Theatre

I SECC: CLYDE AUDITORIUM l‘inniexitin Qua}. “3"!) ‘Hit Jtiiiti {It \‘i't', \N'Al

Disney's High School Musical Tue 11 Sat 23 l-eh. 7pm iSat niat Zitlpiiii; 5pm tk h‘pni L12 LBS Sit iL'ZZ L3”). liaxetl Hll Dune} \ lziiini} “inning liliti til the \ttllit' naine. IIIL'II .St‘ltlm/ .lllM/i (l/ lL'll\ llit' \liit'} Ul \t’liiiiil \llltlL'lllS ll’tt} antl (iahriella uhtt tiigether tr_\ ittit liii' leatl paiix tn then \L'llUULS \him.

I ST ANDREW’S IN THE SQUARE

Si Andre“ Ix Sqttalt'. ‘5‘) 59”)

Ultra Violets Live Charity Gig in aid of Cancer Research UK Sat 2.\ let». 7pm. L30 inte light \uppei‘i. (’haiit} luntli‘aixei' leattii'ing li\e liltlSlL‘ li'nni \ti Shame and 'l'he l‘.tt\_\ thlL'l'S u llll unique ilanee pei'liti'inanee ll'Ulll Izleti‘ieat leattiring Rll}llilll \Vax e and .'\lltlllL';tt) ('apneii'a; \tantlup li'iiin llai‘i') McDonald and a guext appeai'anee h} Jillllll} Stiiiiet‘xtlle.

I THEATRE ROYAL

282 lliipe Street. l)S7()t)(iti(i(i-1‘ lit. .\'(il). \\'('. \VAI

Richard Alston Dance ll! 20 let». 7.30pm. LUSH USS”. Rtehat'tl .'\l\llill eelehi'atex the Jilth ttlllll\t‘l'\;tl'} til lll\ lll'Sl elitii'eiigi'aph} with a tliiuhle hill til \mi'lt. Reeeiit premiere ‘liltm ()xei" IS pet'l'iit‘tnetl tn l’hilip (ilaxx’x e\|iilai‘ating 'Sniigx l-iniii latluitl Dan“. .'\|\tnn IS alxii t‘e\i\ing his \eininal ‘.\lii\enient\ l‘i'iiin l’eti‘tixhka‘.

An Inspector Calls 'I'tie 34 Sat Ix l‘eh. 7,.ittpnt i\\'etl 'l'hti t\ Sat iiiat 3.30pm). Lllt L335”. 'lhix htige hutlget titttt'ittg \L‘l'Stitll til .lll l’l'IL'SllL‘} \ thi'illei \‘HlS l'L‘llHL'lllt‘tl tut the \tage antl tlti'eeteil h} Iii/It [cl/tut tlit‘eetiu' Stephen l);tlili‘}. L‘lll’l‘L'llll} nnntinatetl l'ni‘ llext lhi'eetnt at llic ()xt'ttt‘»

Dreamboats and Petticoats Mini 2 Sat 7 Mar. 7.3llpni i\\'etl tk Sat tiiat 2.30pm). LII L'Z‘). .\'e\\ Ilth‘l‘U\ lilll\lt‘.tl haxetl on the wiigx til Rn} ()i'hiwn. 'l’he Shatlmi \ aittl nthet'\.

Spider’s Web Mun 2 Sat 7 Mai: 7.3llpni i'l'hti tk Sat mat 3.3llpnit.

L I4 [23. Vttt‘liitlx \lttl‘\ itl' llit‘ \lllttll \ei'een thexp it tip ax the Agatha ('hi‘ixtie 'l‘heati'e (‘ittnpain l'L‘llll'li\ \\ ith annihei‘ \tage atlaptalititt til a elaxsie “lititlllllllll.

I TRAMWAY 25 Albert ”the. ()845 iii) 3 \mi Mind Out Wetl 25 Feb. 7.30pm. L") (L0). The latext “oil from lung-running perl‘ni‘inaiiee eiiinpan} Statinii llttlISL‘ ()pet'a. \xhieh e\plni'e\ \\ hat it liiL‘dliS tn he lllllltllL‘SS. I’ttrt it! New It'rI‘Itm‘Iex 300‘).

