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Exhibitions are listed by city, then alphabetically by venue. Submit listings at least ten days before publication to art@list.co.uk. Listings compiled by Kirstin lnnes.

Glasgow

Public Galleries

I THE ARCHES

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I 100 PUNKS m III \I.-. \\I-II II

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I THE ATRIUM GALLERY

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I CCA

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I GALLERY OF MODERN ART lx’n_\.Il I \III.III:'I‘ \IIIMII: .‘.“l I‘NII .\InII \\I-II I\ \.II Ill.IIII 5pm. IIIII Ill.IIII 5pm. I II A Sun |I.IIII 5I~III III'I' The Cutting Edge: Scotland’s Contemporary Crafts 1 IIIII Sun 35 \nx \IIII\\I’.I\III~.' zll nl IlII* IlIn\l IIIIIn\.III\I' \I\'\|_'.'IIL'I\ .IIIII I'I.Ill .llll\l\

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I THE GLASGOW SCHOOL OF ART

lh' lx'I'IIlIJ'J. \III'I'I, *5; 15‘“ \InzI III I‘LIIII 5pm \II llI.IIII _\;\III

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Susanne Norregard Nielsen: Mondrian’s Flowerbed I IIllI \HI ' \nx l’lInIm IlnIIIIIII'IIIIIIzi \II-lwIIK II'Illlllt‘llll'lIlll'-I' Iln'u.I'Il\I'.l III IIII‘IIII' In I’II'I \InIIIIII.III

I GLASGOW SCULPTURE STUDIO

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Stuart Gurden 8. Nina Lola Bachhuber \.II 1 \III \.II .\ I)I-I \I-v. \‘.HIII III (il.I\_:'n\\ l\.I\I'II .llll\l (llllIlI'lI IIIIII \I'II \nIlI l\.I\I'Il .Illl\l II.IIIIIIIIl\I-I ILIIIIIIIIIII'I'x \IIIIIIIIIII'\ ll\I‘ Illl. llllllt~l\. \II.I\\I|IL'\. .IlIIIIIIIIIIIIII lnIl .IIIII HIIII‘I nIIIl lll.IlI'll.ll\ In I II'.III' IIII.I;'I'\ nl \IIIIII\'\\. lnxx. IIInIMlII} .IIIII \I‘\II.I|III (IIIIIII'II I'II‘.III'\ III\I.IIl.lI|HlI\ III.II \I'llll‘llII' lIlIII. plInInngaplII .IIIII III.I\\III_:) \\IIII \I IIlpIIIII' In I'\IIlnII' I IIIIIII.II nIIIrIIIx .IIIII IIII'I.III’|III‘\ IIII'II‘ \Klll III' .III .IIII\I\' I.IlII .IIIII lIIIII \III'I‘IIIIIII nII IIIII _‘_‘ \n\ .II

(I HIP”) - '

I HUNTERIAN ART GALLERY

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I KELVINGROVE ART GALLERY 8: MUSEUM

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Quentin Blake: 50 Years of Illustration I'IIIII Inc I .l.III, I-II'I‘ \ III.IInI I'\|II|IIIInII I‘I‘II‘IIIJIIII; IIII' \InIlI nl

An exhibition tracing the development of the Turkey- red dyeing industry which thrived in Glasgow from 1785 until the 19305. The show brings together a wealth of textiles from both public and private collections, to illustrate the diverse uses of the

I THE LIGHTHOUSE l‘ \l:'Il:I":'; I .::1I' hi“: \\I'II \II III *ll.::II 5I‘It. \IIL t.nn:I 5IIIII fl Ll 5ll'

SIX Architecture Awards I Illll \Im 1\n-. \lIn'.~II.I\I‘ nI \nIIIt;' lIllI'Ill II'IIIIIIIIIL' xxnll. lInIII IlII' IIIIIIII' \IIII\ nl \InIII\IIIIIIIIIII‘IIIIII- '

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Small is Beautiful: Sutherland Hussey Architects’ Microstructures l IIlIl \IIII .‘5 \III \ InllI'IIInII nl II'II \IIIIII‘IIIIIMI IIIIwI'; I‘lIIlIIIII;'\ lInIII IIII‘ [\hl II'I: \I'III\~ III

Gillespie, Kidd 8: Coia: Architecture 1956-87 \II 1

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I ST MUNGO MUSEUM OF RELIGIOUS LIFE AND ART ‘('.I\III'\III'I'I_ 551355" \lnII Hm I\ \.II Ill.IIII 5pm. I II I\ \IIII Il.IIII 5pm. ll.IIII IIIIII III-I-

Voices from Africa Part 2 I IIIIl \un 31 II'II III'I' l’InlI'I'I III.II \anlw \IIIII IIII'IIII‘I‘I\ nl IIII- ( Il.I\j,'n\\ \ \lIII.III .IIIII \lIII.III ()IIIIIIII'JII Illlllllllllllllt‘x III IIII' II'IIIII'IIIII'I.IIInII nl III.III\ nl IlII' nIIII'Ih III-III III \InIIIpI' Ill IIII- \I \IIIIII'n \Ill\t‘ll|ll llII' lllll\I'Illll ll.l\ .len I’IIIIIIIII\\IIIIII'II .I III‘\\ .IIIIInIlI III (Il.l\j_‘H\\ I‘I:\I'Il .IIII\I III'III IUIIII‘

I STREET LEVEL PHOTO WORKS

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Marjolaine Ryley: Residence Astral \III I \n\ 3.1! 3: I)I'I'.

