Visual Art
I NATIONAL GALLERY OF SCOTLAND
Illk' \lHllIltl. t»: I (tjtiti \Ion “at t\
It] Son Ithttn <pin. Iho Ithnn “pin SOA A | Hill I ll 1 l.tlI llL'k' \ \lIH‘JHJu' HI “HUI IINI L‘\Illi\ll\ it} llIL' titann ot Stotlnntlk yum; .tIlI\l\. \xho mt tht'tt Sf.) \ \tt .Illtl l)t'\l‘_'ll ti.tttott.t| titlltw‘ cmtm III Stilt" lnthtthnj: ['.ttlllIII:'\. th.t'.xin:}\. \klllpllllk'. \L'ltlllll\\.
l.t\iIlUII .tlItI |t‘\'.t'llt‘l}
Joan Eardleyl Illll Sun I ‘ l.III U) Itl. lllltlt'l Ifx ttt‘tw hunt I .th-t I\ hcxl known tot llk'l I‘.tlllllllf.'\ ol \IllltllL'll [ll.t:~|I|L' Ill tllIl tlll\\ll (il.i\;!<m lk'llt'lIIL'lll\ Iho l\ lllk' III\I III.t|HI lt'llllSPL'tlHk' ol hct \totI~ tot .tllllll\l 3” tom .Illtl 'MII
lllt llltlt' I'II\_ P.t\lt'l \hk'lkllt'\. \Ktllh\ Hll wch .llltl photog'mphx oI tht' .tlll\l llt'l\t'll
Indian Interlude l lllll Sun I I't'l‘
I too \ tollt'ttton ol I-l Intlmn
40 .\ HUMAN
l )
'I L/
I ‘ y‘ k I“ _ K . S .— ' \13” l?!
"C
h»: 3"\.~{ ’ {I‘V‘ I I.
. .g . ‘ zlfiii‘.‘ t . ("w’ 1 “.0” {$13 ’ _ \ Gh‘ 'I'.|,. f/. t h ‘ .
My
llllnl.tllltt'\ trom thc ISIh .nnI tutrI} I‘lth LCiIlllrlt'\. toggthyt' “Hit .1 \IofthI \thool tntnmtutt' .llltl tun \xorkx trotn John lh‘tnntnonti Iztxktnt-\ «Lox III lIItlI.t
I NATIONAL MUSEUM OF SCOTLAND
(‘hntnhch Sttt't't. 3-1“~1»133 I‘Lttii 5pm I'lL’C
Jerwood Applied Art Prize 2007: Jewellery I [III] Sun I \l.ti.
limit Spin l'tt'c .\ pit-xttgtoux pit/c III .tpphcd .ntx run h) lllL' ("Lilo (’otmt'tl .intI Jt-ruootl (IMHIJNL' ltilllttlJIIHll \\ tth .t tllllL'lL'Ill tin-thotn tcptcst'ntctl mph _\c.tr ’I'ht' Imu'llt't} llldlxk'l\ \xho tnmIc IlIL' \llttt'llhl Iltl\ _\C.ll .llt' \HM l‘tth. \IHKH I/.m.t. (immnc \Iot‘ton. \I.th Rntm tutti. lotnt mnnt'tx.Stt\.1n('io\\.tntl \tldlll l’;t\on.
Gifted l'nttl Sun o _I.in. Ilium 5pm
l'tu'. .\ hmutttul mhtintton oI ll.llltllll.ltlk'
In )(JUM EXT.
[‘7
i ' .flh- . ~ 3:. I :v-v’m -_ «- 3’1"" 12157 '4; IL i
it
1")?
4‘ i u
v ' 1'65, ~ / ‘2. /'.’ ' V ‘x . "(T-v . ‘
Mi \‘i‘
.. ‘7‘""1 v she folded her ( w attention to the carpet; I I r' \ .ar '7' ‘ J . /'\
_ ‘ .' ' (I .o ‘ K‘ " v 7’), ' Lia} “l '. g ) é I .K. ‘ :. -\S\*‘ r, N I‘ W A“ ‘ i'
'. .i "V I'v -«0 . J?”_ ' Ker" " ‘, N ~-.I¢y ("317‘ ' -
\‘J Inc-1": 4.. .533 ntttl "“
' , 1-,: arrived at
,1‘ 1r :3“
9 .~ I . . ~.’ .
» - llnposstble / u
‘9" .' ‘i
r: ("9 "
x." ‘ - 111“le
'lllctltlalllO.
listened
with admiration.
Tom Phillips: A Humument
velvety, like love Her voice
An exhibition depicting how Phillips transformed an obscure
Victorian novel (A Human Document by WH Mallock) into a postmodern masterpiece. A Humument is widely regarded as one of the most successful and influential artist’s books of the last 50 years.
I Deni," Gd r"‘.. Etmowg". wrtu 0‘ Jan.
