Events are listed by date, then city. Submit listings at least 14 days before publication to henry®list.co.uk. Listings are compiled by Henry Northmore and Kenny Mathieson.
Thursday 1
Edinburgh
I Jerry Bergonzi Quartet 1 llL' .la/l liar. I (‘haiiihcix \licci. 22‘) ~13“
.\ illpin Ur iUi 'l hc liinliill \a\ guru. liillllllf: \iiili [H.lllhl chaio ( 'liiui. l'.\ li;i\\l\l Haw \anloio and diiiininci x\lll|it'il \lltllcllllli Illilx _L‘l_‘_' \\ill i‘t' iccoidcd li\c loi HI“. Radio i
I Sheila Jordan and Brian Kellock .la/I (‘cniic .il lllc lol. 4/!» (il;l\\lll.lli\L'l. H Winn, Ll * ill l:\pccl a \xondci'lul nigh! ol lllll\l\‘ inakinj: .'i\ \poniancoux lzdinhuiggli [H.lllhl. lilldll Kcllock. I\ ioincd h_\ \cnxaiional \cu York \ocalixi Slicila .loidan
Glasgow
I Leana Zaccarini 8. Jenny Clark Trio .'\l'l ilL' ('.il. 'l llc ()lil Slit‘l'lll (i‘lll‘l “llllilllljl. lii'uiixxxick Sliccl. “HRH.
H I”. lelll. l'icc. lllucx. lunk) pop. l.alin and mingingg ia//.
I Sheila Jordan and Brian Kellock ('ii_\ lla|l\: Rccilal Rooinx. (‘andlci'iggx ‘53 Slim). Spin. ill). Scc 'l'liii I.
I Haftor Medboe Group with Eva Malling iron 'I licali'c. (ii 'l’i‘onggaic. 553 4267. ‘lpin. L'lll. .\lcdhoc\ group launch lhcii‘ ncu alhuni. .\i'u .‘Ilii/i/H. alongxidc l);llll\ll l\;|\\ \ii‘lumo |'.\a Malling. l:\pccl hi3; aicliing inclodicx and dccp lica\} gi'oowx. .I\ \wll ax \onic \lai'lling iinpi‘ox ixalion.
Edinburgh
I Euan Burton Collective .la// ('ciilic. l'lic l.ol. J/(i (il';l\\lll;ll'i\L‘l. ~10? 52H“, Killpiii, [7.50. l'plilling Scoilixli |;i// li‘oiil l‘;l\\l\l/L'UlllleCI' Burton.
I Hook’t-Up 'l'hc .la// liar. I ('hainhci'x Sli‘cci. JIM-1308. Sillpiii. £3 it'll. l‘unk} llaininond organ \oundx li'oiii (iahi‘icl l.alchin.
I Skunk Funk 'l‘lic Jan Mar. I (‘liainhcrx Sii'cci. 32H 42%.
ll..il)pin .iain. [5 (Hi. \iglii oi lop l'unk from I” \Villx/hoolli and Inc gucxlx including (ilaxgou ja/x/l'unlx xivpiccc D'liaxx (3 No\ i and Malichcxlcr\ danccllooi' lunk \pccialixix 'l'lic \\'lii\l\}c';ii\ N \o\ i.
Dunblane
I Jonie Keen Trio Dunhlanc ll}di'o. l’ci‘lh Road. (ll "so 8225.“. ‘) llfillpni. lice. Sopliixlicalcd \oundx l'i‘oin llll\ pupil of mud ial/ \cici'an l-‘ionna Duncan.
Glasgow
I The June Love Trio 'l‘i‘adcr Jock. 3:5 “UPC SilL‘L‘l. 331 5|"l.
3.30 5.30pm. l‘i‘cc. ()ld \chool ia/x and Nina Sinionc coxci'x.
I Mike Rogers Quartet Bid. 3‘) 43 .-\\hlon lanc. 343 40M». 3 opin. l‘i'cc. Rogci‘x and lux qualit) qiiai'ici dclnci‘ lhcii‘ o“ n inicrpi'clalionx ol' \onic of Ilic hcxl lhc (ii'cat :\lllL‘l'lt‘;lll Songbook hih l0 UllL‘l'.
I Tommy Smith Youth Jazz Orchestra ('ii} Hallx: Rccilal Rimmx. ('andlcriggx. 353 SUM). Spin. £8.50. Sawphonixi 'l'oinin} Sinilli lcadx l]l\ hand-pickcd )oung lalcnl through a rcpcnoii‘c oi‘ lillingion. Baxic. \liiigux and (illlL‘splL‘.
I The George Penman Jazzmen Jazz Supper (‘ai‘c Soiii'cc. l Si Andre“ '\ Squarc. 5-18 hull). 0pm. €18.05. Vintage .\'cx\ ()rlcanx ja/l “llh .i 50.x t‘laxour l‘i‘oin iliix \ialuarl oi ilic SCOIIlNh \L‘L‘llL‘. 'l'ickcl pl’ch‘ lliL‘lULlL‘\ [\M‘ (Ullrscs and [L'QUIL'Ui-i‘CC.