Masculine Feminine l‘il'l 27 tk

Sat 28 l-‘eh. 7.30pm. L") iL'tii. (‘itittpanhia l’atiln Riheii'ii iit‘lei‘x tip txm intereiinneetetl pieeex iil' tlaiiee theatre hilSL‘Ll on the DOC”) Ul l-‘ei‘iiantln l’ewia. .llttxt'ti/ine iperliti‘tnetl tin l’i‘itla} 27 liehruat'} i and l-t-nu'nim- ipert'iirntetl the following night! are etiittt‘;i\titig interpretatiiinx ttl' their titular L‘UlltlllltlllS. I’ur! tif.\'t'ti' 'Ii'rrtlurtt’x SHIN. See pre\ iew. page 8-1. Technological Phantasmagorias: I, II and Ill: Sleep My Baby Sleep Thu 5 Sat 7 Mar. 0pm. L‘) iL'ht. l)L‘lil\ Marleaii. along \tith l'lll' iQtieheei. prexetitx three pieeex \\ itli \iniilai‘ remnaneex perhapx three different. lllULlCrll takex on the ghmt \tiir}: The Blind. h} Matiriee Maetei'linek. Sleep rm Baht Sleep. h} Jon lame. and Samuel Beckett's I’ltit'. l’itrt ufflVt-u li‘rrtlnrim 3009. Technological Phantasmagorias: I, II and Ill: The Blind Thu 5~Sat 7 Mar. 6.30pm. L“) iL‘hi. Denix Marleau. along with l'lll' iQtieheei. prexentx tltree pieeex with Similar rewnaneex. perhapx three different. modern take\ on the ghost \ttir): The Blind. h} Maurice Maeterlinek. Sleep .UV [iii/n Sleep. b} Jun Fume. and Samuel Beckett\ l’lm. Purl ill-New It'rrilm'tt't JUU‘).

Sill. ll’. \\'('.

86 THE LIST '9 Feb-:3 Mtt' L’t‘l‘itl

I TRON THEATRE (tillitligalt‘.<<:1:h_ 3”. \\(f \\ \' Defender of the Faith t tllll Sat ZS leh initt Siin \lunv " iltpnt LlH :11 ill) 11H. l K pteiiiiete tit Stitait ('aiulank thiillei \et ”II the lll\li lmitlei l)iieetetl h} \ntl} \tnultl ('iintainx \et} \llHlljJ language See lk'\l‘t"-\. page \3 Year of the Horse lllll lit \al 2\ leh ‘tpni LS iLtn llaii_\ llwhe. .tlllSl. lllll\l\ tan and .t\\.tltl \\ llllllllL' elttltlten'x atithni. \\a\ tine «it the l l\'\ leatling pnlitieal \tllll‘lllll\l\ In a unique and iitnmatne enllahniatiuii. the limit llieatte ( 'ittiipan} antl llinnt (ltll‘\l\ [llL'SL'lll a niiiltnnetlia e\peiienee that eeleluatw llnixe\ fJL‘llllIS Statiing lain |)ean lltnn See piex ten. page S: Manifesto Suit 3: leh Spin LR ()n the laxt Suntla} til eaeli iiitinth. the \lttllllt'Slit l’itlitikal Kahaiet night limtetl h} lain l)ean Burn and Stinit Sinenia leatiiiex tligital agit punk \\ till a iange «it ttink} f.‘llt'\l\. Frida: Viva La Vida \\ed ,1 Sat Hat 7 illpnt, LS iLtii ,\ [‘.t\\lttll.tlt‘. tuliiut'ttil. ititilti .i\\aitl \xinniiig limit at the lite tit l'iitla Kahlii h} the e\eellent liiw 'l heati'e ('iinipaii} Multiplex i hit 5 t\ I ll (i .\lat illpni L5. Ne“ pla} h} ('hitxtiiphei \\i|liain llill ahntit a ginup ill teenage tlSllt'lS \xiii'king in a eineiiia l’lt'\t'lllk'tl h} llHli Skillxhtipx.

Edinburgh

I BEDLAM THEATRE

l lli llt'hlit l’lttet‘. 33% (’3‘) i. |\\(._ \\ \l City of Glass 'lue 3-1 Sat 2S let»

5 illpin, L5 iLllSllt lheatiieal tnxexttgatitin into the ileteetne \ttii'}. \et iii a hi'iiken antl ghmtl} \t‘lSIHH \ll \eu \ittl'lx.

