✽✽ Arches Grand Re- opening After two months of work on the trains lines above, the Arches returns with a fresh lick of paint and sets from 2 Many DJs, Danny Rampling, Jon Mancini and Giovanni Ferri. Arches, Glasgow, Fri 5 Mar. ✽✽ Kapital Melodic techno and minimal cuts from Stuttgart’s Joachim Spieth (Affin/Kompact). The Caves, Edinburgh, Fri 5 Mar. ✽✽ Ac/id Launch Party The new single from The Niallist and House Machine has received kudos from Optimo and James Murphy amongst others, and the boys behind it will be here for lift-off. Black Sparrow, Glasgow, Sat 6 Mar. ✽✽ Melting Pot It’s been a near-decade of disco excitement from Melting Pot, and Darkstarr (the new project from DJ Cosmo and Ashley Beedle, pictured) will be here to help celebrate their ninth birthday. Admiral Bar Basement, Glasgow, Sat 6 Mar. ✽✽ Subcity Radio 15th Birthday Party A vast array of local talent across all genres gathers to pay tribute to Glasgow’s underground radio station. Arches, Glasgow, Sat 6 Mar. ✽✽ Heavy Gossip New house night for Edinburgh and you’re in the safe hands of Craig Smith and Nick Yuill for a mix of fresh house and disco edits. Medina, Edinburgh, Fri 12 Mar. ✽✽ Innuendub Another new night as Edinburgh Dubstep Community unleash Bar9, Emalkay and Taz Buckfaster for some filthy, heavy bass. Cabaret Voltaire, Edinburgh, Fri 12 Mar. ✽✽ Pulse & Karnival It takes two clubs to contain the electronic brilliance of French techno master Agoria, who’ll be showcasing new album Balance. The GRV, Edinburgh, Fri 12 Mar.

The art of noise David Pollock talks to one half of one of dance music’s most enigmatic acts, Autechre

‘T he new album just kind of made itself, really.’ That sounds like a pretty glib statement from Sean Booth, one half of Warp-signed electronic experimentalists Autechre, alongside Rob Brown, the kind of thing you hear from any band which plays the music first and asks questions later, if at all. Yet Autechre are a smart band who make intelligent music, and Booth has had the group’s 23 year lifespan to consider the matter.

‘You can think a lot about what you’re doing from the offset, if you want,’ he says. ‘You can define everything from the word go. But I’m the sort of person who believes in trial and error, and I like to not know what I’m going to end up with when I start a track.’

The result being, Booth isn’t able to talk too deeply about the thinking behind the pair’s new album Oversteps, their tenth studio recording and the follow-up to 2008’s Quaristice. It’s a gorgeous but understated record, the hum of traffic in the distance, a refrigerator in the middle of the night, a bank of workstations on standby. Austere and strange, yet knitted to the human experience of the 21st century. Alongside Warp contemporaries like Aphex Twin and Squarepusher, Autechre remain at the forefront of the experimental electronic vanguard, godfathers of a growing subculture of laptop musicians who are pushing the boundaries of music. Booth revels in the techy stereotype attached to such artists. ‘I don’t think there’s anything inhuman about being into detail or understanding how things work,’ he says. ‘Curiosity’s a human trait.’

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There is, though, surely something depersonalising about Autechre’s whole aesthetic and existence. Booth currently stays in Manchester, Brown in Bristol, and much of their work together is undertaken through the exchanging of sound files online. Their song titles too, as always, are outwith the realms of human conversation, with tracks named ‘pt2ph8’, ‘O=0’ and ‘os veix3’ on the latest album.

Do these mean anything, or are the pair just playing? ‘Both,’ states Booth, ‘because you can’t play without meaning, can you? Their meanings aren’t explicit, but they are there. I mean, if you could get away without naming anything, that would be good. We have to do it for cataloguing reasons, so most of the time we just use our working titles, unless they look horrible. That’s another thing, we’re really into the way certain letters look, and converge. I think it goes back to when we were younger, it’s a tagging thing, a definite aesthetic consideration.’ He laughs. ‘We don’t name our songs like that because we’re trying to be dickheads about it.’ Asked whether or not the live show will contain any visual elements, Booth unwittingly replies with another mantra of less considered musicians: ‘D’you know what? I’ve not even thought about it. It’s just all about the music for me. The thing with intuition is, it’s more reliable when you’re experienced. I find the older I get, the easier it is to just switch off and make stuff.’

Autechre play Numbers at the Sub Club, Glasgow, Tue 16 Mar.