Exhibitions are listed by city, then alphabetically by venue. Submit listings at least ten days before publication to art©list.co.uk. Listings compiled by Kirstin lnnes.

Glasgow

I THE ARCHES

251s\r}.3_\le Street. “SW! 21H "52S

llatn llpnt

For Sale I llltl \\ed i()tt lntltrent ed h} her propertt den-loper lather. l1rnnta l~|_\nn\ Iate\t e\hrhttton exploreS .tltatttlttttt'tl platt‘S lt'll lttt nature It» t‘t't'latrn ' 5 " C? i " COUNTERPOISE 'l lttr 2‘! Sat 22 Sep. H -lllprn L1 l’art pertotnranee. part IltStallalIott. part tnteraetne e\perttnent rn aetton ('ornpoxer l’eter .\lae('a|rnan. \tStl.tl ttlllSl |)ann_\ llolerott and daneer Roxalrnd \laxxon are let looxe III a \paee \trth no rule\ 'lalte part ttl art In the making; hrrnfg |tr\t _\our \enxex l’urr u/ .‘ll't /I('\ /.I\¢" Ill i... Til l" Ii...

In the Sense That 't'tm 2H Sat 2‘) Sep. lttSl;tll.'tllHtt h_\ lularne Kttltl}S lt'lllllj.) \torre\ \xrtlr tilrnx and totrnd ohlet'lS. I’ll/‘I a] lit hm /.ltt". l-ll V.

.‘t't it t.'.'

I CCA

i5” Sattehrelrall Street. :52 4000.

'l’tre l‘rr Ilatn (rprn; Sat IHarn oprn. Feral Kingdom Sat 2‘) Sep Sat to .\'o\. .-\ xenxor‘} merload ot International \xot‘lt. ntr\tn3: \rlk \ereen poxter art. tiltn. geotnetrte \etrlptttre. 5th prn up» eleett‘onre rmenlron. parntrng artd tattoo and lt‘ttllllllt): /eloot. lx‘roelt. .lelle (‘rarna. Mattheu Stone. llatdnn Ringxted. l.o|l_\ llatt} and Dr l.al\t‘a.

Nt fat tt

I COLLINS GALLERY

l'nnerxrt) ot Stt'atltehde. 22 Richmond Street. 54S 255S. .\lon l'l'l Ittarn Spin; Sat noon Jpnt. l'r‘ee.

lain Clark: Capture l'ntrt Sat 2‘) Sep. \eu e\hrhrtton ol the (ilaxgoxt »ha\ed digital arttxt’S photographx arid tllttlllpllldlltlllS. l’urt of [/It' lien/mu! ('ttx l'i'xltt'ul l,»\f3l tit t»‘\N(Il l: t SH

I GALLERY OF MODERN ART Ro}al l-.\ehang_'e Square. 22‘) two.

.\lon \Ved tk Sat tttarn Spin; lllll

Itlarn Spur. l’l'l tk Strrt llarn 5pm. l‘ree. Histrionics COCO l'ntrt Sun 28 ()et. (ilaxgou artrSt Rodertek litreltanan'x latext e\hthrtion ix a rewonxe to the \eetarian dt\ rde that rrpx right through ttrxtrall} tlte poor‘extt \treetx ot (ilaxgow The Cutting Edge: Scotland’s Contemporary Crafts lllll 2t)

Sep Strrt 25 .\'o\. Shoxxeaxtng 30 ot' the tnoxt llllltt\;tlt\ e deStgnerS attd eralt tll‘llSlS from all m er the eottntr}. thix e\hrhrtton dernonxtrateS tltat thet‘e'S rntteh. rntreh tnore to Seottixh erat't than a niee|_\ \\o\ en llarrtx l\\L‘Ctl. \JH‘. St (“3.

I GLASGOW SCULPTURE STUDIO

'l'he llr‘iggart. l4] Bridgegate. 55‘ USS. \‘i'ed Sttn tlatn optn.

Alex Gross: Cabbage Head Thu 2‘ Sep Sat 2" ()et. 'loxtertng. matnp-trke \etrlptural rnxtallatron dexigned around (ilaxgoxx Settlptttre Sttrdro'x arehtteeltrre. NET. Sta‘V.

I HUNTERIAN ART GALLERY l’nnerxit} ot(ilaxgo\\. S2 lltllhead Street. 33” 5-1.”. .\lon Sat 9.30am 5pm. ‘My Highest Pleasures’: William Hunter’s Art Collection t'ntit Sat 1 Dee. l{\hihitron eelehrating the hieentenar} ot~ the llunterian (ialler_\ h} shoxxeasing the hext. tnoxt interesting \xorkx from the tottnder'S eolleetion.

