ nl I)i.iI,;- .IIIII IIiit I.lc_\ IIIHI Illk'IJII". IIli'Ilt‘II' in Illllt Il l.lIl.t’(I .II‘HIII i'IIuI \t‘t‘ I‘lk". l\".‘.. [MTV I Lost Alone, Anavris .lllil Serpico IIIL' ( i‘llIIIlII‘Lii I‘ I llIHlI \Ilt't'l .‘ I\ (mill. “iilli ()'~k'l II\ \Ili>‘.‘. IlIH \iillt'iiii;v IIHIll iiiclinl'. iii;'Iiliii.iic\. lIiQ \.l.\ I Laura Marling, Noah 8. the Whale .llllI King Charles (illllli'lt'llllll l I .‘, ‘ll lll\\‘l\ll§ \wiiiic. HI! 53}? ' Winn 25 I ii:‘.i;'iii:' .ill lnlk IIUlll IIIk' l.l\l_\ whim“ II. Ila/xii 11ml] / I I' l\ Ik'lt'.l\t‘tl iii I )i IUIk‘l I Lena Martell I<«>_\.il ( vim-ii Il.lII, .‘ \dllklllt'IlJII \Iin‘l. 3* NIH” ' illiiiii I- II I~ II) IIli‘ \I.ll HI \I.ij,'i‘ .IlItI \\l\.\-ll ,iiiiI \‘-t'.llk'l nl Ultl l.i\IiiuiiciI III‘.|I_\ piiiil lth I‘x \lll_‘._'\ llllllll‘t'l\ IlHllI IIt'I {ll .lII‘lllIl \IliHlf.‘ \ .llt't'l I The Fortunate Sons IIlt' IIllIlt‘lII_\ .\ ilic I’ijs. I“ II.IIII \lict'l. III "II illpiii I Ik'k' \n‘ I II II I Turin Brakes ( )i;iii .\Iui. (mail \\t‘\l\'lll Riniil. “I It‘ll“ I’ll» \\ iiiwiiic p't'iillt' laughing li‘uiii lIic tIllU \xlin \wiv llUllllllilICiI IHI .i \lL'It lll_\ \Ilixit’ I’ii/t' \\.i} lurk Ill jlllll I The Brogues .llliI The Hardy Souls IIJIII}. IMH‘IyIc Sllu'l. UV“ UH" ll‘N‘) hpiii U. IIIKIIL' I‘.lll\l\ IlHlll I)iiiii|u' .llliI ( ilmymx it'xiiu li\c|_\ I Elmore, Roy McDade, Easily Influenced .llIiI Dark Little Poet II.ilII_\. .‘Iill ( IMIL‘ Sllu'l. Ilhfill ‘NIH II‘I‘N Spin th I UIIiIUII .illciimliw iinlic \iill\ limilliiic I Enemy Rose, The Front, Cheviot Hoods illlil Dark Motive ( ".ipiiul. 1m S.iii\'IiIt'|i.i|I \Ilt't'l. HI IHIH Niiiii I Rebels Out, Roomtolet and The Debutantes Hm. I KI xiiit'hit-lmll Slit-cl. ii.‘ FI ill hpiii I'icc Ix’nniiilulcl .llL' .iii .ill int'k IIIU iiilluciiu‘il I\_\ IIk' (inc. I'iiya/i .llIiI ( Ling; ul I'Ulll. I Wing and a Prayer lili.” ()\ll.l. I} (Hugo I .llIL'. W ' ISII Npiii t3. I‘UIIx/I‘IlltN tllltl I Hercules Mandarin .iml Raspberry Badger \it-t"ii‘SIt-.i/_\_ Ill SJIIt‘IIIL'IIJII \iicci. HUM“) .\ mp”. t'h .\|Iuiiii I.lllII\'II IHI IIcit‘iilcx .\I.llI\I.lllll I Independence \gimucl lhm \. ll” TI \IIII\\I.!IL‘ I\’U,l\I. I IIIIIT, Nillliiii |~iw Im‘JI im'k I Toby Jepson, Redhouse .iml Magnus Blaze Kill}: lui‘x \\'.ili \\.i|i IIlII. 3‘34 \l \ lllt't'lll Slim. III 53‘" .\' illpiii LIZ I‘\ Iilllc \iigclx liuiiliimii buck IlUlll llic lllll\l\‘.lI \\lI\IL‘lll\‘\\ and .iii ;illci‘ii.ili\c (.llk't‘l .l\ .i I‘ll iniil .it‘lui iii lllt' I|l\k‘\ HI (Ii/(lillllvll’l .llItI nil/Ill HI Ii’mI/Ii'rx. I Michael McMillan Iimiixt'ciic. 38 I.‘ \Vumlliiiiilx Rudd. 353 ‘Nlll 0pm. I'i'cci Hiliiiiiiici IlllllL‘iI xiiich miigxxiilci IIIIIIICIIL'CKI h} llic likcx ml .I.l\‘l\\Ull IIl'iHHk‘ .lllkl th thli‘llt‘lv‘ll I Tandy, Mary Lee’s Corvette .uiil Sam Corry lRih \Ulk‘ (lilc. RH W King; Sli'ccl. 553 IMX. ‘lpiii, .\\'Ull\llv.lll_\ di'iwn IUUI\ .llltl imp Il'Ulll \Iikt‘ I'L‘IIIU. \\IIU Ilil\ mcn Likcn il luxx IKIL‘.|\ IlUlll Ill\ lllllL‘ ;l\ .i I'UdelL‘ Ini‘ IIIC Iliilllinlc Surlcix. \\ llIl \uppui‘i li‘niii .'\lllL‘l'lt'.llI.l wiigxli‘cxx .\I.ii} ICC Kni‘lcx .llltl Rum Dclccliw Sum (Kill). I 2 Storeys Buiiixccnc. I” Skin iiig SII'L‘L‘I. SI1;I\\I,llliI\. hi: \ll‘lll ‘Ipm I‘lL‘C .-\iiil\iciil clu‘ii'u i.i// quiii‘lcl. I The Easy Orchestra IIIC Built-iii} & lhc Pig. l5i Iiiilh Sti'ccl. III "I I. Illpiii. I'i‘cc. Scc III II. Edinburgh I Lee Paterson .mil The Revered