Rope \\etl ~l Mat. 2. illpni. Ll iLiSlli.

l iinehtinie pla_\ ahntit l\\t\ petiple taking then li\e\ llllU then nun hantlx.

Mail”!

I BRUNTON THEATRE

l .ltl}\\t'll “ix \lll\\g'll‘tl[:_‘h. (\l\< ll’. ll. \\(‘, \\ \2

Private Peaceful llltl 1" l el‘ \ee Kitl\ lixtingx Respite llltl 2h l'el‘ iLh 4". tintlei l\\ \tiiean tlaiiee ennipan} \alu‘l‘a li‘lth Inteex \Kllll

\laiit llt‘\lt‘l (‘anieiata ('lianil‘ei (lithextia ,llltl tunipmei ltnitle legetle lttl a tie“ pteee elitiiengiaplietl h) llutle l.t\\.tl

Baby Baby \lun 3 \lat - lHpni Lilx Stellat ()lllllt'S ha\ e atlaptetl \ l\ mu lteiteh‘x hext \elling nmel almnt tm» li vat l‘l\l\ il’inltie the eniii kitl .tlltl glaiiiuin gitl \ptili \\lll‘ think the) lta\e nuthtng in \Hllillltlll ittitil lllt'§ lmth entl tip iii the \.tlllt' ela\\ at the little} lx’uatl Seltiml lHl )tittng liltIIHS \tntahle lHl .ith'\ l is See tapttuii. ltelim

Emma “ed 4 \lai *Ilpni L IN Rll

iLS Silt lleatthieak Plll\lll\lll‘ll\ htingx in lite lane \iixtin'x t l.l\\l\

iii

_:ll‘\|]‘,1ltl§ll

I CHURCH HILL THEATRE

H.t \litllilllgNltlt' Rlltltl. ‘3" ill“ Il’ ll \\'(‘. \\ \l

Oliver! l iittl Sat 3| l'eh llll‘l Siiiii

‘, illpiii iSat tiiat I. illpnii L l.‘ L l R leinpn \lit\ieal l’i'iitltiettum pinniixe .i tiexh. pinpeil} l)lt'l\t'll\l.tll take «in the inti\ieal til titan} iii‘phanx

I KING’S THEATRE

Zle\en Stteet. 53‘) hllllll Ill. \\('. \\,\] Lloyd George Knew my Father l'ntil Sat 3| l'eh ‘. illpnt i\\etl .\ Sat that 3 illpnii. Ll.‘ RH L35 ltl\\.iiil ln\ antl lleleti R)aii Si.” in \\ tlliani lhutglax llnnie\ ilia\\ing intuit eiiineil} about the ei'tinihling ateliiteettite til the (lid linglantl.

Jolson & Co - The Musical ll! 3" l'eh Sat " \lai' initt Stini. ”. illpni i\\eil tk Sat that 2. illpiiit. Lllil) L25. Ktiig'x l'heati'e etiiiieil} \taluai't ;\llan Steuai't \l;tl'\ ax the ininittahle .\l .lulwn. \tai til

Stellar Quines returns to the Edinburgh area with current show, Baby Baby, which explores the

relationship between two 15-year-old girls, Pinky and April, one a biker- booted grunge queen, the other a perfectly-coiffed ‘streety'. The pair emphatically have nothing in common . . . until they both end up at Tinley Road School for young mothers. The sharp, funny piece challenges a young audience to re-evaluate its prejudices towards others based on the way they look and their life choices.

I North East Edwin/git Arts Centre. The. ’9 Few; Bruefor‘ Theatre.

i‘vli/sseti‘n/rgt‘. Mop 5? Mia Traverse Theatre. Eavnnarg". Tue 3—7”; 5 T/ar

the lit\l e\e: ”(.ilktt" In» I... Me at in

W.” \‘e tap'inn, page S‘

I FESTIVAL THEATRE l1I"\iti\l\iin\tteet.‘I‘liiitiiit 'l'. H. \\(', \\ \‘

Les Ballets Trockadero De Monte Carlo l It .‘t' t\ \at .‘l lel‘ it'pni

Lll L.W ‘1' l’laxtiil tlanee ttniipe ieintetpteting e l.t\\l\ tlante \uii llllL'lil nntite that wine wt the l‘.tllt‘tlti.t\ ate a little l‘tllllt'l lll.tl‘. ii\ti.il

LazyTown Live! The Pirate Adventure \\etl .‘* lel\ Sun I \lai See l\l\l\ ll\llll_L'\

Thriller Live \li‘ll .‘ \ai \lai

ani. * zltpni ,\ \ illpni. lpni ,\ \pni Ll< LI" Sit \ eelel‘tatiun tit \litliael latkwn antl llie Iatltwn ‘. \\illi eliniengiaph} hx .l\\.ll\l “inning tliiettiti (iau l lu_\tl antl l a\elle Snntli liii

I NORTH EDINBURGH ARTS CENTRE

l *a l’entn \\ ell ( 'titiit. ‘1‘ .‘ l *l \\ \!

