I The Troubadours, Beatnic Prestige .lllil Valkarys \Mx- Rm! Hm. liilllllllllL'll (Vl‘llt'L'k' ol -\iI.l.nn1\lon l’l.iu'_ “U 1-113 “pin :5 \‘Allllllij ll'illt'

pop lioin l ixt'ipoolk lltllll‘.|ili|lll\

I The Twilight Sad, Broken Records and Chutes (almn'l \olmno W) *H “lilll \lin'l. 33H blah "pin Ll“ Jo} l)|\l\lHll \l} Blood} \illk'llllllk’ inlliit'nu'd onlln

I ll llt‘ \tNMlHH l<tllllll\ l‘Li \MWI Rpqu suck-i. 55h "will .\piii l.iin 9,1 lhc lil.itl\ \piin: l).l\ in.in lln' dct and hung pm No ll'.\' .lkl‘ L'dtll \wt-L \lillllt‘l i\ llk' \lllll\l\ .llltl l\l'\\L'lk'\ M“) NM l. l iiyhlt'nt-d l<.il~hn .ind \ Kill 1\ l‘.llllil\} l\l.llltl Io llu » .ind ( 'hnlcx lht

ll 5 “cu \i‘t' [lltW lk'\‘.. [ML'U (l;

I Action Group, Viva Stereo .md Boyfriend/Girlfriend lit-nu \ ( 1-H.” Bill. .\' l(l.l \loiiixon \liwl. 35 W“); Hpin Ll \Uh}. inh'llitrt'nl .1” NA lioni .'\k'lli)ll (ii'onp

I Stewart Traquair lik'dlhtk'llk'. W Nit‘liolxon Slit-cl. ho" 5N)" ‘lpin l'lt't' Songui‘ilci (lt'\\llllt'tl .l\ lllL‘ llll\\lll‘_‘ link llt'l\\t't'll llcllc .\ \t-lmxlmn .ind Hull} .locl.

Glasgow

I Kevin Montgomery and Richie Gallagher 'l llt' .linit‘lion. l~l \M'xl (icoi'yc Slit-cl. (i ~l5pin t' I 5 lL'\illl mponcnl ol tonnli} .‘ind \nit'iimnii “how llltllllt'l \illlj.‘ \\llll I lex and “how lillllt'l' \\;l\ lhc lilt‘lltl .ind \Hllf;\\llllllf_‘ Pill'lllk'l ol Budd} ||ol|_\ plgi}\ llnx hcnt-ln gig: loi lhc lccndjgt' (Emu-i ’liiixl

I Logan l'hu ( Zillioiiw. l5 l’nion Slit-cl. 2-13 (\(llHl 7pm [5. (MC! l-l\ \ll(l\\ (iliixgou tlllllllk'l \xho haw guinci't'd lhc piili‘onuggc ol ('it't-dK Hulk 'liiiinonli .ind llliltlt‘ llllllilil\ Ill lllt' Sling-x \\llllt‘ l't‘lllillllllljJ Iaii'ggcl) nnknonn .ii lllllllt'

I Thin Lizzy (Xiiling: .‘\t'iltlk'lll} (iliixgoxx. Ill l-jglinlon Slit-vi. (lh-l-l l“ Znnn, 7pm {31. lhc \lll'\l\lll_‘..‘ lllt‘llll‘t‘i\ ol UllL' ol Ii‘cliind‘x git-ulcxl lllll\l\‘.ll t'\[ltll'l\ i'ciixxt'inhlt' lo pci’loiin lllt'll Im A'- lhmui-mux album on ll\ .illlh :inniwrxui'}.

I Within Temptation li;ii’i'o\\ land. 34-1 (iiillougiilt'. 552 innl. 7pm tlo. ()wi‘ Hx \hou l)lll\'ll pwiido goihx breaking; through likc |-.\;iiic\t'ciicc lwloic lhcin. RLNN. I'C\I\l.

I Baillie & the Fault, Piano Bar Fight, Ross Clarke and lzo Fitzroy ()l'dll Mon 7‘! 7 i5 (iicul \chlci‘n Road. 357 0]"). 7. illpin. L5 li\~l)c;_'i';i\\i in.in .\lil\c lluillic and lll\ Inn-xi hand hmd llll\ hill ol ltlt‘ill at!»