\Vthchiiikicx. I h South Iiiitlgc. 55" 5| l-I. hpiii. l-icc lwtuic iiiitlnighl; {I

I] ":8

illpiii

70 THE LIST. 51'; -1\‘_'..

.illqi (mt-b .ztiil I. ‘.‘.l'Il :zmig YI\

I Delta Mainline ,:iiiI Guile IIx'Iif} \ It‘ll.” II.ii. \ I’m \Iwiiiwzi \ii;;!, 23‘ WW; “pm 1‘ I’\§\Il I‘Ill\‘\ i-uI Irniii |)vII.: \I,;iiiliiic

I Shock 8. Awe ,inil The Axidents IIIL' Iliw. I< I" \iilili} \liccl. “h HIII "pin illu \liuil \IIJII‘ l‘lllIIn \Hl'i;,'\ IlUIll \limk i\ \\‘-L'

I T-Rextasy IIIK' I ILIIIMI Runni. ", \I\IIIII.I \liccl. I.“ 3*!»1 ‘piii 1I~

I HII'.‘\I.lIliIIII_L'. It'\l‘\'\ lul I Rm Iii'lmlc

I Dropkick, The Echoes, The Galipaygos .m.l Alex Cornish Ill,- \ik. i \\,ilcil«m I’I.iuz .‘Zh ‘* W4

Kllpiii Lllx \lk'IIH\\ IIlk'IHillt \HlllliI\ Ilillll In'ii.i;'c I .lII\ IllI‘ .lII\I I’lih I.IIIII\'I\ lllIIllt'lkk‘iI I>inpkitk