92 THE LIST \‘c. L33? '
\ottoh tontcrnpotat) \Ittlh. on iothn; it'ut'llt't}, IC\IIIC\. tom:th tutti
j_'I.x\\\\.ttt'
I THE QUEEN’S GALLERY l’.tI.ttt' HI llt‘IMthlIIUttu‘. {Th <I‘Nl l).tII} ‘* Want hpnt " 1mm Spin 1* ILJ <lll
Bruegel to Rubens: Masters of Flemish Painting l Hill \on o \pt Ihc III\I C\llti‘lltt'll t-xct lllHtIIIIt'tl ol I'lcnnxh [muting Ill iilk' Rotttl (‘oIIt'ttton i‘lltlj_\ togctht't ‘I \\HII\\ Itott‘. tht' Iith to lath \k'IIlllllt‘\. tnthnhngg \xotk h} ll.tll\ \It'tnhng. I’n'tct Hittch lilt' liltIt-t .llltl l\'l|l\'tl\
I ROYAL BOTANIC GARDEN (INVERLEITH HOUSE)
Inwt'h'tth Ron. “I — I "I Smith/Stewart 0.00 I not Sun In .ltin. Itl.nn i Winn l’lk'k‘ Sn" Ihthxt
I ROYAL SCOTTISH ACADEMY 'l‘ht‘ \Ioutttl. 235 hh‘l .\Ion S.tt
Ithttn 5pm. Sun noon 5pm
07 l lllll lllt' lN lh't' l lt‘t‘ l:\hthttton t'clchmttng I” you ot thc lathnhutgh Sculpture \\Ull\\litl|‘ .llltl C\;tlltllllll_‘_‘ \\h.1t 'xt‘ttlptnto IIIL'.III\ to ll\ totltt}
I NATIONAL GALLERY OF MODERN ART
“5 Iit‘ltot'tl Roml. (ill tiltltl l).t|l}
Itlgnn 5pm.
Collage City: Urban Space in Contemporary Art t'nttl Sun 11 I-ch I'rcc Works on palm h} .tlll\l\ such .I\ Ioh} l’utt't'xon .llltl I..tng_'l.intlx .llltl licll looking at the \Mt} \k} hnm. III.tp\ .llltl (it) architecture ll.l\L' tnxpttt-tl \'IL'.Il|\t' \Mll‘lx.
Carol Rhodes Sat 1 I)“ Sun )1 IN». I‘tcc, St'ottixh putntct Ixoctl III (iluxgoo. Rhodcx' tntcnxc [lttlllllllfJS ot lit'ttotml Iundxt'uptw :ttt' \llltlll Ill \Cillk‘ hut In}:h|_\ dctutlt'tl. llll\ “I” he the lll\l IIIlISL'lllIl \houtng ot hut \xork. Ni :n ‘t
I NATIONAL PORTRAIT GALLERY
I ()uccn Stt'cct. (ii-1 (BIN). \Ion “at «k l'l‘l Sun Itlgitn 5pm; 'I‘hu Ittgun "pin Dieter Appelt, Forth Bridge: Cinema. Metric Space t'nnl Sun o Jun. litu‘. Ii\hthttton ol rct'cnt \tot'k h} (icnnun t'ontcinportn‘} ttl'lhl lhctct' .-\ppcIt. cwlortng the t‘cluttonxhtp hctuccn photograph}. cngttn'cnng and conccptuul girl. A large \t'ulc montage ot the l‘ttl’llt Ruil Ht'ttlgc L‘tllllpl‘hlll; i2“ photographic pl‘lllh \\ iII hc the (untit- pIL‘t‘C HI IlIL‘ tll\pl;t_\.
I SCOTTISH STORYTELLING CENTRE
43 45 High Street. 550 05“). .\Ion Sui Ilium 4.30pm.
The Legacy of Tim Stead l'nnl Sat 5 Jun. Itlutn (iptn. I't‘co .-\n mhthtlton ot tucttlc \t‘ulpturc. pot-tr} :tntI tutnttut‘t' LlL'SIglh h} thc ttl‘ll\l. «It-\tgnt-t :tntI pm‘t 'lillll Slcud.
I STILLS
33 (‘m‘khut'n Street. (123 (Coo
I lgttn optn.
Ori Gersht 0.. tool Sun DH Jan. In tiltn 'l'lu' I'ul'ml and photographic \t't‘lcx I'lu' (‘lmrmgn Ixruch-hom (it'l'\l1l \o_\;igc\ though ho tgmnl} lll\IUI'_\. mplonng thc PIL'llhltll'lt' tort-xi ot the (‘urputhiun Mountains \xhct'c \otnc ot lll\ rL'lttlI\L‘\ tound harsh hmcn trotn \u/t pCr\CL'lllltllI.
I TALBOT RICE GALLERY l'nixcrxit} ot Iithnhurgh. South Bridge. (6“ III”. 'I‘uc Sat Itlutn 5pm. Monika Sosnowska: Display II... lilllll Sttl 5 “CC. SCC l'L'\ It“. pugc 8‘).