I THE LIGHTHOUSE

ll Mitchell Lane. 22] 6362. Mon & Wed—Sat ltthun— 5pm; Tue l latn~5pnt; Sun noon—5pm. £3 tL‘t—flfitht

SIX Architecture Awards I an? Saw 1\t\\ Shoueaxe ot :mtrnj; talent tealttrtn: work tront tlte ttttttre Sl.ttS ot Seottrxh atehtteetttre

Shifts l'ntrl Sun l1 ()tt l \hthrttor; tm tron: on the /one l\et-.t.een l-dtnhttreh and (ilauou, e\annnrn:_' the potentral tor ttrttrre dexeloprnent tn .tt't'aS tangtne ttont ltatlSj‘Hll and tornntetee to trtteratton l'eaturtn; e\ploratton\ h} natronal and International .tlLllllL'elS

The Burrell Company - The First 25 Years t‘nttt Sun " ()et l’ttttlolto e\lnhrtton h} art tnnmatn e propettj. dexeloprnent eornpan} dedreated to the regeneratton ot ttrhan areax

Small is Beautiful: Sutherland Hussey Architects' Microstructures t nnt Sun 2S \ox \ eolleetron ot tert Strtherland llltSSL'} htrtldtngx trotn the paxt tert _\eat\. rtt rnrnrattrre

I THE OLD FRUITMARKET (‘andler‘tggx ‘5‘ MM”. llatl}

lllarn 'prn.

Beck’s Fusions: Gallery Pod Sat 2” Sep. ltlarn. l-ree .\n tnteraetne pod hoxtrng d_\narnre atrdto \ lSllal tnStallationS.

I PROJECT ABILITY

(‘entre l'or' l)e\e|optnental -\r‘t\. IS .-\|hton Street. 552 2522. Mon l‘t'l

Itlarn 5pm. l‘t‘ee.

Magical Landscapes/Transition l'nltl l'rr 2| Sep. Hugh (1/ lA/llt/H tt/u'x rS llL‘\\ \ktlt'lx t'l't‘dlt‘tl l‘} :\t'l lilt'lx ;\tltSlS at \Vaxpx StttdroS. ll'ttlhllltflt IS a eolleetron ot paintingx h} 'l'rongate Sttrdrm artrxt l’atrl l)ltlltlS, 1.5«53' ’It ‘E '“ it

I STREET LEVEL PHOTO WORKS

JS Ktng Street. 552 2|5I. 'l'tre Sat ltlarn 5pm. l't‘ee,

Unimproved l‘ntrt Sat 22 Sep. .'\lan lhtnnnek artd Stex e .\le(‘)ueen. hoth photographerx. prexent alonexrde eaeh other tn art e\hrhrtton ot next artd arehrxal \xork. lhtnntrek IS a eollleetor. hext knou rt tot hrx SerreS doettrnenttngg the \tot‘ltrng praetrSeS ot other artrxtx. .\le(‘)tteen\ \\ ildlrte \xork doetrntentx antrnalx and hirdx rn little-Seen or lltlllSltttl hehtn tour. Sil’art ol the Merchant ('rt} l‘extrxal tx'tSt tg'r 'AN’ 1? tt ) St t

Private Galleries

I CAFE COSSACHOK GALLERY 3S .-\|hron Street. Merehant (it). 553 0733. The Sat ||.3ttarn tlprn. Alistair Gray: 1957-2007 llltt 2” Sep Sat 20 ()et. l-or the lll‘Sl titrte. an e\hihitron of will t'rorn e\et'_\ pertod ot .-\|a\datr (ira_\ 'S art trorn hemeen l‘l5" and 2007', l’iettrt'ex tnade tn Whiterneh Seeondar} artd (ilaxgtm ,-\rt Sehool - portrait\ and nttdeS trotn the l‘ltttlx and "US. and more reeent hook eoxerS. L‘tllllttllSSIUllS and mum] panel» l’ur/ o/ [/It' .llt'rt‘lrtml ('m l-t'xlrttt/ .\'l{\\‘ Sll( )\\'

I COMPASS GALLERY

lqh’ \VL‘SI RL‘gL‘ltl SII‘L‘L‘I. 22t (Hall. .\lon Sat ltlarn 5.30pm.

Mixed Exhibition l'ntrt Sat 2‘) Sep. .\li\ed e\hihitron ot' galler} ;tl‘llSlS. rneltrdtng .\'etl \lael’herxon. .latnex .\lel)onald and l.eSle_\ Haltle.

I THE MODERN INSTITUTE ‘3 Rtll‘Cl‘lSUlt Street. Sttrte (t. Hoot l. 24S 3"! l. \lon l‘t'l ltlarn 5pm; Sat noon 5pm.

Scott Myles: Askit 0000

I3 ()et. See re\ ie\\. page ()tl,

l‘ntrt Sat

I SCOTLANDART.COM

(\ Burnt'reld Road. (llllllt‘k‘h. (X55 l:llll. .\lon l5ri ltt..‘~t|arn 5..‘~ttprn; Sat

Itlatn -5..‘~t)prn; Sttn noon 5pm l-ree. Peter Nardini l-‘rr 2S Sep Ht 2 .\'o\. Solo \hoxx ot .\'ardir1i\ ne\\e\t \torlt.