I Crowded House .md Duke Special Sii('('. l-innicxlon ()llil}. (LVN (l-lll Jim”. 7.,illpiii t' ‘35“ lhc londl} i'cgui'dcd \cu /c;i|;ind hand hchind ‘\\'c;ilhcr \Vilh \oii' l'L‘lUl'lll. mih xiippoi‘l l'i'oin ll'l\ll \illltltW illiun ll‘tlllllittlillll l)lll\L' Spociul :ind lll\ \lt‘i'ling hand

I Runrig Roy” ('onu‘i'l llilll. 3 Siiut'hichgill Slit-cl. {53 SUM). "A illpin £23.51). ()nc ol lllt‘ \\oi‘ld\ highcxl \clling ('cllic rock aux loiii‘ lllL' lt‘i‘lilc ~loinping ground oi lhcn nuloc Scotland.

I The Fortunate Sons lhc Hunt-ill) «K lllL‘ l’ig. l5.il§.ill15ll'L‘L‘l.::l q-ll 7_.“lll‘iii, l‘i'cc. .‘\Cl‘ll\llC loll/rock hlinw i'cxidcnt‘}.

I Bearsuit .md The Felt Tips Slum. Ill 2\‘ chlicld l anc. 322 3254. 8pm llk‘. licui‘xuil ill't‘ il \Ul'\\lt'll-ll;i\ctl hand \\ ith ;i li;ipli;i/.ii’d pop. rock and will \Ulllltl “lilk'll llk‘l \Hlll lllL' .ipproxul ol lhc luic. grout John l’ccl. mth ixxcc indic \uppoi‘l l‘roin 'l‘hc licll 'l‘ipx,

I Centurion’s Ghost, Alba Gu Brath, Litelords and Circle of Tyrants Soundhaih. J" ll}dcp;ii'k Slim-I. III 405‘). Spin. \lcldl lint-up ol' \iii‘ionx \lripcx ill lll|\ Sin night. hmdlincd h} thc hluck dculh doom \ound ol (‘cnun‘ion‘x (illosl.

I Eryka Maggie .\l;i_\ \. (\ll \lhion Sirccl. Merchant ('il}. 54X l35ll. Spin. 0;" (£5). (ilaxgim indic i‘ot‘k quarto! li'onlcd h) Ri\ci'(‘i1_\\ Ryin l-‘lcichci‘.

I Hexstatic Bo\. JSI Sauchichdll Sli‘ccl. 553 5-131 .\'pin. (5 i;id\ v. t-

66 THE LIST .‘5- \s. '3 Wu

She’ll probably always be known as the voice of Moloko, especially with such huge hits as ‘Sing it Back“ and ‘The Time is Now' in her back catalogue. But Roisin Murphy is now onto her second solo album (Overpowered). which combines her captivating vocals with an icy electronica cool and an invigorating take on the pop format. *i/fl,‘ ()1 J (‘ 1'

HlHHll l'lct'lio. liink. icgyiit'. lllklx .ind hip hop lioni llmxlulit' .il llll\ .\l \l Im- night.

I The Last Corinthians, The Vibe, Noiseland Arcade, The Urchins, Desolation Yes!, The Valor, Ayrial an liui'll}. Zoo ( ‘|_\dt' \ln'cl. UV” ‘NV H‘N‘l. .\pin. t5. lotin indn‘ iotltt-ix lituidlint' llnx l‘llllll‘k‘l hill owl l\\o llIN‘l\ I The Radiotones, The Zips .md Attica Rage \it't*.ii‘\lt'.i/}. 13! Sunt'hichdll Slit-cl. z“H‘Hlll. \pni L5 \ll.l‘lllL'\. pnnl. .ind h.nd iot'k imptxlin'I} on llll\ llll‘lt' hill

I Wing & a Prayer Itlm (him. 1.? (lingo Linc. i57152»! Hpin. LC l'llllx/l‘llit‘\ duo.