I Will Kimbrough .llliI Tommy Womack( ,II‘JICI \HIl.iIIt'. Vi ;\ IIIiill Slim-l. fillhl ‘h 'illpiii LII! lIul uiiiiili} .itl IlHIll llic lIk'.lII ml \mlixillc I Ella Bell limimciiu ( ‘uiiiiiit'ii i.il \lim‘l. I \‘lIIl. “* "Hi; ‘Il‘lll I icc IIKJI \iiigjci \iill}_‘\\lll\'l \Iimxtmm IIk'I mum iii l.lItII‘.l\l\ \lllllillllillllj.‘\

I The Fire 8. I .lllkI The Strands Ii;iiiiii‘iiii.iii\. \I\I\II_\ \lim'l. “h 951 “pm LI I’mwi imp .llIiI iiiilic imk

Stirling

I Brian Kennedy IHIIHHIIII. .IillI \\'\niI. Ill “5h liillllll him] L In I III Su' Hill I"

I 2 Storeys lit'.lII\\'L'II\'. 1H king \liwl. Ill "Mi I‘II‘.‘ “pm I icc \k'k' I ll ‘.\

Saturday 29

Glasgow

I The June Love Trio I|.l\l\'l luck. II" Ilupc Slit-cl. 3 ill 5 Winn Iicc \u' \il :3

.4 \\‘._.;~.

I Open Stage In; lli. ' In. Iw \\.~~iil.:::,i\ I\’~.-.,‘.. 1*} I It't' \t‘\' \i? ::

I The Fratellis \I (I I ‘.I‘.Z‘.I\'\'\‘Yl

()[}.«_\ ll\qllll;l| Lnuui I, in?!“ :1x <1:

IIIL I‘"I‘III,II1I~\\“'i,III\I\i.l\l‘,.l.it

gqu {mic Ilu i.,'I\ um I.c;;‘\ «w: ;':i~.\.:'1; (.zltli (Ix-ii :.:-_' I.-._‘, IIlh lmii

I Amp Fiddler liz; \:\ liq» .‘il \I;'\I'\' \Ilgt'l. H\ "I I I" i‘.‘\ ii‘iii L III‘RH ()\\‘l I A \Ili'R‘. \IIII‘ I xiii In: l‘iukiilcx .i \cl ml IllllI_ liiliixqil

ulctliniiit \. iiiili\.ilixc ml I!l\ \Hiillt'tlli‘lh \\1II1 ( run-J,- ( Iiiilwii I David McDonald \III NH

\illltlllk'IIJII \Iiccl. “f f i ‘I‘Ili sh luiiiici I minim Ili'Ilillliill '-'.III‘.

lllIIIlk‘lI\\'\ l.ill‘_'lllf.‘ Iiniii I)\ I.lII iii \I.:l‘. ili

(may. [‘IHIIIHRN Ill\ Il\'\'- I I’ \ ( H‘\.'.7l I \lmiv

I Motion City Soundtrack .lliiI Straylight Run \II( i4II\.iiiiIiicIi.iI1 \licci U.‘ .‘,‘ l.‘ ‘l‘lll fl (Incl II\ \II|‘\‘- \Illlll\'.:l‘i'Il\I‘.i\\‘iIl‘lll1kI‘l'l‘i‘llllli \‘.IIU\\' .lIl‘llll: ( iwwm.’ /'..\ II. mu. \\.l\ iiiuiIiiU'il I\_\ \I.iiI, Ili'l‘l‘h ml IIIiiik I\.‘,

I Beck’s Fusions: Musician 8. Artist Collaboration lli; ( )l.l

I llllIlll.ilI\\‘I (.1II\II\‘IIL“.'\, i; 4 MN")

' ;“pm I icy In \uiiilu'lilinii \kllllli‘h (‘.i|\iii Il.llll\ |Hlll\ \cutmllc .IIIl\l\ \umk il) l)l\\i' IHI .i gm IlIHIlIM‘iI lllll\|\.lI .lllil \|\ll.:I (\I‘x'llt‘lltt' I iilii |\ h} llk lu'l willy \‘.Ill\ II \.lll Iw ‘-\i‘ll ‘.|.l I‘UIIIC\ HI IIt‘t I\\ Ni