I SORCHA DALLAS

5 St Margaret'S Place. 553 2662. Tue Sat l~5pm.

Wsual Art

\l:. heUe ll\r‘.e§ ;‘.::.'ti"~_'\ tartar;

Clare Stephenson 0000 t atzl \.'.T (L:

:2 S.';‘ See llttlnt The “Va-an of to'ttetitrwa'x o...»

I STUDIO 91 SALTMARKET ITRANSMISSION GALLERY S‘ ‘ti Sattatatixet SS? 9“ i.«.::t ‘;":~ 4‘ km: Street. “I 1St 1 In.- Sat Danni Marti: Glittering Shadows l i.‘.lll I \\\.\l i” I I till-t. ‘\ .lid ‘~\“\\H‘

Aileen Campbell: Starform In; 3* Sep Sat 2" ( let Photograph; (\lttl‘tlit‘ft that exatnrnex wttnthn; aS a twat Sllllellllt' ' " '

Artist Spaces

I +44 141 AT SWG3

Studto \\atehott\e. ltttt l .ntxale l’late. Gary Mackay 8: Andy Steel [Gazmac 8. Asone] tn 2t Sun in Set‘ lttSl.tll.tltht and [‘.ttttltttf,'S l\_\ (ilaxjgou haxed attr\t\ '- On | Off Satellite Event Sat .‘2 St-tx ~pin nndnreht ("ollahoratton ltetueen S\\(i‘ attd ( ln ()tt. Sllt\\\\.tS|ltj_' enterern; and eStahltxhed Stottrxh

and \tdew “~th e\.-.:'.n:nn:' ;‘et\n:‘...i

tweawxmtartatx /..I

Edinburgh

I CITY ART CENTRE .‘ \latket Sttect lttatn 5pm, Sun noon ‘ttn.

\lun \a' View from the Inside I an; \un Iltl II\.\. lllStt‘\t‘l llt‘RK .tlltSlS repttwented tn the ( tl\ \rt t entrek tollet tton ha\e e\t‘lotetl the atotltl ot the tntettot. trotn l‘ttSllttt'.‘ we rai \;\.tte\ to innate tornetx ot the tntnd Int httltw \kt‘ll. \ll‘t‘llt‘ \lt‘tt‘ttr‘ l( “I .ttltlt‘ii and \\ tllt.tttl ( itlltt'S

Beyond Appearances t ant San .‘< Sep (‘ttratetl l\\ .nt lttSlt'tlatt lltll llate. tlnx e\hthrtton uplotex the \t\ |r\ttt \lll.lllll’\'\ and thetnatrt t hatat tettxttt \ that dtxtrnenhh Stotttxh ntodetn and \l‘lllk'llll‘l‘l.ll_\ l‘atttltttt' '

tlt'SljJtlt‘tS

I THE FRIDGE GALLERY Sotrtlmde Stttdtox. l“ \\e\ttnore|and Sltt't'l.

Tim Facey: a line will take us hours maybe I nnt Sun to Sep \t'v. \xorltx h} the (ilaSjgtm haxed \etrlptot tll lttS tir\t \olo e\hrhttron Hand, Heart and Soul I nnt Stm ,‘l SeI‘ \lalor t‘\ltll‘tllt'tt e\;\lottn:' tn .tttS artd tratt\ tno\entent ttl Stotland horn ISStttttl‘Ht) ' ..

I MARKET GALLERY

3 SJ l)tll\t‘ Street. 55o 52"!) ltte Sat noon (\prn

Host l'ntrl l‘l'l 2tr()et. \ \errex ot one da_\ e\entS. lllt‘ltltltll}: l)l.t\\ or Me. dtSetrxxtonx on tlalltttlaltSttl artd etrltttre. artd art e\hthttron ot tlt'\\ work h} Karena .\'ornr and l’ete l)o\\ lrne See \txx\xtttarltetgaller} 0th ltl\ tor addrttonal lIStrnggx and tune»

I DEAN GALLERY

5* lleltotd lx’oad. h.‘ l '0‘“ lllarn ‘rtrn Picasso on Paper .00. t nnl Sun :5 \t‘l‘ \t't‘ lltlltSl i l I

Georges Hugnetl ntrl Sun .‘< Sep

l tt't' \Htllt‘ Ul lllt' t'allt'l} IS \ Hllt‘t lltlll til I tt\t‘t lllll ltttttk\_ t‘.t[‘t'tS .tlltl tttlldt't‘S llt.tl l 5 (irhxon Street. HI “I lit Sarn ‘tpnt lltrgjnet \\.t\ tn\ol\ed ttt ' ' Colours of Glasgow l‘nnt he to ' E E

MAK NC T

ACT OF UNION

mmmmm 21 September-IBNovemberZOOT

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