I An Evening With . . . Necro Km; 'lnl'x \Villl \\.ih llul. I‘Li Si \nit'cnl Sli'ct'l. III 53“). H illpin. USN), llo\\ min _\Ull lL‘\l\l lllk' lll\ ii.ilion lo \pcnd \oinc Innt‘ \\llll lhc \L‘ll-I‘ltlt'ldllllt‘tl \it‘kml lurk (in L‘dl'lll'. lilimkl)” l‘du'xl \lt'dlll lllL‘ldl iiippt'i' \u‘i'o

I The Flaming Moes \ximucl him \. (W "l \illmliilc Road. 43 Illll". N. illpin l'i'cc. l.i\c

I Kandella 8. the Latecomers l.;iiii‘ic\ Hui. Ll King: Slicvl. 55.‘ ~l_‘i 3.30pm lit-c. ()i‘igindlx .ind t'lmm' (Hh'h \inh ;i \pct'ml li‘ihiilc lo L'illllt‘llll‘illdl} St'olllxh iniixit‘ .ll llll\ \l .\ndic\\ '\ \iuhl \lk‘t'ldl

I The Garden Party lit‘dlht't'llt‘. W 42 \\oodl;ind\ Road. ‘53 ‘NN! ‘lpin l‘l‘t't'. l’o\\ c1 pop diio.

I 0 without U and Bozilla l lih Non- (Kile. 5” oil Kin; Slit‘cl. 55: lo“. ‘lpin L11. (i|.i\;_'o\\ \ poclicdvlit‘ indic poppch .iic lllk' \pct'ml gncxlx ,il llll\ land ol lhc \lonlh (‘liih

I Untitled Music Project \lk'l. “H Sdllt‘lllt‘llilll Slim. “3 2332. llpin to \L'i'hoxc indit‘ iot‘k liio li'oni lill’llllllg'llilll] plii) .i ldlL' .11 Pop Shop.

I San Benito lhc l'\\ l\lel \\ llL'L'l. —: ()nccn Slim. III 4551 lndic llklxdhl'illl l'ioin C\-lllL‘llllK‘l\ ol KAI”.

Edinburgh

:3 Benbecula Records Showcase \Vcc Rcd Hui. l'.\lllll‘lll:_‘ll (‘ollcgt' o1 \iI. lunrmon l’lacc. 33‘) 1442 ppm. l'lk't' Scotlanth lllllllk‘ ol \xcn‘d .ind \xondcitnl clccli‘onim \lio\\ oll ihcn \xtuiix \inh ti puckcd hill ol ('hi‘ixl. ()t'hic. Rcwrlmphon. (it‘lldli‘. Jack \ltiitlnncnl. \\'onndcd Kncc iind .\i'.i_\.i \cc pm n-u. p.1gcol.

I Jim Bob (Kilxncl \illldllL‘. ‘6 5\ lilan 81ich 3le MW» "pin to. II'~ the one and on|_\ .Iini Boh no. no! hnn lroin ihc

\\.llll‘ll\ Iht' olllcv ont‘. .lnn lloh lion:

( .lllx‘l [ht-l ll\l|'l‘[‘.ll‘lt’ \c\ \l.i\ln'n‘

I Lo-Fidelity Allstars lhc Hm:

I5 l" \Iddi} \liccl. 55(illllv1 "pin L I” lllk'_\ ‘ic .1 lllllk‘ lnl lllillk'. tho} 'ii' .I lllllL‘ in! d.iin c .ind llic} 'n' l‘.l\ k lioin .lll mn'ndt'd lll.lll|\

I The Graeme Mearns Band, Betty Custard Thighs and Diego IIt-no \ (ik'lldl |{.ii. \ lfm \loiilwn \nn-l. .‘IN “N; illpni Ll \ inldpt- lot kn‘ioll

I Rose Hill Drive .md Skyless lht- \ll\. ; q \\.llL'll!'H l'ldt k". l) l":

5 illpin t" (".iinlxoionx old xthool iuuk liio lioin liilllltlk‘l. ('olomdo. lltllllt'il l\_\ lllk' \t'l_\ tonnj: \pionl l‘lillllt'l\

I The Fuss lllL‘ ( il\’\. ‘5 ( llllllllt' \liccl. 3:“ .‘WV‘ \pin Lllx ('oxt-h l‘.llltl pln\ \l‘t'k l.ll yiimlx

I Ampbox \\t'\' l\)\'\l |l.ii. l'.\lllllllllf_‘ll ('ollcg‘ ol \il. l .nnNon l’liiu', 33‘)