Private Galleries
I ANALOGUE
II): “LN! Him. :3” “Nil \ltltt Sttl Itlutn 5.3Mpm
Take to the Woods l’nnl Sn 15 Du
www.list.co.uk/visua|art
lot \11‘1I«~_~_‘t1t“~Itzxttotntrthtont'ticrotzz‘
\hoxx. w' o: thc L'.til\'I\ \ i.t\~‘tIII'tt‘ .tIiESIS
mots.“ LttII..‘. .t\\.:\ tron) it n..I .nttI
"Hiking to Th; \nuuk'
I CORN EXCHANGE GALLERY t omttntttot: Snot-z. it": "WU “at \.:I Unit 1 illt‘th Itt‘c
OPEN : Edinburgh College of Art
I IIIII\:1I :2 [Lu lot tht' t out I \th.tt;:‘c (LIIIcH \ III\I (\CI stoop \Ittwy ¥\ Illlk'llltllltllldl post §,'t.ttht.ttc \ttttIt‘ntx ttotn I thnI‘tngh ( oIIcyxc ot \II_ notion}: lI‘. :I much ot thxt it‘llttt‘\ ttotn \ttlptntt' to I.t[\‘\ll_\. \M‘tc ttxkt'tt to \ who no“ untiw no Ingrt't III.tII lH \ .‘HH t III
I DOGGERFISI‘IER
II (Lo Itt'ItI \tttmtti **\ 'I I" Inc I It I I.nn own. \tt noon *lnn
Towards Heilprin Land l IIIII \n Ilt't \th \totk ttotn ll.tll.t ll.li[‘t‘IIII
I INGLEBY GALLERY
h (thon lk'lldkk'. “it till Il|.nn ‘inn Marine Hugonnier & Mattias Fayos \tt I \tl \ lit't I’htloxot‘ha .tnthtopoloptxt. photocth‘ht't .llltl llllIIlIIJht'l Ihtjsonntt‘t t'\hthtt\ .tlonpxnit- hut gtmt tttt‘ntI. I .t\o\_ .tlI .Illl.llt'llI .tIIl\I
I INSTITUT FRANCAIS D’ECOSSE
lilx’nntlolph (‘tt'xtt'nt f.“ ‘ Wm
\Ion \\ctl t\ l‘ll " iILIHI * Winn. lhn noon * itlptn. \.tt ‘l “Lon .‘ptn
Dave Michael Clarke and Michelle Naismith: Yé-Yé l Illll Iho lo l.lll l'tt‘t' \ \ttt‘pttst' t'\llll\llltill ht too Stolttxh .tlll\I\ uho ll.l\t' wot-II in
I I.lII\'t‘
I LEITH GALLERY
hi Ihc Shott'. | k'llll. *‘i *3“ \Ion I ll Il.ttn Spin. S.tt Iltnn ~lpltl
Christmas Exhibition to in \m \.tI I.‘ .|.tn. l'lL‘L' \Iith t‘\llll‘lllull In ;'.tIIt't_\ .tt'II\l\ HI a.“ '
I TRAVERSE THEATRE (Lttnhtttlyc Slit-ct. SIS I Itll \Ion S.tt Ithnn lllltlIIIleIl. Sun (\[itll nntInt-sht Corinthians 13:11 I nnI S.” I Hm Scottlxh \t‘lllplot Sttt.ttt \It'(‘.tllt't lllt“-t'\ Into too tlllllk'll\|tlll.ll lIl\l.tll.lllHll. uplottnj.‘ ('httxtmn Itonoymph}
Outside the cities
I DUNDEE CONTEMPORARY ARTS
I43 \t-tttt-t;.ttt-. HI ix: ‘M‘Ntltl luv. \M'tl. l'II & S.tt It) itlutn S Winn. lllll III itlttnt h ittptn. Son noon S Winn Fresh Moves: New Moving Images from the UK l'nttI Sun 3 l)t'\.
III. “Lint 3 itlptn I)( A .tlltl l.tlll\ t\ PIL'\L'lIl tt (Ullt'tlltlll o! 3-1 tihn .llltl \ ltlL'l) [nut-x h} 11 thltt'tcnt l'l\' le\L'tl .tlll\l\. comptth h} ll.tII\l Itnh ()hlhl. thm tot ol tht- St'tpt'nttnt- (Lilla). .tntI Stout (Minot. t'tttntot ot tihn .llltl \ ltlt'll at tht‘ 'lutc Motlctn. ,' "I E Matthew Buckingham - Play the Story l’nltl Sun 3U Jan.
I” “him i Winn. l'lL'k' 'Ihc lll\l Stotthh wlo \hou h} [In \t'v. Yot‘lt Ixm-tl .tIII\I working III \Itlt‘ll lll\l.tll;tllntl Bot'ktnghntn'x uotk untoutuytw tin-
\ tout-r to t'c-c'mtntnt- lIl\Itil} Itotn thttcrcnt PCI\pL'\lI\L'\ III \Ktlli.\ tmtuttn;v thc IhIh ccntut} \‘-IllL'l \ldl} \Volhtottct'tnIl Igtltlhor HI .I lim/u (ll/III! of [In Rig/1h o/ Homo/H tttnl ('hntlottt' \VoItt. thc (it-noun px}t'ItttIttj_vt\t lX'Sl knoun tor hct writing; on Itottttt\t-\tt.xltt}