Corman‘s ongoing influence can be felt throughout this year‘s EIFF programme. but it‘s worth checking out the l l of his own that have inspired at least two generations of filmmakers. In addition to those mentioned above. the retrospective includes the rarely seen The Seerer Invasion. Corman‘s WWII men-on-a-mission movie that pre-empted Robert Aldrich‘s The Dirty Dozen by three years and preceded Quentin Tarantino’s forthcoming Inglourious Basterrls by three decades. Best of all. though. is an even rarer screening of Corman's personal favourite. The Intruder. his I962 race-relations

Clockwise: The Raven, The Secret Invasion and Bloody Mama

pot-boiler starring a young William Shatner.

Of it. Corman said. ”There is always a political undercurrent in my films. With the exception of The Intruder. I tried not to put it on the surface. And when I did with my picture about race relations in a Southern States town. it turned out to be the only film I made that didn‘t make a profit. But I‘m still very proud of that film.‘

Roger Corman Season starts with House of Usher, Filmhouse, Thu 18 Jun, 1pm, £6.50 (£5.50); Roger Corman: In Person, Cineworld, Wed 24 Jun, 6pm, £15 (£12).

The EIFF runs from Wed 174m 28 Jun. More highlights can be found from page 61 and full listings are at More coverage next issue. For tickets visit or call 0131 623 8030.



s a NC. 5

Duncan Jones’ debut has the hallmarks of an instant sci-ti classic. Miles Fielder takes a look at Moon

When Duncan Jones. aka Zowie Bowie. David's son. premiered his film-directing debut. Moon. at the Sundance Film Festival in January. the critical reception to his cerebral science fiction thriller was ecstatic. Reviewers wasted no time in comparing Moon to genre masterpieces Such as 2001: A Space Odyssey and, although Jones himself cites the 1972 eco-sci-fi flick Silent Running as his main inspiration, his film does indeed warrant comparison to Kubrick's classic with its deliberate pacing and ominous tone. not to say eerie use of lunar locations.

Set in the near future, Moon stars Sam Rockwell (in a celebrated virtually solo performance) as an astronaut named Sam Bell who‘s coming to the end of his solitary three- year mission on the dark side of the moon, where he's been mining helium to send back home to an earth suffering from an energy crisis. Sam‘s only companion is a talking computer named GERTY (Kevin Spacey in a great piece of voice casting), until, that is. an almost fatal lunar drive precipitates hallucinations and partial amnesia and Sam starts to wonder if someone or something is interfering with his mission.

Jones. whose day job has until now been directing commercials for French Connection and the like. co-wrote the film's complex screenplay with Nathan Parker. and he shot it at Shepperton Studios outside London in just 33 days during the recent Hollywood writers' strike. As a reSUlt. Jones says. he was able to secure the services not only of a pair of A-list American actors but also of some of the industry's top special effects technicians. who created the lunar world inhabited by Sam using old school model work rather than the now commonplace CGI, all for a relatively tiny $5 million budget.

If Moon is a box office success. Hollywood will come calling on its maker's services. And no doubt it will offer him a much larger budget second time around.

In fact, Jones already has plans to make a second film, another sci-fi adventure. he says. which will be in a more commercial vein and will be a homage to another classic. Blade Runner. I Moon, Cameo. Sat 20 Jun, 9pm; Tue 23 Jun. 9. 75pm, £8.50 (£7.50).

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