Ill: llpin Kiin L5 \i;flil ol dunno Inc lllll\l\ and I” kit in \n-w \l,l\l'll il’icld Hand king' lliu'inl lllllL'l llll\t'll\ lll\ l.llk'\l \oln piiilt't'l lildtlx \lliiH .Hnl london clct‘lio onllil lllt' lhonfglnlcxx llll\\lt'\ .lli‘lljjfltlk' lllx \h l on. and \lhlu'llUlde‘

Glasgow

I Kylie Musical Afternoons Kchinyiow \i'l (Lillci') A \lnwnni. \ig}|t' Slit-cl. To “5"” 3pm lin- lx'jtliy \onj;\ and olhci pop llllllll‘k"\ h} \llL'.llll\l Rilllt'll l \

I Babyshambles, The View .md Joe Lean 8: the Jing Jang Jong \H ‘( '. l‘llllllL‘\lHll (Jun). UV” ll-lll J‘Nlll “pin £3351) ()\t'l llx \liou l’k'lk' llotlit'ilx l\iin§.'\ ll|\.1[‘l‘lill‘ll.llt'l_\ lldlllk'tl hand hiitk Io \‘ollanil. lolloulny \onn' \Hlltl IL‘\|C\‘-\ loi \ct'ond .lll‘lllll VIM}: / N \onoi.‘

I Josh Rouse ()uccn \l.1ij_'.iici l'nron. I: l not-NI} (ldltlt‘lh. i“I ‘FNl _[‘lll {In \;l\ll\ lllc \on;_'\|.ii1ci \xho hm inoi'c in toininon \tnh lllL‘ ltllL'. _‘_'lL'.ll l.llion Sinnh ll..in unh lhc llllllk'\l"llt' \‘lltlll\lL'\l \l‘llllkllltlk'ix ol lll\ ll.lll\L' t ll_\

I Raspberry Badger .md The Dead Generals \H(‘2. W! \dllt'lllt’lldll Sim-i. 1:33.“: “pin ()zci l-h \hoxx loyal indlc [‘i‘l‘\lk'l\ l.1llll\lllll‘,’ lhcn \Pk'Llllllll l l’

I Roisin Murphy \m'. 1*“ \iiuthichall \Ii‘ccl. “I I: ‘3 "pin :15 ()\ci l—h ~hou lldppil} honltcix u- !ionmonmn o1 \lololto inn~ llL'C 1n llt'i nun tlnh lIlL‘llxll} noiid

I The Saw Doctors Home. limit 3;; (ltlll\‘\\:_'tllkh. 55I~1NIl ~pn- \( )l lH)! 'l

www.list.co.uk/music

Hm? t \ ,. \f ,‘.:j“,\ I Ryan Adams The Cardinals \l(( i \U 1 o .. I .\. y,

l‘l_ -__ N" 4: go.» ;.,.',.., In. \’ -'-»\‘m \\\I‘

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. Ghostbus ll H;\,1-\ ‘Iv ( \"\" -\ it ~I< .iliii; \', ,. .\ I \.

I The Hardy Souls, Come in Tokyo. The Statler Project -.- i: The Usual Hm l; \izw" :"K ‘1‘ L1 I Pharmacy, Wull the Thief w Highwatters \4, :- My; \

\‘;‘.\|\ \ H: \ \\ \\ Illllll \" f'i \ i‘t‘ \ ‘t_.\. “it \ \L.;\i\“.v\.‘«l M. \..-. \fl, “A...

I Eddie Beggan .z'u: lain Russell llig l l"\\"'..;'.“:\ l'll Junk \fum' 1“ NH: \ Wp'“ Itci (uni -- TTi'"'.Y' .11, l‘l,l\\ 9.! 'ln' mum E\ ( ozitigtgl pint Inz'lxt I Long Time Dead \rnng' Ill-n. \ h‘ 'T \l'lfiiiillt' lx'wnl Z‘W'I'V W1“ low I :1. I Rose Hill Drive .sz White Ace l\1n:' l12‘\\\.1ll\\.ilill\l' .‘ “.n \l \ :n' \licc' _“l ‘A‘ "’ 5 "win 9' (.nilzxorm- old \ihool iotl "2o Inu'i‘ ll'mll‘r (ololiilo Ho!ng 7“. Ho aux \onn' \plolzl l‘iozln'rx

