I Exposed 'I hu J.x// Bur. I (‘lmmlwrx Sum. 33II~13UH H I‘pru L3 \iunllll} \lllfJL'r wrrpurucrx/ncu humlx night Vviilkil \ccx prcrxclcglul LlLl\ «leplayng; Ihcu lincxl 11ququ \mm
' Paranoize 'I In- (iR\. ‘~" (ithrIc Slrccl. 33H 3937 ‘Ipm ('lull nu! \wxmn
I Reuben .ImI Baddies 'I hc (Image. 4%) Smuluclmll Slrccl. H3 II3II 7pm L3 fill (her IJx \Inm. Mn HI mclml} uml Imnlturc Irnru Surrc) [rm Rculwn I Adrianne and Neil Sturgeon Hrcl. W 4‘ Axhluu lunc. H3 JUN» Rpm. U» Snumlx Ill lhc Suhurhx prcwnlx an l.x\» lmxul \Ingcr \ml}:\klllcr‘ uhu hm \hurcd \Iugm \Nllil lhc llixL'\ uI liunruc Rum and Jut‘kwn Brmxnc. \th Incul \uppnrl lrnm lhc (illltlt‘lllltllll‘ lmnunun \xhu l\ rczulyn}: Ill\ \nlu :Ilhuru (imam/rim um/
I The Decent Souls, The Scarlet, The Backwards High 53 and Eye Contact Leads To . . . Muggu-
Mu) 'x. N) Allmm Slrccl. .\lcrcll;1nl(‘u_\. 5-43 I I5” Hpur Imllc pup and ruck.
I John Power lxm'} lllut'lxx. 5h ()xxmld Stu-cl. 3-13 -II M. 3pm '75”. i.l\L'I'[\lltltllI;IlI m lu‘x lmxxlxl and (3le lmnlumn pcrluruls lux luppyxh pup
I Jason lsbell a. the 400 Unit and Liam Gerner King 'I‘ul'x Wall \Vull Ilul. 373d 5! VIIKCIII SII'L‘CI. 33l 537‘).
3. illpm. UH. l-‘nrmcr Imnunun ul' Drnc II} 'l‘ruckcrx \lrikcx nut nn lilx mm uilh lll\ wlu ulhum Sm'm u/ Ilu' INN/I.
I The Flight Ons, Electric Drugstore and The Hay Summers Band Nlt‘c'II'Slczil). ~13] Suuchlcllull
just! i’urzz‘ up (a Iguafifwua
"lx‘k’lr'll’lfk’k‘x‘
76 THE LIST 37 Mar—IO Apr 3038
Slrccl. ‘33 WWI. willpm \uul quk rwkcrx. \uppurtcd h} (il.i\;ju\\ unlu- rnclwrx
I Midnight Juggernauts .md Big Face 'I'hc Hm! ('luh. ‘35 Sdut’luchall SlrL'L'l. \lcllmurnc \[ML'L' \IIM’H lI‘IH 5LT prcx no“. page (W
Edinburgh
I Josh Ritter I‘hc |.Iquul Rmuu. ‘lt \Iclnrm Slrccl. 335 3504. "pm LI ‘~ iH Much :uluurul )(rung l'S Iulk Irnuhmlnur m munmu- \clung
I Napier Live ‘i‘iit' iiullgn (.llll‘. \iwld} Huuw. ‘7 iiul}r‘nml Ruml. 553 “fill-1 7pm t" ‘5‘). A mqu Hi ncu mum lculurmg \ludcnlx Irum llu' \IpIL-r ll.v\ I’upulur Mka dcgrcc cnurw
I Missing Cat The Ark. ‘~ “ “nu-Ill... l’lzicc. 33H 9W3. 7. illpm. {thy
l’\} L‘llL‘le‘llL‘ hlllt‘x.
I Kid Canaveral and The
Asthmatic Scene The VIIIan Runmx.
I‘M \VL'xl chlxlcr Slrccl. 55h “UNI
Hpm lam, £5 «£41: Scc Thu 37.
