I NATIONAL GALLERY OF MODERN ART
7.5 Hullohl I{H.nl,(‘:-1":llll \lHH “ml A; l'l'l Sun lann 5pm. lhn llmn "pm Collage City: Urban Space in Contemporary Art I nnl Sun 24 l-ch l'rcc \Vollxx on [Mpcl h} .nlxxlx with .1\ 'loh} I’dlt‘l'xull. lnnplnmlx .nnl Boll .nnl (‘nrol Rhoih'x lHHlJlljJ .xl Ihc un} \lx}hnc\. nmpx .:ml at} .in'lntu'nnc haw HHPHL'tl tlL'let' \xoik
Carol Rhodes 0000 l nnl \nn 2-1 l'clw I‘lL‘L' Stomxh [Mllllt'i l‘.l\L'tl In (il;l\f_'o\|.. Rhoda-V Inlcnxc [unnnngx ot llt'llllllJl l.llltl\t'§lPL'\ .nc mm” H] \kiIlL‘ hnl highl} th'mlml 'l lllx \ull lw the HM lllll\t'lllll \lluulllf,‘ ol hcl “()le Scc
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John Watson Prize: Paul Chiappe l‘nlll Sun 24 lt'h 'l hc .lohn \\.ll\on pix/c l\ :munlul nnnnull} lo glunhlnlc ol l',(lllllmij_'ll ('olltyc ol .\rl l’lnx )cnl'x ulnnm ('hmppc hm Lukcn ;IllMl}lHoth
\ llllilth' pllolojflnplh ol nnknoun chlhlrcn £l\ lnx \Ulllt't' nmtcnnl and [‘llltlllt't'tl lnghl} dclmlml pcnul (ll.t\\lllf_‘\ ot than. The Scientific Aspect of Surrealism: The Work of Grace Pailthorpe and Reuben Mednikoff Sui l3 Jan Sun ill Mal. l‘l'L't‘. \an'lw h} “1' (how l’.‘nllhorpc and .n‘nxl chhcn Muhnkoll on lhc lllt'lllt' ol unlonmlmn in Surrcuhxl ml and lhcn‘ rcxmu‘h into lhc unconxt'lonx,
I NATIONAL MUSEUM OF SCOTLAND
(‘hmnhcrx Slrccl. 2-17 4422. thn 5pm. Sumln} noon 5pm. l-n-c.
Jerwood Applied Art Prize 2007: Jewellery l'nIII Sun 2 Mar.
lllmn 5pm. l-lu'. .-\ pl'cxllglollx pn/c in upphcd urlx run h} lhc ('rullx (‘ounul and Jcnwod ('hgn'ilnhlc l‘ountlulion \\ ilh u tllllt‘l’t‘lll lllL‘tlllllll rcprcwntcd ouch )L‘ur. 'l‘hc jmwllcr} Inukcrx \\ ho Inudc lhc \horlhxl um )L‘gn' :n‘c \oru l-ok. Yoko
l/mm. (innan \lorton. \l.1h Ram .zml. yolnl \Hnncrx \nmn ('nm and \ilan: l’.:\on
Gifted l lllll\tlll(\.l.1ll. lunn 5pm
l rcc .v\ hmnhtnl mlnlnnon or lldlltlllltltlk‘ \olnxh ponlcnlpomr} meIx. Irnlmllng n-xxcllcr}. lL'\illL'\. pcmnnu .nnl gl.l\\\\.llt'
With Rhetoric: Basil Spence and Mid-Century Modern Architecture Mon l4 .l.xn. o Wle {5414. nmnlwn hch I)! Ioum- (\nnplwll. Runlcr In lll\l()l_\ ol \H at Iln'l nncml} ol
“um It‘k. t‘onmlux \[wln‘c\ pm! \\.n :n‘t'lnlu'lnrc and mploxcx lll\ \Hlll‘nllt‘ .n‘t'lnlct‘luml lungnngc. .nnl lllL' l't'dtllnlh lll\ \xolk cln‘nul horn Ihc publn .nnl ll'Hlll lllL' llltllhll'}.
I NATIONAL PORTRAIT GALLERY
l ()UL‘CH Sll't‘t'l. (ll-l (with). .\lUl] “ml N In Sun lllmn 5pm. ‘l‘hu lll.nn “pm. noon 5pm
Dieter Appelt, Forth Bridge: Cinema. Metric Space l'nnl Sun M Jan. lll;nn 5pm. l‘rcc. l'.\llll‘|ll(\ll ol rct'cnl \xork h} (icrnmn (onlcmpornr) .ll'll\l l)u'1crx\ppcll.mplonn; lhc I'clnllonxlnp hcluccn photograph}. cnglnccrlng and conccplnnl art. .\ lnrgc \cnlc monlngc ol lhc l'orih Rull llrnlgt' comprlxlng 330 photographic Pl'lllh \ull hc lhc ccnlrcpiccc ol lhc thxplu}.
