THUR 21 FEBUMBO W+mmnsan£m
THUR 28 FEBIBISIIIBH THUR :6 FEBUMBD commsamm
SATIMAR
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80 THE LIST Vii?“ For 5
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They may look like they could Whittle a fishing rod from a log of birch but Band of
Horses ain‘t country bumpkins. They originally hail from Seattle and specialise in a kind of country rock'n'roll hybrid that The Tragically Hip, My Morning Jacket and Wilco regularly endear us with. BoH bring their own slightly trippy bombast to the equation, and their great new record Cease to Begin shows
their
Glasgow
The Dias Quartet liicl.
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Edinburgh
The Hot Club Sessions IIlC \IlN‘tIHU I\)IHIIII\. I‘M \\L‘\I I\’L'j.‘l\lt‘l Sll't't‘l. 550 “(Hill 2 -I]\lll. II Ik' Ht't‘t'uniih (‘ninlm pl;i_\ ‘IIni ('Iuh' IlIlI\IL' .IIItI 9px) |;i//.
Trio Jazz I Iit' .I;i// Hui. I (‘Imnihcix Slit-cl. 33H Jl‘lh'. if illpni. RUIIHHI IIIIL‘I'IIUUII \IUI \klIIl IIIt' IIlllI\U trim on pmnn mi :JIIIIAI'I. I‘.l\\ .ind tIl'lllIh.
I The Glenn Miller Orchestra UK
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I Fish Fry Ihc .I‘I// III”. I ('Imnrhcrx Sliu‘l. 33H 43M \IltIlllfJIlI Run. :5. Scullhh _|;i//. funk. will iind Iiiun hundx inin I)J\ Izrik l)'\'iking_' .IIIKI
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formula is more skilfully refined than ever.
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Edinburgh
I Sunday Singers Session IIIt' tI‘I// HM. I ('Imnihcix Slim-i. SSH-13‘” \ illpni L" iLZr “ct-kl} \[Nil \Iimxtumnj: cu‘t'IIt-ni \nt‘.i|i\l\. Int Ital I\_\ .i IIIIk‘ |;i// Illi'. Imuiluiing \I.ii_\ \Idk
Edinburgh
I The Jazz Bar Big Band III\' Lin Bill. I ('Iiuinhch \Iit't'l. 33” 13M
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The Late Great Jazz Jam Session IIIC .lii// Hui. I ('Ii.inihci\ Sin‘ci. fill-13h Illpin I \pt't’i .1 nth mm of \1}It'\ .l\ Lit’m nlil .lIItI nt'xk \IIIIP in in pciiuini xxilh iIic Iquw Inn with \wclx
Edinburgh
Basquiat Strings .mil The
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Edinburgh University Jazz Orchestra |lu~ I.i// I’m, ( Imam-i \IIK'UI. .73" l.“'«\ firm llpvn i ‘I:_'.'.I \.II I Colin Steele’s Stramash l.:// (IK'IIIIK'. IIlt' I HI I" I il.i\-Iii.ilIfil 1’»- <.‘Il‘l \ Winn fIll I‘.IIII.1I.IIIII1'I.'// lwIIx Ill\li‘ll. luII mi '.‘.II .ian uni-Inn 11"[ll\\“llllll\1i\|\lll‘1lr"_'I1://II|II[I;I\‘III (HIIII \It'i'lc, IlHllIlllt' .i Mi I‘Ivu‘ I‘.l.'!vI lIml \ninhint'x III\ I.I// iiinnlul HI: IIIIL'k' ini‘ IIIIKIIK'I\ .III\I .l [‘IIK'I IIHII: iiic \LI'III\II IHIIK \ti‘llk‘ I Gabriel Latchin Trio III; I.i// IIJI. I (-IIJIHI‘L'I‘ \livvii .‘f‘l W'l‘ \ “min t‘ It]. I’i.in~ simian h -n. IKK'}‘III.I\IK'I I .iItIiin i~Iu\ I.I//:. iiiiiI _. :uniii ‘1an iIiuinx
Glasgow
Real Live Jazz Session I<x~ (\iic. I“ II:-IIIII.IIIII \iit-ci. ML WW \ IIpni \t‘t' “III I1
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Angie & George King \I.IIIII.1I\HII III'IK'I I iIlllI‘llli'Ii. I I’Iatc. I with. Ur“ <lNIH win: I.:// \‘IL.III\I ItunL IIII\ I.l// \upim I Lights Out By Nine .mil Paul Lamb 8. the Kingsnakes lir- (Lint-x \iiIili: \iit-ci \MHIII. “a “W! \pni LII! \ntdlm \I IIIIL'Ilk" IIHH IIlh cut-i {N'I‘IIIIII \Iuiiipin; iIIuo wilti! I Alyn Cosker Trio l.i// ( grim: IIIU Int. -1 (w (imwiniiilxr 3'7 ‘2‘!” \ z‘lpni LN 'IIic hiillmni i.:// IIILIIIIIIL‘!