I Crash my Model Car, Zoe Van Goey, Ainslie Henderson and Ewan Butler chr} "s (‘cllgu' Bur. .\' Hm Murnwn Sum. 338 0303. 8pm. £5: Melodic. \nlul gullzu' ruck lrnm (‘.\l.\l('. ' l ' Dropkick I)ruulh} \cclmurx.
I 3 \Vt'xl i’i'L'\lUll SII‘CL‘I. (‘03 9017: X.M)pm. Sec Hi 38.
I I I ” The Freaky Family Ihc .lu/l Bur. I ('humhcrx Slrccl. 330-1303.
I INIpm. ch Thu 37.
Troon
Amy MacDonald 'I‘mun ('unccrl Hull. Suulh Burch. :\_\ r Slim-I 'I'nmn. (II 393 hl I333: 'I‘Ickclcd. Sumll 'l‘hnm/K'I" 'l'unxlull wrupuriwnx gulnrc Inf lhi\ )(rung (llnxglm \lngcr-
stereo cafe/har/vmm
Mar 28: Achren + kaleb
Apr 02: Breakout Scotland 08 Launch Night: Anna Meldrum + Cancel The Astronauts + Conor Mason + Dirty Hearts
Apr 05: pcl presents: holy fuck
Apr 09: pcl presents: future of the left
Mil“ Mum.” aw
\uugxxrucr '.‘.I1~'Ii.:\IIL\Ih'luxklk'l It'l‘u' .III‘UIII In.» w .‘a'. ls'.
,l\ [XIII nI Ix’mk \QIIII‘AI l\),:\2\f‘.l I Iltlxcl\.:\:21l.:l‘lcIrwux
xxxxv. Riki:\:.IIII\IR,1tI\IIZIIIlr‘
:x'I furutzzxc lur-
Glasgow I The Being .lllxl Loki l‘-HI_\ Ill.‘.\l\\. <h ()\\\.Il\i \Irccl. 31\ 11 I1 "I‘m 1‘ lle Imp I Eileen Rose, Michael McDermott and James Apollo llIC 'Iurxlul \\ lu'cl. " ‘ Uuwu \IIu'I. 3.‘ -1.\*l “pm :\ limlnuk .quxwr In H ll.u\t'} llk"l\l\ Ilux \Iugcr wucxxuur lull, uullulluj; Ilu‘ IquI [mu l1 lll‘t‘lrllltllwl} HI :i,llilk'\ \[NIIIH Elbow .llltl No Gallants \II( I
11H \uullwlmll \Iu'cl “3 3.‘ i.‘ ~pm Ll:< ()wr I I\ \llrm \u.:u:x-l_\ upllluuf; unlu' IIII\\'I.II‘III\I\ Irum \luuglu'xu'l l‘.u Ix \KIIII uvu .:ll\uru In VII/um \( r I.’ AM \m' lCJIlIIt'. Ixuft' 3” I ldlewild ll}l\lm. l ruI I). \lcltlmul 5ququ “I \lluuu \uu-I. “.3 W‘” 7 ;“pm L I i \t'ulx unlu' rm kcrx l‘lllllllj.‘ III .I \pu‘ml uluumu- \lln\\ I Sia ( )I.Iu \iHI. “ ‘l 3' W ( luau \M'xu'ru Rudd. ‘5“ h3llll ‘ §Ilpru LII lllc /cIn “ \\.ul\lcr \upplu-x wruc .uulm'ul [mp luucx HI lm nun. \ik'll\t'lk'\l ru .lllk'\ Iml \mul \I} it" I Coconut University IIII- \Im- II”. I-IX IIHILIIhI Sllccl. H3 3|“) 5pm Ll :\t‘Hll\lI\ t'nunu}. I Everytime I Die, Drop Dead Gorgeous .uul Scary Kids Scaring Kids Km; lul\ \\.III \\.III Ilul. 3“3.I \I \‘Inu'nl Sllm'l. 33] i3"” .