The Parsonage, Dave Dixon mi! Garnet McCulloch \zszc.» ‘II .‘\ lx’t‘nln'ld I my “.‘ _‘.‘51 ‘lpzz. Inky" liom litlu' \tolidnd .md \lilllilf.l7: li'll‘. \lli‘llt‘ .allcm.:r;‘.i' i lll‘ll lhi' l’.n\on.1:u- limntli Iln'li di'lml l l’ lnx \HI I \o I oxm llo'u" on: or: ( li‘lllnok l l\( \l\’l\’ l.ll‘\'l l’iu-t «mix lion: 1h,- «'1:' :‘o In l.nl (mun llwwh \t'c plan-xi. ;‘.l‘,'\' h.‘ I The Fortunate Sons I Hn'n [woo lllH l’ollol.\li.i'.n\ lx’o.:d hi" HUI" “pm l l\'\‘ \k'\' l ll ;" I The Gilded Angels In; lm'nzm .\ lln‘ l’!:' 1‘; l.:lli \llt't” _\.‘l H‘L ‘Hg‘n. l'lu' \Mx'll‘. :cml 'in‘. IN llll\ tonnl". \i'lli'tllH' I The Five Aces lli‘.:in"‘ (.lduw \\lilH|l ill \!l l"\ l\’l'llllt"‘.‘. \llt‘t‘l l“ 15‘"! llpln 3,1 t1 \Hlln‘nln hooz‘zg .ind ll.1n.'nond a'Ioou'x llillll ills I luv \\\‘\ *l‘lt'fli'lhl} l.ll«".‘-l' .i llli‘ llih'L'leI‘ lll‘~\'\ll.‘.l'|'l\'

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I Big Hand \\ln\llcl\1:;l 1w l h \onlh lilltlt'k‘. ‘5‘“ <l l1 (ll‘lli l lx't' llx‘lillx' inidnia'ln. L i .illt'! llol \lun .it non

I Figure 5 ( 31mm \olmu: Ki. is llldn \Hi'ci ffoolVi Ml‘lll to Run» p\_\\l1mlull.1,2nd inod inllnvnttw lion. niihc on l k'l\ l icinc 5

I Humanfly, Jackie Treehorn .md Secta Rouge Ht-no‘d clln Hm.

\ l('.l \loiilwn \llk't'l. 3:“ WW; "pn. L3 l I‘lt pin-J lIHHI l \'{'\l\ ixm'd llnnmnll}

I Fullmetalracket, Crevis Inspection, Bukkake Birthday Party .md 3 Wise Monkeys Int- Ml. i a “.Hvllow l’ldttfl 33‘ W“): illl‘lll U l nll on nwml and rot l.

I Viking Moses, Tiger Saw, eagleowl .me Golden Ghost Him. lliill. ‘l’iiNo Plato HM“ I‘H5xlix \pin L5 l o I! indn' .ind lnlxin loll.

Giasqu

I Fuzzy Felt Folk \l.u\u-rlt-;.\ \qun “.11. ~12 .lillllilltil \ll‘t'k'l. Ii“ ‘57‘l :pn. lit-c \ \vlctnon o! \onndk lion: lln' tint-x} Indit' loll. unlit-tow

I Linda Jackson I'm lolln'i~. I" ll \llll\\ltllL' thlkl. \li.ilhhnn:o. 81";“5 ~lprn licc \oul.|.i//.indil1).llnn um.» I Cobramatics ( 'lutlm \imlxx. \Iiltl.‘.‘.';ll \llt't'l. <<3 “(ill 5PM. llx't Rotlfn‘zoll d”: lL'\l\lk'llk:-

I Soul Sunday presents The Five Aces .m-l Friday Street DJ’s Hun \l1'!.~:l a :5 (ilt'ti' \\L‘\lt'lfi Ritnl. K” (CW! 5pm. 'lhv l 1:; \t;'\ Iornicxl} l7;- li‘"“_'.ll"" l::'.

hicnd of Y7'Klllli:

;‘\'I'_'.1'I'I\ pron ls lilt'H our:

.ind blue