\x v. \\ lit-xi I\I1|\lHll\ \Hlll

I Sinnerboy ( Imii (imml. |.\ I.llll.ll\.l \le‘t'l. \ I“ “5:” zIlliii] Iiilmlt' lllf.,'Ill in IIIt' Lil; Ill\Il I‘Ill\'\ g'iiil.iii\l I\’Ul_\ (i.iII.i;'lici. \l'\\'lIII:.' .iII .ixlu‘tlx ml Rui) \ lllll\I\'.lI iuiiiiic}

I Cortez, The Paper Few .llliI The Casuals Imin 3m ( 'Ixilt- \Ilt't‘l. UNI! UH” ll‘l‘l‘) 5pm. in (In-u, m, k

,z.‘ /\ ; fr: ,

f

\‘

From his days as ringleader of prime industrialists . Throbbing Gristle through various incarnation of PTV, Genesis P Orridge has never creatively stood still. His early music proved a defining influence on Marilyn Manson and Nine Inch Nails, and he consequently was the first to use the term ‘acid house' on record. His current non-musical endeavour is pandrogyny, where he has had reconstructive surgery so he and ‘other half’ Lady Jayne would look the

same. Sonically, his music is more Bootsy than Belsen these days - a 56- year-old man/woman psychedelic orator cranking out machine funk. Not

your typical trip.

"i"L;;'\;\fu~:i'II;;1:.'\.;i'niiikaH

_‘ iii; IIIII\ Inuit; I‘.;;\': I gun .zzziiflx'li.:\1\x l .mmlx

I The Delgetti, The Draymin, The Essentials .iixit Wealth of Nations

Ii.-.:Yl'. ::[‘\T.:it\ _"\Il( I\\It‘ \ll.‘\‘l. “\«l' "'V‘I‘N" \5‘23 3h \‘Il \I\Icil :iiuw; "iw :zig'inh 27.5ch Ilt'mIIIlIC

I Trade, Mummy Short Arms, The Backward High 55 .md The One Day Speakers Hm 2%! \iii, IIICIIIIII \ticq' \ * 1": WW: I :uc IlliIIC .lIIiI \Im mimilx Ili‘lll Hi: (In; ILA \I‘x‘.II\Cl\ I Winter Kids, Kessler, The Pedestrians ,mil Dirty Demographict .II‘III‘I 1m \m, tin-lull \Iiix'l 1*I I'll” \I‘Ill 1‘ \iiiiiix \llll\'\ I“‘I‘

I Goodbye Stranger \.‘.Illlli‘I Iii-u \ h' ‘! \IIIIMIJIU lx'mil. If < HIH'

\ Wylie Iici‘ I luv lllll\l\

I Sam Brown .Lllil Radar I\lll‘.' Iiii\ \\.ili\\.iI1|Iiil. ."‘;\l\iiiu'iil\lim‘l. I‘.‘I \i “' \ iHi‘iii LI i ‘H Im\I\ IInIl.iiiiI\ I.i~l‘llIlIi‘ I‘Ill\'\\ ',m.:li\l \I‘IIJIN‘IJII'I. \\IIII \lll‘l‘i'll Ili'lll II\'\‘- I'cilIi Ixiiiil

I Stonesthrow \itc ii'\It‘.i/\, I.‘| \Jllx IIIx'IIJII \Iiccl. “WWII” \ illpiii "lk \l}|c lIIiIIk‘ link

I Penny Broadhurst, Ceylan Delikanli .lIIiI Sparky Deathcap l iili \nli‘I .iltl ‘Il NI I\iii;' \liccl, “‘ 1h“ "pill I ccilx lung-II .lIIl\I \\IIH II.l\ Iiiiiiml IlHlll [input In [mix