\pru I_l3 ‘II ()wr l-lx \hmx. |’.ul_\um* llmllluu-rx lrmu liulluln. \c“ \urk. \\lIH Imu- Inulul \\ Ill] \1} (‘lu'uutul lx’numuu' I The Lost Generation, The Tenants .Iml Seneka .\I.I;;;:u- .\i.l_\ 'x. (ill :\Il\|un Slrccl. \lculmul ('II}. ‘15 USU 3pm. L5 IL' H I'llc uuhc rm'knx haul llux lull, I Post Scriptum uml Cortez II.IIII\. 2m (lulu Sum. «Nu UH" WM spur £5. (‘lnwu‘ ruck lllllllt‘llk't'\ llHIlI Humlxu'lnn Im'kcrx ( 'anc/V
Sol Diablos, Alex Wayt, The Towers and Playtone Hm. I {I Suuduchrrll Sum. “3 *Iil Mun lurlu- rm‘k lluc up. I Cry Girl Cry, Black Alley Screens and Mister Manana \It‘t"l1'Slc;I/}. -13l Saut‘hu'lmll Slum-I. ‘33 INIIII. Nillplu. Intul Imlu- ruck
Kansai Suluucl I).m '\_ (F “I \llllMléllL‘ lx’nml. -13 i lllll“ 3 :“pm Inc I Bayan .Iml Alix | IIII \uu- (1m: 5” MI King: Slit-cl. 55‘ HRS 0pm Huym'x mcmlwrx lI.uI Irnru |I;Il_\.ll1c I’lullpplncx ;uul Sculluutl .‘Iml Ilu'u \uuml hlcmlx hllx gamut :uul hqu unm mllucm‘c» I The Teenagers Slum. 3H 3.\ chllcldl.;u1c. 333 3331 If l-rcrull L‘IL‘CII‘U pup II'IH \\ IIH Il.ulc HII lhuw \L'\
Hingu‘tl (idllIL' t'llt‘lIL'N
Edinburgh
I Acoustic Café ( )ul 0! Hit IIIuc Drill Hull. 31! V» I).Ilulcu_\ Sum. lull). 555 "llll. "pm. My ()uI uI Ilu' llluc pr'cwnl llux liililil’.li'i\ (alum-I
I Little Green Machine, The Fire 8. i tllltl Beat \VUL' RL'tl i’ml. Izdrnhurgh (‘ullcgc nI \rI. Iaurmmr I’lucc. 33‘) 14—13 "pm. Lil :\Ilcrn.lu\c ruck and Imllc .ll Ilux \cu Inutul \uuml night.
I Midnight Juggernauts .Ilhl Dollskabeat (‘gllxu‘cl \lrllau'c. if» ‘3 Blair Strccl. 33H (Ilqh. ."pur LUSH Sec Thu 3.
I 96 Tears .1an After Me The Flood IIIL‘ AIR. 3 — \VJIUI‘IHH I’lut‘L'. 335 ‘1“)? 73”pm. L4, «\ll\-III\PII'L'\I clct'u'n rwk.
Glasgow
I Conflict, Sham 69, The Wall, Holly Racket, The Scabs, Fire Exit, Instant Agony and Buzzbomb
REASONS TO GO SEE
He’s the real McCoy (and then some) Iw I‘
mrlfl". I‘ll luf' HI' I} my, n'Iy'w n
\‘ II-m".
VIVID-#78. lilflarrm II I'I NII‘.".‘1v"\." Illi‘ l‘ Iv'n Al ,I l‘_l"r:IIlllr.l tru. k ‘1?wa :;I7¢‘II:1 4:; ,I ‘IIVI“".IrI,l, :MIIM, M 1m IIIII'I. .1:er I.I."Iln-' 'u:ll unwrkw I’m Irlrll l‘.'.'(‘ ‘I'I: Iv". II IIII‘ mum.
