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FIFE JAZZ FESTIVAL

Various venues. Fife. Fri 8-Sun 10 Feb

While Fife has produced its share of jazz players. led by the redoubtable Joe Temperley and fostered by Richard Michael's work with the Fife Youth Jazz Orchestra. the Kingdom has always lacked a focused jazz event. Edinburgh- based Assembly Direct aim to rectify that omission with the inaugural Fife

Jazz Festival.

The new festival comes in the wake of the successful classical-oriented East Neuk Festival in the area. Roger Spence. co-director of Assembly Direct. pointed out that the organisation already knows from its own promotions that ‘many Fife people travel to listen to jazz, especially to Dundee and Edinburgh. and we are delighted to have an opportunity to bring jazz to their doorstep.’

Concerts will take place in eight centres: Anstruther, Burntisland, Cupar. Dunbog, Dunfermline. Glenrothes. Kirkcaldy and St Andrews. The programme is an eclectic mix of styles aimed at a broad-ranging appeal, including trad jazz star Chris Barber. the high-octane hybrid that is Salsa Celtica. gypsy guitar virtuoso Angelo Debarre, singer Lianne Carroll. and a seasoning of local talent, including Angie King, Grace Black. Dave Batchelor and the

aforesaid Fife Youth Jazz Orchestra.

The final night headliners are the Scottish National Jazz Orchestra. Their concert at the Carnegie Hall in Dunfermline is the culmination of three gigs that weekend (the others are at the Queen‘s Hall. Edinburgh. on Friday and the RSAMD, Glasgow, on Saturday). The SNJO have amassed a diverse repertoire since their launch in the mid-90$. but this latest programme is an

unusualone.

The family-friendly ‘Jazz Toons‘ presentation will feature jazz versions of music from popular cartoons such as The Lion King, Shark Tale and The Flintstones (its famous theme already has a jazz connection: it is based on Gershwin‘s ‘I Got Rhythm' chord changes), with guest singer Maureen

McMullan. (Kenny Mathieson)

tdinburgli

I The Hot Club Sessions llit- \UUtIUU I\)HHlll\. I‘M \\t‘\l I\’t'j,‘l\lt‘l \II‘L‘L‘I. Silt fillltll 3 ~Il‘lll I'lt‘t‘ \K‘t' $11:

I Trio Jazz IIic .I.i// Il.ii_ I (ILHHIu'h Slit't'l. SSH-13‘“ i illpm iIL'L' .\\"\' \il

I Magic Hat IIic .I.l// IL”. I ('Imnilwix Sli't't‘l. 32H ll‘lh \ illpiii L1 «[3! I)_\ii.imit‘ lurid limiii \i.lIl\'II\'\IL‘I It‘ll Ii} Slew (‘ILitIuit‘k

I Fish Fry IIic .I.i// IL”. I (‘Iiaiiilu‘ix Sliccl. 32H IBIS I | illj‘iii :JIII L4 \L'L' Sal I

Dunfermline

I Angelo Debarre Quartetl‘.uiicgic Il.ill. I‘.l\l l’mi‘l. Ill 133 (ill: ill: illj‘ni {Ill «children [5» lx’.iic (Imngt' Im IIL'JI lIll\ \l.ll lium llic I’.ii‘i\i.iii g}j\\_\ l.l// \L‘L‘Ilt‘. l’u’lf HI .'/I( I!“ .lu’. . /( M'Ilu'i'

Gleni'othes

I The BIG Chris Barber Band lehw II.lII\. Ix'iiigtlmm ('cnllc. HIS":

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Kii'kcaltly

I Absolute Swing \tl.im \llllIIl Ilimlic. llt‘iinmyln Ix'thI. “I *‘L‘ “‘1”: "lljiiii Ll-l *lIILI *lh IIit~ Klll;‘\ ml \\‘.lll_‘_’ jut-will lIicii l.iii:i2_\ tilt-lull} \Ilil‘.‘. id idllinpk \IJ\\1t\

St Andre‘s/8

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I Laura MacDonald-Martina Almgren Quartet \umlgci II.:II. \UllIl \IIL'L'I.IIIli-1»I~<IIIIII I‘Il‘lll L\ \t'c \\t'tI ll ill." v" ."I.'( [IN /( \.'.' ii.

