b 7 V i‘ to pilfering inspiration from other artists' work, but for Greenock-born Alison Watt it's a specific

- eSt in the drapery of the Old Masters that haslnfluehced her new exhibition, Phantom. This displayfwhich comprises six large-scale works, continues her fascination with Zurbaran’s 16th century work ‘Saint Francis in Meditation’ and the suggestive power of fabric. The afnbiguodsly namedpleces are designed to let the spectator find their own meaning. This “We the end of Watt's two year Mcy at the National

Gallery in London, which has seen her workprogress from the figurative to melting more abstract. I f” we» Ga at: gram. arm: Sat:- 22 Jun, ~ 4‘ "" ’4”

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