He’s also, incidentally, the bee’s knees .vam 1:: Illélllt'ii‘x'JI Ill'.Ill‘r.'I."1I7MII Sum-r3. r; Irma I} {Ii/fl». I'I ‘lln Wm: M; war; (I l(l.'I(lll‘.iIl\ III t‘Iw 'l LII'II-x.‘ (II‘LIIIII‘,"' IIII'TJJIIIL'III, mlurrxrur; Irw- muf‘m‘ in It:; umla All“! Hurt; (I? fslwwlll.’ ‘%II(];IIIIIIII (ZIInlI. [MINI IIrrI l, Inu: Imw r<:<:r>r:llell III" :mm. luv,
He’s a visionary In IIWI, III Nzltalwllle, III llirl‘y‘thifll (ill{if}"II] azimuuu, (II)III<) Ilrugz; (Irul sulnkrru) Camel «Igurullos, ll(.‘ :uw; :quuf; lSLIlIumquuull‘; “.‘.’I|IIII(_} Ilu: (Imam: I'm Just (III ( )Irl (Illuuk 0f (erl. but I'm (50mm he .‘I l)léllII().’I(l Some Day").
When it comes to a lyric, BJS has it licked 'IIIr: «Ir».er mark-:- mr; rlu ll rm,» fun? tum; Im: secondIrvrlelrlrmulHurry/(v.21:
How often do you come across someone called ‘Billy Joe’ in an Edinburgh bar? IIw. Ii; 0m; of those legend m :I *;ru;III mom ()l)l)<)IiIIIIIII(:f.. III) IIHA,‘ rerIusrm. anruzm D'IIIIIU {I
P/()('I:;.’1nr;r,> Culmrr .‘I Bur, Erhnburg/I, Fri 4 Apr.
ll.uIl_\. 31m ( Inlv \Ilt'k‘l. IIVII ‘lll ‘ ll‘l‘l‘) \Imu L I * l’nluu m-«l puukx killlllllllk‘ In myt' ll.ll\i .ll Ilu' Imp HI .I lull \kllu ll .II\H Hit ililit'\ \clcmu l.li‘I‘lt'lHll\\'l\ \lmru (N .unl I\ \lliiipik'iklli h} \qlmu' I’m' I Glasgow lmplodes III I III: \Hln' (".m: 5” (III Kill: \IICCI. “i ll!“ lplu L" \quml (l.l_\ Imuml \k'lk'l‘lJllllL' mpcruuvuml quxu Irnru .unurnl UK I K llux )uuK «IMHIII .unl \lIHllk' lull uu lllllk'\ Rum ('lnull. \Inml quu. l uumu [.mc. ("hm-Ix} I’r'qu \vppulu. “Lula \uu :uul Hung: .uuun; UllIL'h
Fivefifteen \uc'u'SIt-JA~ l3l Suuplua'lmll \IIn-I. HHI‘NIII 3pm \lwulunmu Iurlu- Imlxrx ‘.‘-.ulr .l \lruuuucr I.lll_\ In II‘».II \puml lap I Next Big Thing (urlluj: .‘\\ .ulcul} (iluvimx. I3I i'._'_'llliillil\llL'k'i.“h'1'1‘1—‘N :Hllll (\pIII LIII llulupcr \hmahm' HI lmul .lLl\. unlmlul: 'l lu- lilutl. \rrmax. 'I IIL' SIIIIlt-I I’I‘HIu'I. ‘I lu- (irlrlul \ugclx 'I he i)li‘.\. u & Huh. 'I he i‘IlH\\HlII. 'I In: \iéllllixt'tW. i’k'lld.\lltil1l('llll‘. \UIIIL'UIIL'.\ \HII :IIIII iIIL' illL',Il\ I Chimaira, Maroon .uul The Sorrow lulu Hitlki.\. VI ()\'-'-;lltl Slum-I. 343.1114 *pln um <u (hurl-1x mm» ()lti \phnnl rut-LII lrnru IIIL‘ cut-r rclmhlc anlrunucr Rct'nrxlx \Igrungx (‘luuuru uhn haw prmcd Ihcu \urrtll nu Inurx \kllll lilC IILLN HI ~Sl,1_\L‘I'. i‘L‘IIl I'uglnl'}. \luclunc llcml and Dun/lg.