Edinburgh

I Louise Dodds and Tom Scott ( 113t- (iI.III\IL'. IN Iiiuiilxltcitl I’IJM‘. .‘I\ ll\\ "pm. I'icc IIIL' I \IlllI‘LllL'Il hmth (ILlllIL'LlM' gmiml‘mialtw \HII‘; ;‘1.1l‘.1\l \ml'. mn \iiici'imzi \miiglimmlx \!.i:1ti.:zti\.i::tifit-i l‘\\ ll L'l‘llli‘il\lII\‘Il\

I Sunday Singers Session Inc .I.;// H41. I ('Imnlwi’x Sliccl. :2” ~13"

\ .illl‘lll L: '1':- St‘c \un

Batngate I Jazz on Sunday: The Ritz Trio

I\ l I . l\w I, \ H \ (~fi ‘\~\ :x c’ \ i \ I

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I Fionna Duncan & Batchelors of

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I Sermon Organ Trio \.:'\I\ ll.

ll‘\i:\.\ '{tI‘L‘f II"‘I_‘ (\.I‘IIX iilzij‘l :(x

:)\"i“b""'i‘i I Scottish National Jazz Orchestra (.1Y!lt‘_'2t‘ II.iII. I .l\I I’Hl' "I i\ i '\Ii_‘ lii_‘

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I The Late Great Jazz Jam Session IIit' .I.l// Ii.ll. I (Imnilwh \lit't'l. ‘.‘.ll-l.“’\ IIIl‘lll Iit-t' \cc \Imii 1

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Tuesday 12

I (Illll)lll§lll

I The Offenders IIIL' .I.l// lm. l (.Il.llllI‘L'l\ \Il‘t‘t'l. 3.?” I?” \ {I'l‘lll ii iii» IIl‘JI‘. tjli.iIll§ I‘III\'\

I Tuesday Heartbreak Funk Jam Session IIit‘ I.i// It”. I ('Imnilit'ix \IIL'k'I. If" 13‘“ II illjuii ;.llll iIL'L' \L'L'

Wednesday 13

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I Edinburgh University Jazz Orchestra IIit' |.i// Ii.ii. l ('Imnilwh \llt‘t'l. I)“ I?” ipill I [CC \t't' \\t'tI (i I Chris Lyons Trio and Ant Law Trio .I.l// (‘t-niitx IIIL' I ml. (ll.l\\lll.llI\L‘I. Iii" Sjlill .\ llilim Lx I)\>llI\IC I‘lII ml pimiiimnfx )miiiifg |.l// I.lIL'IlI\ lulluiiiijx I‘l.llll\l I _\Ull\ .miI gull.th I .w.

I Gabriel Latchin Organ Trio IIIL' .I.t// Ii.ll. I ('Imnilwix Slit't'l. 331i .ll‘lh .\ Illjiiii L i it)» (mml II.lllllllUll\I ( )lL'AlI pimmn'x limiii Ixt‘}\lll.l\lt'l I .ilt’hiii [‘Ilh |.l//'\ liliik} 71ml.” .lIItI tIllllll\

Thursday 14

Glasgow

I Real Live Jazz Session Rim ( pitc. _‘ II}iitII.iiitI \lit't'l. 1H‘Nli‘l .\ IIl‘lll Ilt't‘ \ik'ki IIIII iI

1:1 Radio String Quartet, Vienna ('11) II.lII\ Ix‘t't'ilal I\)HHlll\, (LilitIIt'iiupx. ‘5‘ Mill” \jiiii Llll IIit' \Illllj,‘ quailcl l\ ll\ll.lII} Il'lllltI lll IIIL' t‘l.i\\it.il \t't'limn. but IIll\ \ll\lll.:l‘. mullil .lIL' L'.lll\lll_‘_' .l \Ill mii IIIL' lmtk ml lIit'ii \iilillt- I‘lll L'IIL'IL'I‘L'tI llllL‘ll‘lL‘IJIlth ml lIlL‘ mum ml \\.lll lmi ll .ImIin \ItI .ilingiIHIK \I.lIl;l\l\Illlll (lit'lit-xlm

Edinburgh

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I Cathie 8: Gina Rae ,I.i// ('t'iilit'. iIIL' I ml. -1 ( il.lx\lll.tII\L'I. 74“” <:‘lll

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Dti'riee

I The Kings of Swing (Lin-J H.111. ('iij. mimic. HI 1\_‘ -4 Willi llijwm

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Events are listed by date. then city. Submit listings at least 14 days before publication to henry©list.co.uk. Listings are compiled by Henry Northmore and Norman Chalmers.