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Private Galleries

I RGI KELLY GALLERY III\ l)nIIg_'l.I\ \III'I-I. 31% IHMI \lnII Ill Ill 5llIllll 5pm. \II Ill 5ll.llll IpIII Tom Allan: Journey into Stone I‘IIIII \.ll §\n\ I‘IK'L' \\nIl\\ III \Illllt' .IIIII IIIIIII‘II'. I.III;_'IIIj: lInIII II.IIIIIInII.II III‘IIle IIIIlI IIII\H\ In IInIIII .IIIII [‘ll\lllllltlk'll1 \Klllk\ ' --‘

I SCOTLANDART.COM

(I IIIII’IIIII'III RnIIIl. (iIllIInI'k. (I ‘3 llllll \InII I‘I'l Ill lllIIIII 5 “mm. \III

Ill;IIII 5 illpIII. \IIII IInnII 5pm IICL' Peter Nardini l'IIIIl III I \nx \nln \IIH\\ nl \IIIIIIIII\ llt'\\k'\l \InI'lI '

The Royal Variety Show In (I Inc I“ \.I\ I-II'I' \ yInup L'\IIII‘IIIHII lI'.IIIIIIII§_' III'INx II-xlI'} \IIIII- l)I-III\. IIllI l.llInI. I’.II\} .\II* \I'IIIIII .IIIII \IIIIIC\‘. llnnIl ' H '

I SORCHA DALLAS

5 \I \IIII';.III'I\ I’|.II‘I'. 55‘ 300: IIII' \II l 5pm

Raphael Danke .00. I IIIII \.II III \'n\ \L'II'I'5 nl I'nllIIgI' IIIIII \I'IIIIIIIIII' II} IIIL' HI'IIIII-II.I\I-Il .II'IN. IIInIIII; IIIIII \HIIICIIIIIL‘\ IIII- \IIIII‘I':\I IKIL'II‘. \II-ll- I'\I'I'IIII'II. II'IIII} Iln :JIIIII'I‘IIIIL'L‘ IIIIIIIII}

I +44 141 AT SWG3

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"\ “.sz‘Il IIIIxx'X‘n"

Sandy Smith 8. Andrew Cattanach I" " \ .'2 l5 \n'. I\lf"""w" xkn'k» .z'IIl :\ 'fn':' Ill :I'vItI'It'.

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I ART DE CAF

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IlIlIIl.1II lnIIIe TInII. IIIIII-II'IIY ;\I‘I\I‘I'I II\I'\

I RECOAT

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Edinburgh

I CITY ART CENTRE

3 \I.IIkI-I \III-I-I 5?” WM \lnII \.II Ill.IIII 5|»III

Scissors Paper Stone: Contemporary Edinburgh Crafts l IIIII \II I” |.III III'I' \ \lInIIIJxI‘ nI IIII' unIlI nl I'IIIIIIIIIIL'IIK II.IlI .Illlxl\ Ten Decades I “III \II 1‘) l.Ill I II-I- l'\Illl‘lIlHll \k'lk'l‘l.lllll_‘.' IIII' II-IIII'II.III nl I IlIIIIIIIII'II ( 'nllI'pI' nl \II II'IIIllllllt' .llll\l\ \KIIH I.IIIj:III .IIIII \IIIIIII'II IIII'II'

I DEAN GALLERY

5‘ III'llnIIl lx’nml. (L‘l (C‘lll Ill.IIII 5IIIII Tom Phillips: A Humument l IIIII SIIII (I .l.III IIlI\ III\I\I.I§. I'\[I|nII'\ Illk‘ \InIlI nl IIIIII\I1.IIII\I lnIII l’lIIllex. IHIlhllIL' III [‘Itlllt lll.Il nII Ill\ .IIII'II'II lInnlx. I Hum/um III. .I llk'lllk'tl \ II InII.III lIll\I'I IIlI\ IInnII Il;l\ IIIIIII".I'II I IIlI \I.Illl\ .lll'II l\ nIII' nl IIII- IIImI \II\IK'\\IIII .IIIII IIIllIII'IIII.Il .IIII\I\ lmnh nl IIII- IllIII II'IIIIII_\

Back to the Future: Sir Basil Spence, 1907-1976 I “III Sun In

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\Illl‘.‘- III"~.HII‘II \HII‘I} In .IIIIIIII'I IIIII'

I EDINBURGH PRINTMAKERS 3‘ I IIInII \III-I-I. 55' 31“) IIII- XII Ill.IIII (IIIIII III‘I'

40 Years at Edinburgh Printmakers, Part 2: 1987 to 2007 l IIIIl \.II 4\n\. IIIIlIIIIIII; \‘.()[I.\ II} III'II I'\I.IIIII\III'II Illll\l\ \IIIII .15 l1.IIII.II.I R.II'. (LIIIIIII ('nl‘. III .IIIII \In}IIII I‘l.ll1lll_‘_‘.lll.llll\ L".IllI‘lIlllll l\ .I I'I-lclIIIIIInII nl laIlIIIlIIIIjJII I’IIIIIIII.Il\I-I< InlI' III \II.I[‘lllf_' InIIII-IIIpnI.II_\ III'IIIIIII.II>IIIIj_' III \InIlgiIIIl

Winter Exhibition 2007 I IlIIl \.II 22 Du. lllIllIl (IIIIII I'II'I' I.IlIIIl\III§_'II l’I‘IIIIIIIIIlI‘IV IIII‘gI-xl IIIIII IIImI L'LICLIIL 'ItllllllItl IIII-IIIIII-I'x' I~\IIIIIIIInII. \'.III1 IIIII‘IIx

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