BP Portrait Award 2007 l‘nnl Sun lo \lul'. l‘l‘cc. 'l‘hc lending l'K \hou cuw l'or :ll’lhh \xorklng In [mmunuro 'l‘lnx )L'ur l'or lhc l'n‘xl lnnc lhc L'UlllPL‘llllHll 1x opcn lo all :n'llxlx ugcd l.\' and max
I THE QUEEN’S GALLERY l’ulucc ol lloly'omlhonxc. .550 5l1lll. l);nl_\ ‘).3();nn opm. £519.45”). Bruegel to Rubens: Masters of Flemish Painting l'nlil Sun o Apr. 'l'hc l'nxl mhihnion cwr inounlcd ol' l-lcnnxh painting in the Royal
‘ .;..¢girr I 3/" _. ..‘|.‘.‘ .V"w.t.5~‘,i:' 4-. ‘e,.' y",- , '7 v. ~ ~ < m ~wfi3f 7' ‘3'}; . a “a .“J‘. ,‘r.’ " JI- -- 2,1,4‘ 2» ’ -.“ , I a, If,“ - I» ‘ gr. 9
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Selected by the artist for The Fruntmarket Gallery, thi
("ollunon hung \\\\Il\\ Iron: Ihc l5tl‘. I-Ih pcnhnn'x. nnhnhn; \xork l‘} ll.n‘.\ \lcmllng. l’xclcr lhucgt'i [lw lhch and Rnlwnx
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I ROYAL BOTANIC GARDEN (INVERLEITH HOUSE) lll\L'llt‘llll Rou. 55: "Pl ln'c Ilknn 1 zoom Smith/Stewart oooo l'nnl Sun I" .|.:n_ lH.nn ‘ ‘(lpm l‘t'cc lln~ lll\l.lllt'\l \tnlpnnnl cm nonnn'nl h} Ihc (ilnxgou lxmxl .n'nxh lmngx Ihc lhcnnw ol low k thunh. l [m .\ l‘hnndtm Into the (it'olgmn mlnlnnon \Pdtt‘ Black n‘dxlnnxn monolnhx gut Into Ihc watt .1! luxul hclgghl. pint-nun; Ihc \chx c: tron] \L‘t'lllg lmlh Iln‘ \kholc [‘nx'c .n omc. .nnl lllk' Liam ol Iln' ollm \ 1c“ t‘l\ lll Ihc
Sun
I ROYAL SCOTTISH ACADEMY lillt' \Itllllltl. hh-il \IUH 3.11
ann 5pm. Sun noon 5pm
Highland: Views and Visions l'nnl Mon :5 Id” I'lt‘t' .‘\ \L‘lt‘t‘llnn Ul [xnnnngx \lxclt‘htw. clt‘lnngx. l‘llnlllfll'Jl‘lh and .n'lelx‘ l‘oohx lronl the RS;\\ pcnnnncnt t‘UllL‘t'llth that lot'uxcx on lhc lhghluntlx ()pcn cwr} \lontla} or b} .mpolnlnu'nl
Basil’s Bairns - The Studio of Sir Basil Spence l'nlll Sun 3" Jun. l-Icc i".\llll‘lll(m looking at un'ccrx o1 Ihc .H'L'llllCL‘h \\l1t)\\tll'l\L‘tl In lllL' \llhllu nl Sn” llgml Spa-nut
Order & Chaos l'nnl Thu 31 .lnn. .\ yollu'non ol (onlclnporun and lnxlol‘n'ul \\Hl'l\\ ll'Ulll lllL‘ RSA ('HllL‘t‘lIHll.
I SCOTTISH STORYTELLING CENTRE
43 45 High Sll'ccl. 55h 055‘). \lon Sal lllmn 4.30pm.
The Legacy of Tim Stead l'nnl Sal 5 Jun. Ilium opln. l-rcc. .'\n cxlnhnion ol luclllc \culplurc. pour} and lnrnnurc
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- 3‘. .,,¢,‘. .1. f1; a 4., _\v" . J, , ‘ 5‘5. ‘ '0 "' «Vela-l}? ' ; i ‘, .‘gé’. a '0 ‘, 5‘. '.\
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5 excellent exhibition provides both a snapshot of the Swiss artist’s current preoccupations and an insight into the themes
and ideas that have inspired him throughout a long career. The works on show present curious combinations of
objects, forces and effects.
I The F’LII‘T'V‘R’KOI Galen. Chm/gt: mm! 2? JG".