Thursday 31

I Alyth and Savourna Stevenson

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llrt'l'.iii.itli.ii1.i.m'i\lit lixt‘ pint \iij‘j‘mi! limiii \ii.t'iit.ii1lmI}. \llli't'l,\i'll:'\\IlIt‘l ‘.'ll‘.I.ll .llliI Ill.ll‘:\I~‘IiIl t‘\.l‘\‘ll Illll ( I'lliit‘ii. \‘-Ili‘ jiimiliitt'tl {Iit' Iliilikx' I.l\I .lII‘lllll i/:.j'..."wr'\ /’..'I.'. '(l .‘1. l.‘v_'r'...’.'.ir:\ I The Megantic Outlaw ( Imit (II.lIl\I. I.llll.ll\.l \lit't'l “1 \llllll ' illjiiii t I 3 ill \ iit'x‘. lmII. imt I. \i'll‘.‘ t \t It' I\\ MN I \'\\I\ lllll\l\ l.lll .lIIiI halt Ilt‘I (Liliiiii \I.lIIllI.I‘k'\I I\lli|\\l1?i‘l Ill\(l.lt'Ilt [‘\.lIlll ictuitlilipx miitt' \L'IL'I‘I.II\'\I Ilz'lllt' lll IIIK' limiilit'l Ii‘IixIl‘lt‘ HI ()IIK'IKK. \\Ili' \IliNII\ .l I‘i'llllh Illllllt‘l .iiitl \I‘k‘II\I\ It'II lllHllIIl\ Hll llic lllll ’m.’ m7 ( ( (mm. .'l:'l.‘\

I Mindy Smith .mJ Grant Campbell ()lJll \Imi. ( ilt'.lI \\t-\lt*iii i\,l'.l\I. i“ \llllll illplll t_l_‘ *ll \iiiilIi lll.lI\t‘\ .i

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I Allan MacDonald and Friends \i \IltIlt'V. \ lll IIIt' \tjimn‘ \l \IltIIt'\‘. \ \tjimit'. iii \ll‘lll \jiiii 9|: *ll I’Ijit'i. \lIlL‘k'I. .lIIlI IV-le. mum-i ml IIIt' Ill\t‘ll|t'\\ ( I.l\l‘. \iJL I )l'II.II\I |\ It‘IlIl'»‘-Ilt'iI lmi Ill\ ILIIIIIIL I.l\Il\ t‘\l‘IHl.lIlIlll ml IIlt' lt'I.lIlllll\Ill[\ I‘L‘I\\k't'll jiimlmiimt IltI .lIIiI (LIL'IM \miifj Iik' mII Iw Il'IIlt'ii mii \IJL'k' Ii} \llll‘ll\t' gunk I’ll/i m' ( i/Iii

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I Luka Bloom .mil Cara Dillon IIlL' (lltl I‘lllllll|.lII\t'I. ('.iiitIIt'ii:'1f\. iii \llllll \l‘lli Llli Iqut'I} jimjiiilm Ill\I1\lllL't'l \Hllf,”»‘.llIL'l I‘L'IIHIHH lIHIli Ill\ I.lIt‘\I .iIIiuiii Iii/u (‘.:i.i I)iIImii .lIlL'lh Ilt'I Imv ml limlilimiml I‘.lII.ltI\ \kllIl \III‘IIL' jiij .llItI tl'llllll} IIIIIIIL'IILL'\. and .i umiz't-mm '-lIILk' lint ml ( I {In (mum f .'(III,'\

I Songs of Scotland: Gie Me the Days When We Were Young IIlt'

I Ill‘w'lnlI. \JIILIIIL'IIJII Iain: ‘4‘ MM“ \jiiii H ill iil|\IL'lI Ii} (LIL'IIL \lll'Jt'l I\III‘L'I \Iat Mk1” .lIllI lmluiili: \i.lt'\L’ \IJLKIIIIIHII. \iIJIll \IL\.:IIL'III“II .mil I.‘.‘..ill \L\ It.” )lIII ml ( I /!n

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I Celtic Connections Festival Club Qualm iIl'IL'I I.ll_‘._'IL' “.1th Sum: (illlliHII \[lk‘g[f;51\IIIIH III illjiiii L; <ll t." <ll IIiL‘ IJIC-IIIL'III tluli lllll\ cwij. llljJIll ml IIlL' IL'\II‘-.lI. \HIII I‘.1I\. lmmI. tuiitcil \ch IrHlll .tIII\I\ .:I [hr “min IL'\Il‘-llI\. .lIllI iiilmiiiml mil; .lIIlI iihliuriicnldI \L‘\\lHll\ l'url n/

(«XIII ( MIX/:41 flit/H

:1 THE LIST 79