74 THE LIST 7— ‘95 NM 20;“
Edinburgh
I The Mellotones l ighij. ()Iiccii \llccl Hal and Rcdauiaiil. “’ ()uc'c‘ii \liccl. 33'» “NE 3 “l i ‘liiiin licc .liiniii} 'la_\loi and hand plaj. \lcl 'loiinc and oihci :icai i.i// I Trio Jazz llic |.l// Hal. 1 (hainhch Sliccl. SIN-13‘“ ‘ zllpiii licc Rclaud allcinoon \loi \kllil ilic lioiiw iiio on piano ioi L'llll.” i. ham and dillllh
I World Premier lliL' la/l Bu 2 ('liaiiihch Siiccl. SSH-13‘” \ ‘Hpin Li .\ dillcicnl \clcciion ol li‘. c lt'dillll'.‘ ia/l playm conic logcllici ioi cacli \cxxion \i. illi no lt‘llt'dlMii
I Sound of Seventeen l ifllll} (Jul-cu Slrcci Hal and R\'\l.ilil.ilil. \H ()uccii Sliccl. 33h Sll‘r ‘liiiii licc Hi; hand loiiiicil} kiioun .l\ llic RH] \ Hi; lidiid. playn; ai’i.iiij_'cincni\ h_\ ('iaxx Ioid \il‘}t'\ and lcaluiiiij.‘ \laiiin \ixi‘Hlx't'llli' and Suc .\lcllu§_'li on \oc.il\
Glasgow
I Jonie Keen Trio iit'k'l (giic. "\ (liiiillci'iggx. ‘53 ‘i.\li ‘ a Winn licc SCL' ill 2.
I Stuart Brown Trio llu- "X. H Kchinhaugh \Iiccl. Vb RHIS Mini l'i'cc. lliglil} pioinixinj: _\ounj_' iiio lcd h} lill\ inno\ali\c di'uiiiinci
\I ‘ll‘;\ i‘\
'-"\ilii\l\
12,__i
Edinburgh
I Sunday Singers Session llk' .l.i// liar. l (‘lianihcix Sum. 33“ JZ‘Ih
N. illpin. U it'li. “cc-kl} \pol lcaiuiingg c\ccllcni \HL‘;ill\l\. hackcd h} .i linc |.i// li'io. 'l'hix loi‘Iiiighl'x \L'\\lHll lt‘.lllllt'\ .\lai’i.i Spcighi M \m I and .\lci'i \Vi‘igliixon i II .\o\ i.
Paisley
I Sunday Sundowners l’Iaiioi-m I. l Slim c Hi‘ac i()ll (‘anal Slich i. NH" ‘0‘): 4 (rpm. l‘i'cc. l.aidhacl\. cax} ll\lL‘lllllf_' ia/I ll'Ulll \ocalN |.c.uia /.accai‘ini.
Edinburgh
I The Jazz Bar Big Band 'l'Iic .Ia/I Bar. 1 ('hainhci'x Sli'ccl. 2le ~13UN. Spin. £3 it'll. .|a// \‘l;l\\lc‘\ li'oin lhc lipiccc hand. in llll\ opcn rclicai‘xal/gig.
I The Late Great Jazz Jam Session 'l’hc .la/I liar. l (‘liainhci'x Slim. 3le 4208. lllpin. l-i'cc. li\pcci a rich ini\ ol' xi} lcx ax lliccx old and ncxx drop in lo pci'loi‘ni xx illi llic llouxc lrio cach \\ L'L‘k.
I :5 i i I
A hard band to classify. The Necks are ess
Tuesday 6
E‘i"".b..rgi‘
I Guitar Night lilc‘ l.i.’.' Ha? ('lidnihcix \Iicci. :2" ~13” \ ‘i'i‘ni :1 it} l)iuiiiiiici lizll l\_\l_' i‘lil‘i;\ :n .: '..:ii.ihlc iizo lcaiiiiin; diiicicni liii‘ i.i// _..'llll.il'i\l\ llii\ toiiiiiclii Hun \lacllonaid in \o‘. ioiloucd h_\ l\c\in ( ilaxgoxx i1 \i"- laid“ li' lllL‘ \l.l‘_'t‘
I Tuesday Heartbreak Funk Jam Session llic |.i// llai. l (‘li.iiiihci\ \iiccl. Sill-13‘” ll Winn z.iiii licc Ill guiiaiixi \ki [‘l.i}\ licxh \oiil. lunk RAH. hip hop and hluc\
Wednesday 7
Glasgow
I Michael Simons ltlldl ()\ll.i, 1m lh‘dlhli'll l)ii\c.’\1"“3*\ \[HH 2.? (il.i\‘_'i'\\ l‘awd guiiaihi [‘i.i\lll_‘,‘ lol'n. hluc‘ and l\c_\ond
Edinburgh
I Haftor Medboe Group \tiillhli \fgiiculiiiial (‘ollc§.'c. Klllf_‘\ liuildiii-J» \\c\i \i.illl\ Road. 5131mm lilipin ilk‘k' \k'\' I ll 3
I The Necks .I.l// ('cnlic. llic l oi. 1h (il.i\\lll.ili\L‘l. lo" Will .\ illpiu L I: Hccp gioowx .iiid lciigjili} [‘IL'\\'\ iliai iiiii.i\c| \loul} inning Illllllllldlhlll. .iinhiciil and [an
I Jazz Jam and Open Mic Session l:ig_‘hl_\ ()uccn Sliccl H.” and lx’cxiauianl. Ml ()uccn Sliccl. 33h 5W)" ‘lpin iiiidniglil l'lu' l‘lfjill}.\llll\l_\ opcii inic \c\\iiiii l\ \llll going \lioiiy
all .iic \xclcoinc lo loin in lhc luii
Thursday 8
Edinburgh
I Bill Carrothers Trio .la// (‘ciiuca 'llic l ol. -l,’o ( ii'axxiiiai'kcl. .lo~ RIll“
N. illpin. L' l”. llllllellilllc and llllell} icxpccicd l S Pl;llll\l \cc pic\ icu. pagc (\l
I Guest Band Night 'I lic .la// Hm. I (‘liaiiihcix Sli'ccl. JIM-1203 .\. ilipin Li iL’Ii. (illL'\l\ \llll ihc hut c\pccl conicnipoiai'} ial/ and \Hllk‘ hackhcai lunk.