Baby Baby llltl I” l eh ‘pm 21 IL.‘ L 1. See l iltnl‘iitgli. litiintun llieatte

'\\(]

I PLAYHOUSE

l3 :3 (ilt't‘lISItlt' l’l.l\'\'. ”ball (‘lllt Nil lll. \\('. \\ \l

The Vagina Monologues l iitil \al _‘I t-t-tw " Mimi Ll" an tin

ILl.‘ 5H Ll“! he I nxlei'x l.tlllt\ll\. llllttllittIS. nim ing and hiax e \t'lt‘l‘ldllt‘ll til leiitale \t'\ll.tlll_\ l\ peiluiiiieil .t\ pait iii the \ Hat inmeineiit (i.tll l’nitet. Katen lhiiihat and. tex. \ll\ ltelle .\le.\lanu\ \l.tl lll lll|\ ne\\ littll Riverdance “ed 1 Sat " \lai .‘ “limit. hl‘ln L'l-lSU L W *H lhe lllSll tlanee \t‘llSJllttli lt'ltlllt\ tii Seiitlantl it} ptiptilai tleniantl

I ROYAL LYCEUM THEATRE Gunilla} Stieet. 11S ~l.\-l.\ ll’. ll. \\ ( I \\'.~\]

The Mystery of Irma Vep l‘ll

Ill l'eh Sat l‘l \lat intit Sun/\luni _, 45PM] I\\t‘tl 2; l t‘l‘. \tl :N l t'l‘. \\ t‘il ~l \lai'. Sat " .\lat t\ Sat l-l \lat inat I. illpnii. Ll: L3H laking ll\ leatl llHlll lttlL'\ (ll giithie innianee. Illt ,l/\ m I\ u/ ll'llltl Up I\ a laxt paeetl antl \\ l\ leetllt ltinn} partitl}. nii\ing in lk'lk'lt'llkt'S tit li’t'lu’t t (I. “It l/titmt/ 4'! [In litnlri l l//('\ and //ii' .ilimimi. x\llllit\i ax thtitigh Daphne tltt .\l.tlll'lt'l hatl \xittten a [ltlSlllllHlL'lll CplSUtlt' til l/It/wmi'l .l/im/t'n. \tai't‘ing the Man lit‘iitheix ()h\ litll\l}. See pie\ text. page HI

I TRAVERSE THEATRE (‘anihi'itlge Street. SIS littl Il’. ll. \\('. \x'.-\|

Baby Baby 'ltie i “in S \lai. 7 iiipin. Ll i tL'5 LlSi. See l‘.illlll\tllj_'ll. lli'tiiitnn 'l'heatt‘e.

Outside the Cities

I DUNDEE REP 'l'a} Square. l)tintlee. ”I W: 23 ii ll! ll’. ll. \\'( '. \\’.‘\| Scottish Dance Theatre 'I lit] 1‘) Sat Il l-eh. Spin, LIZ 4L5 Lllti 'lhe Stutiixh |)anee 'l'heati'e pi‘einiet'x tun next untlm h} \ttmegian ehiii'eiigt'aphei' lna ('hi'txtel Jithannexxeii and SIM \ .tlllSllL‘ tlii‘eettii‘ Janet Sinith. l-eattii'nig pi'e \him talk \tith Janet Snitth (ill l'i‘itla} at ~pni Who’s Afraid of Virginia Woolf? Sat 33 Mb Sat 2! Mai 7.30pm iSat 3] Mar tiiat Jilipnii Lll) ILlhi. l)tintlee Rep gets all l‘lllrlitll and Ta} liir tin us. with a new take ()ll l‘.il\\ttr(l :\lhce\ dark lii\ e-giitie-hatl \litt‘}. See pt'ex IL'\\. page X l.