I The Fortunate Sons l llli‘ll l‘Nih. lllH I’iull.»k\li..~.\.\ kiwi, MU llllll' up”, I It'\' \x‘t‘ l II .\I

I The Cobramatics \l,( IlllIIl\. IH IIIj.'|1\li,'i‘l_ ‘3‘ _‘l i‘ IIII‘III I l\'\' \I\.l imk‘ii‘inllt'ix

I The Gilded Angels Ilii- IIllIIi'lII\ ,\ llic I’ir. I“ II.ilIi \Ilk't'l .5" "ll

IIIl‘lll Iin' \i'c \.il .‘_‘

I Floyd 2 IIIK' I cii\. \llilt'l\llill l);i.i\. IIic IIIHHIIIICIJK‘. MINA liiiillxi i Ill. MiiI\ t. LI.‘ IMlliI

'iIiH'll I’llll, I Ii-_\iI IIlI‘llIt'

I(IlllI)Ill(_lIl

I Rosey Blue, U-Know-Hoo .lIIiI AB/CD \\ Ill\II\‘I‘ll|I\lt‘\. I () \niilli

Iliii pi: RR <I II hpiii I my IIt'Illli‘ lllliIlllj.‘IlI_ L I .lIIL'I \II IIt'.I\Ik'\I In .iii

\( VI )(' liilmlc .ltl Hll .lI iiiiiliiig'lil

I lndios Bravos IIIK' IIHII‘JH( IIII‘_ \IHI.I_\ IIuiiw. ii IIHI_\IUINI Ix’imil. \§\ ~hill "pm I_ I .‘ I I § (IINNI IlIllk I’nlixli lt‘f.‘j.'.lt'

I The Mexicolas llii- Hm: Ii l‘ \iilIlii \iiwi. ilell 'pm ii \ Ik‘JiIIIIIi' \t'l Illllll \ Ill .IIIlI A4 IIiIII'." .ippluu'il .iIl Im I.\'l\ \Ik'\|\HI.l\

I Turin Brakes IIIk' | |\|lII\I Rimiir ‘k \‘lkllIIIJ \llu'l, .‘j‘. :RIII iI‘lll !_ I(l \k'k' I ll I\

I Black International Ilk‘lll} \( \‘Ilill II.ii. \ I'm \IHIII\HII \lim'l. 33h 9““

" Illiiiii LI llIlIIk' .III iml.

I Dovetail, The Graeme Mearns Band .lllil The Sphygs llii- \il.. * \\.IIL'II|’U I’l.iuh .L‘h ‘li‘li 7' illpiii I‘ll‘k lllkllt‘. ciiin .lIllI imp

King Creosote ,mil Emma Pollock (‘liii't-ii'x II.iII. \" V) ( 'It'iI. \liccl. (ihh .‘lll‘l " illi‘iii LI] l.\ICkII\ lit-ifiiiiliii: iinIic luII, \Iimlw .l\ Imlli il\l\ IJIIIItII iii-v. .lIIilllIh IC.IIIII\' [LIEU

Stirliiig

I T-Rextasy \IIK'II II.III\, |)liiiih;iilnii RILHI. III—‘Xli I“g \[llll LI I flI \i'i’ Ill 35

I Open Mic limiiixu'ilc. III Kin: \liu'l. lllfihf» I‘M“: ‘lpiii I'in' \L'c \iiii 3*

Glasgow

I Cobramatics< luilm \;iuIl\ \limkxwll Slim-l. “I "‘31) *piii I'i'cc \cc Sun 3*

I lnMe, All my Logic dlltl Fei Comodo I lit (Lilliniiw. Ii l'iiinii Slim-I. 245 (NM "pin LII) (her-1% \IIH'J. IIlL' IILKHIIIIICI\.1IL';1 lllll\L’llIill' yum: im I. IllHi iiiiitli luiilcil Ii} IIIL’ rmI. imitIc IIl.:l l\ A} 111mg"

I HI IIIHIK'. \t't'