Paisley
I Tam White and Paul Harrison l’;ll\lL‘\ \l'l\ (t'llllk'. \L‘“ Sliccl. Nb"
llllll, Spin. L") iL'oi. \lodcin |a// iiiijgcd hlucx li'oni lcgcndai‘} \iicdlhl lain \Vhiic. accoinpanicd h_\ pianixi and conipoxci’ l’aul llai'i'ixon.
entially jazz, but take in so many elements of minimalism, ambient and the avant-garde that the tag doesn’t really do their output justice.
C: .isui I Leana Zaccarini & Jenny Clark Trio \21 dcl .1i. lhc l lld \iiciiil l'ouii Building, H!llll~\\1c k \Iiccl. V“ H111
\ lH Winn licc \‘c l ii .‘
I Bill Carrothers Trio (in ll.ill\ lx‘cciiai lx‘ooiiix. (andlciiccx. “1 \INN' \i‘ii: :1" \cc llui \ iirimig"
I Aldevis Tibaldi Quartet llii- Li.»- liai. l (liainhcix \iiccl. .‘.‘H 13‘“
\ lHi‘in L ‘ lifi lialian \.:\ plaxci i‘l.i\lll‘i:' oui lll\ on ii \Hllll‘i‘\llli‘li\ and llllltllh‘ i.:l\c\ on old \iandaidx
I Sexteto del Fuego I.l// ('cniic. un- loi. -Z i» ( il.l\\lll.ill\\‘l. 1o" \‘HH \ ;“pm ‘A \n c\i‘lo\i\c \t'lt'l‘lalli‘ll oi I aim i.i//. i‘i‘\\.l lllUilllh .uid Ilia/ilian \li‘\‘\ I Skunk FUNK lllx‘ l.I// Hal. l (’liaiiihcix \iicci. .‘IH l.“’.\
ll Wpin Run 1* iii: \‘c l ii .‘
Duiihlaiiv
I Jonie Keen Trio llunhlaiic “Mlli'. l’ciili Road. “I \h .\.‘.‘**l " ll il'piii il‘t'k‘ \t'\' i ll:
Saturday 1 0
Glasgow
I The June Love Trio liadci lock. ‘3‘ llopc \iiccl. ill <1"l .‘ ill * illl‘lll ilk't' \i'L‘ \il i
I Sermon Organ Trio Hicl. W ii \\lili'll l aiic. US Who 1 ohm licc llaininond oi:‘.iii lcd iiio
Edinburgh
I The Mellotones l i}.'lil_\ ()iiccn Siiccl Hal and l\’c\l.illl.illl. Mi ()uccn Sllx'k‘l. :3“ “NH 3 ill § illplli l‘lt'k' \i't' \al i
I Trio Jazz llic .|.i// llai. l (‘liainhcix \ilk't'l. 3:” 13‘“ i (“Pill lli‘i' \k‘k' \dl
I World Premier lilk' l.i// Hai. I ('liainhch \licci. 33H lj‘lx H illiiin Li 1L3i \cc Sal ‘
I Nicky Psaila Quartet l‘It'ill} ()iiccii Slicci Bar and lx’cxiauiani. NH ()uccii \ii'ccl. 33h ill‘)“ ‘lpin licc llic claiiiicilixl l\ ioincd h} l’aul lx'iih_\ ipianoi. lad Kcll} ‘i‘.l\\l .iiid hlauck .lll\llll\i\l idiiiinxi
I Asazi Space Funk Explosion iilt' .l.i// Hai. I ('iiainhcix Sliccl._‘3ll»13‘)h ll illpni t5 1‘; ii \liohcai and lunk} \ound\ lioin \laiiinha lionch lixc piccc \\llll \a\. :iiilai. lu'}\. haw .ind illllllh
The band specialises in deep grooves that unfold over long pieces revealing further depths and hidden
intricacies. Jazz (Save a:
The, «o Exim- m»