Edinburgh
Public Galleries
I CITY ART CENTRE
3 \Ittlixt‘l \ll't‘t'l. 5:" i9‘)i \Ittll \al Illaui 5pm. Sun noon 5pm
View from the Inside I lllli \un 31 (kt I‘lt't' .'\n t'\llll\|lltill ol the nund dimmer lltm .‘tlll\l\ represented III the (ill\ x\l'l (‘L'IIIIC‘\ titllt't’llttll Itau' explored the \kHlltI ol the interior Illt‘llltit'\ \Nttllk it} .\lltt'llti \littiittti
H "II (addell and William (ilill\'\ '. (db-“'4’ ,E " HIE
Scissors Paper Stone: Contemporary Edinburgh Crafts l'ntil Sun 3“ .Ian :\tillll\\ltlll Iiee .-\ \lltt\\t';t\t‘ ol the \Mtllx ol I.dtnhuif_'h\ ctall itlll\l\.
Ten Decades Sat .7“ (let Sun 2H Jan I'ree. (‘elehiatiny the tentenai} ol Izdinhuigh ('olleye ol .'\ll leaturtnjg attixtx \xho tauqu and \llltilt‘tl there
Ill f,l It
I DEAN GALLERY
7* Ilellotd Road. (ll-l (illlll.
Illain 5pm.
Tom Phillips: A Humument l'nul Sun (l .Ian. 'I III\ tl|\|\l;t_\ e\p|ore\ the \xoik oI Iil'llhll ttl'llxl 'Ioui I’hilltps. loeusiug: Ill partieulai on Il|\ altered hook. .I Hummuan a treated Victorian lto\ L'I. Iltl\ hook ll;t\ ttt‘ltlt'n'tl L‘llll status and I\ one ol the tnoxt sueeexxlul and inlluential artixt'x hooks ol the 20th centur}.
Back to the Future: Sir Basil Spence, 1907-1976 I“ It) ()et Sun III l'eh. I'uxt niaioi retrospeetne oI Scotlanth inoxt renomted inodern architect. coinciding: \\ ith the centenar} ol lll\ hirth. NI \'.' HI It
I EDINBURGH PRINTMAKERS 2i l'nion Street. 557 317‘). Tue Sat Illaiu (ipin. l'ree.
40 Years at Edinburgh Printmakers, Part 2: 1987 to 2007 l'ntil Sat 3 Not Including: work It} \\ ell exlahlhhed ill'll\l\ \uelt ;t\ llarhara Rae. (’aluin (’ol\ in and .\lo} na I‘lannigan. this e\hihitton l\ a eelehration ol lidinhurgh I’rintiuakerx' role lll shaping: eontetnporar} printmaking in Scotland.
Winter Exhibition 2007 l'ntil Sat 22 Dee. Illani (ipin. I‘iee. lidinhurgh I’rintinakers‘ largest and most eeleetie annual nieniherx‘ e\hihition.
I FRUITMARKET GALLERY
4.5 \Ittl'kt'l Sll't‘t'l. 235 3535. NIH” Sat
I lain 0pm; Sun noon 5pm;
10am 7pm.
Alex Hartley 0... Hull Sun 2| ()et. l’ree. 'I‘lux e\hihition begins on the outside. on the Iaeade ol the I‘ruitinarket (iallet') telad in an image ol' itsellt \\hieh llartle}. an L‘Illlllhlihllt‘ ‘huilderer' telunhing on huildingxi. marked \\ ith routes that he has eliinhed ax preparation lor the e\hihition. Ill\ltIL‘ the galler). Ilartle) \ photographs e\anune the relationship an indi\ idual ean ha\ e \xilh architecture. IASI
(It IANCI It) SH
I NATIONAL GALLERY OF SCOTLAND
'I'llt‘ .\IUllllLI. (ll-l (CHI). \Ittlt \Vt‘tl k\
I‘ri Sun Illain 5pm; 'l‘hu llldlll "pin. William Blake l'ntil Sun «I .\'o\. I‘ree. Works on paper h} one ol the most gifted and inlluential ot all romantic artists. Illl\ e\hihition has been planned to eelehrate the 250th annixerxan ol' the artist's hirth. '
Check out the
onpaqeé
I NATIONAL MUSEUM OF SCOTLAND
('Iiainheix Street. 11‘71‘222
Illain 5pm I-iee
Anna King: Weaving Words l ntil \un IS (let I we Ill\[‘llt'tl h} te\t\. internationall} ienouned .tl'll\l I\'in§_' \lk'JIL" te\ti|e\. paper. l.t[\t‘\lllt'\ and \tllil‘IlIlt' . ' F ' E: Picasso: Fired with Passion 0... l ntil \un In ( )tt .\ neul} created e\hilutton ol l’ie.t\\o\ eeiauues. tuetahxoik and lithograph}. lioni the period I‘M“ l‘l55 Ihe \t‘ldllIItN thenixehes are not .t\ oxeil} Illll‘tt\lllj_' as the \t‘ll\.tllt'll;til\l title might \llijJL'\I. the e\hilution l\ III\IL';ltI dominated h) a \llt‘t't'\\|HlI ol llltt}fl;tlllllc'tti te\t\. \\IIILII can leel uut'oinlortahl} lll\;t\|\t' Run iii t'oniunt‘tion \\ ith l’ii mm on l’ii/n I .it the Dean (iallei) l,‘.‘ U " Will i
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Jerwood Applied Art Prize 2007: Jewellery l’ntil Sun 3 Mai. I'ree. .\ [H'LNllleth pri/e Ill applied dll\ run h} the ('ialtx (‘ouneil and .lt't'\\ootl (‘haritahle l-oundation \\ ith a dilteient inediutn represented each _\eai. I he 1e“ ellei‘} makers who made the \Iiol’llixl llll\ _\eal' are \Hld I'ok. Yoko I/ana. (iiainne \lorton. \lah Rana and. |Hllll \\l|lllL‘l\. Susan ('ioxx and .‘\tI;tlll I’.i\on.