84 THE LIST -1— ‘ 5 t 3'? 333:3
:lthgnx h} (h: .nlhl. \lcwgncl .nnl pocl lnn \ttml
I STILLS
:1 (.K‘x’hl‘lllll \ll‘t‘t‘l. (‘2: “3””
ll.nn own
Ori Gersht 0.. l nnl \nn .‘H .Lan In nhn [lit Inn ~.' .nnl photogmplnt \t'Hc\ [in (I'c mm; l‘le'll lmtn (it‘l\lll \o}.:g_'c\ though ln\ Linn!) hleon uplonng Iln' g‘rt'lnxtoxn Int-(\l ol Iln' (Innnlnnn \lonnl.nn\ \xln'n' \orm‘ or lnx It‘l.1l1\c\ Ionnd h.n\h h.:\cn non: \.:/x [\k'l\k'\lllltlll InoI opcn .mpnn nnn‘. \lon 5 .Lanb
Cockburn Street Cinema 1 nnl \nn o _l.tll. liknn own Stillx' opcn .m t Incan th lwtonn' wnn'llnng ol .l lcxnw llmllllt‘ll 1n l\‘\k'lll Manx \mxlx' llhnx .antl \ nh'o \kax .n-c luxnnnl on! nno (iotklnnn \‘ln'cI Mom Iln' oun'l unnloxx ol lln‘f;.1llcl_\ Iln\ _\t'.n\ \xxll lw K.ll\ How .nnl .\.n.lh l‘nmll
Private Galleries V ‘
I INGLEBY GALLERY
h (finhon lumt'c. 55o ~H~ll lll.nn 5pm Brian Catling & the Head of ‘Bobby Awl' 8.1! l: .\.n 1" Lin \k'“ \\Ull\ lloln Iln' [\m'l. \tlllplul .nnl pt'llolnmntc .nnxl
I INSTITUT FRANCAIS D’ECOSSE
l ‘ Randolph (‘n‘xu'nL 335 5 loo \lon \\Ctl & l-n ‘l Ntnn 5 Winn. lhn noon 5 illplll. w ‘l ilknn 3pm
Dave Michael Clarke and Michelle Naismith: Yé-Yé l nnl lhn Ill .I.lll l'u'c .-\ \lll'Pl'ht‘ c\lnlnhon l\_\ luo Scollhh 4|lll\l\ \tllU lmw \mywl Ill I‘lilllt‘t‘. : Xx}, L‘ ‘fl'ul i
85 E Exhibition ‘Bretagne’ l'nnl lhn il .lnn. l-icc St‘olllxh photogmphclx pl'cxcnl lhcn‘ unglc on lhnlnn}
I LEITH GALLERY
o5 'l’hc Show. lulh. 55i 5255 11.111) 5pm; Sn! |l;nn Jpn] Christmas Exhibition l'nnl Sul 13 Jun. l‘rt'c \lnul L'\llll\llltlll h} guilt-I} .H‘llxlx.
I ROYAL BOTANIC GARDEN (FOSSIL GARDEN)
Illa lnxcrh-nh Rou. 553 “lql
Hard Rain - The Exhibition l'nnl ’l‘hn il .lun. ll);nn ~lpn| l-ru' Inning lmpn‘ml h} Boh l)} l;m\ cpn' \ong. I‘cllct'llng Inunknnl'x hcmllonj: (Ullhlnll unh llilllll't'. l)l\l\l;t}t’(l .l\ :1 14mm outdoor lmnncr Ill lhc ();l\l\ ol lhc Row! lltllnlllt‘ (Eurdcn.
Outside the Cities
I DUNDEE CONTEMPORARY ARTS
152 \clhcrgulc. HI 333 unwoo luv. “to. l'rl & Sn! Ill illmn 5. Wan 'l hn Ill. illgnn H. 10pm; Sun noon 5 anl Matthew Buckingham - Play the Story l'nlll Sun 2“ Jun.
llHHmn 5. illpin, l-I'cc 'lhc l'n'xt Momxh \Hln \llim h} Ihc \cu York-lmwil nmxl \xorklng lll \nlco lll\l.tll;1llHll. Buckinglnnn‘x \xork engourugm lhc
\ 1c“ or to rc-cmnnnc lnxtor} lroln tllllL‘rClll pcrxpccmm ll] uorkx lculnrln}: Ihc lXIh ccnlur} urncr Mar} \Vollxlonccrull tnnlhor ol :1 l'Im/n (Ill/III H! [/H‘ Rig/In {If llrmumt and (illnrlnllu \Volll'. Ihc (icrnmn pgchologm but know n l'or hcr “mung: on hommcxuuhl}.
Check out the
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