Anna S King: In Conversation I'l'l I‘) ()L'I. 2pm. t5tL31; nieniherx Ireei. lhe Internationall_\ renonned ttl’ll\l (II\L‘ll\\t‘\ her approach to her \xork \\Ilil Rose \Vathan. Booking: ad\ ixed.
Lee Miller and Picasso .\Ion 32 (let. (it illpni. L5 (£4). .-\nton_\ I’enroxe. \tlll ol l.ee .\liller. talk about the I'L‘ltllltllhlllll hetxxeen his Ianul} and I’ieaxso. Using: his mother's photographs to llllhll'illt'. Hooking: required.
I THE QUEEN’S GALLERY l’alaee ol IIoI_\ roodltouw. 556 5 Hit). l)ai|_\ 0.30am (ipin; tritium 2pm £5 tL'J.5()i.
Bruegel to Rubens: Masters of Flemish Painting l'ntil Sun () .-\pr. The first e\hihition ex er mounted ol' I'Ieinish paintings in the Ro}a| (‘olleetion brings together 5| \HH‘Iw I'roin the l5th to l7th centuries. including \xorlx h} Hans Mending. Pieter Bruegel the Iilder and Ruhenx.
I ROYAL SCOTTISH ACADEMY
Ihe Mound. 225 (m7 l. .\lon Sat
Illani 5pm: Sun noon 5pm.
Victoria Crowe: Plant Memory l'ntil Sun 4 \m. I'ree. Next prints and drau ings examining plants and their ll\t‘ in traditional medicine. inspired h) the artist‘s residene} at ()\I’ord l'nixersit}.
I NATIONAL GALLERY OF MODERN ART
75 Behold Road. (334 (i300. |)ail_\ Illani 5pm.
Richard Long: Walking and Marking 0... l'ntil Sun II ()et. U» tt-l i. .-\s one or this t'ouult'} \ most important land artists. lion; takes in er the S\(i\l.v\ \\ ith \xorks that record
and relate to his treks around the \xorld.
I);tlllllllf_‘\. photographs and sculptures spill out into the surrounding landscape. \\ ith mud and rocks lrorn the surrounding eountr} \ItlL‘ lht‘ti as raxx materials tor his installations. LAST till-\NLIE; 7C?
I NATIONAL PORTRAIT GALLERY
I Queen Sll't‘t‘l. (‘34 02””. Mon “Cd & I'ri Sun ltlain 5pm; 'l'hu
Illarn “pin.
Thomas Teltord: Father of Modern Engineering l'ntil Sun 25 \m. to (£4 l. .-\n e\hihition of plans and photographs to mark the 250th annixersar} ot‘ the birth or the prolit'ie British engineer.
[usual'Art .‘\ ”‘
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~ tram—1976
9 1' ..
-'~v"' .‘ . «a? . , 9 .Ifi‘w‘r“,,2¢
19 OCTOBER T010 FEBRUARY 2008
our GALLERY, BELFIIRD ROAD, EDINBURGH ' (rgflgggm ADMISSION FREE s’comNn
A CDLLABOMI'IDN WITH THE ROYAL COMMON OK I'll! ANCIEII Mill lllSllllllCAl IONUIEITS 0F SCIHUIID
é Heritage sun
#3:“ LUI'TERY rUNDED The Scottish C(Nt‘nvncm Wu "
THE ROYAL GLASGOW INSTITUTE OF THE FINE ARTS
196/
l46th Open Annual Exhibition Paintings. Sculpture etc
The Mitchell North Street, Charing Cross Glasgow G3 7DN
s i ‘ t . .. . NOCTURN, IAMES D ROBERSTON RSA RSW RGI PAI
l2 OCTOBER - 4 NOVEMBER 2007 Open Monday A Saturday IO.3O — 5pm Thursday l0.30 -- 7pm Sunday l2 ~ Spm
Admisswns: £2 2 422; “I. " , Concessions: (I
"c C’,‘ ' N2. THE LIST 87