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ANTHEA HAMILTON AND NICHOLAS BYRNE:
HENRIK PÄTZKE: CLOUD
ALEKSANDRA DOMANOVIC
LOVE
The once abandoned Govanhill Baths continues its new lease
of life as an arts venue, this time hosting Hamilton and
Byrne’s inl atable sculptures, i rst installed at London’s
Poplar Baths during the 2012 Olympics. Colourful, squishy and lightweight, the works of
Swedish painter and sculptor Henrik Pätzke takes over the entire Project Ability gallery for his i rst UK solo show, creating one of his signature installations
constructed out of numerous, stitched-together pieces of fabric. Often taking the form of tents and clouds, Pätzke’s
installations play with notions of
For her i rst major solo show in the United Kingdom, Berlin-based Domanovic has created work that examines the portrayal of women
in popular science i ction.
Born in the former Yugoslavia, her previous work has explored how images and information change in different historical contexts, as well as exploring the role of
LOVE take on the imagery of pop transience, indeterminacy and
gender in technology.
RECLAIMED:
THE SECOND LIFE OF SCULPTURE
Gathering together 25 intriguing and diverse pieces of sculpture
– some of which are smaller than a hand while others used to be displayed in large public spaces – Reclaimed will draw
attention to issues of storage and obsolescence with 3D artworks that were built to last but now i nd themselves hidden from
metaphor.
For this Henry Moore Foundation- view. The show’s curators – Kate
For his GI exhibition, Pätzke – who works with Stockholm’s supported site-specii c GI exhibition, Domanovic has
Ateljé Inuti 2, a studio that supports artists with high- functioning autism – draws
connections between constructed space, human
reinterpreted the space at GoMA to create a type of survival pod, i lling it with sculptures that will still be visible from outside each night after the gallery closes to
presence and autistic withdrawal. (Jaclyn Arndt)
visitors. (Rhona Taylor)
V Robertson, Martin Craig and Michelle Emery-Barker – present artworks by luminaries including
Matthew Darbyshire, Beagles and Ramsay, George Wyllie, and David Shrigley, as well as some historic works that have been borrowed from Glasgow Museums. (David Pollock)
Project Ability, Trongate 103, Glasgow, Fri 4–Mon 21 Apr
Gallery of Modern Art, Glasgow, Fri 4–Mon 21 Apr
The Briggait, Glasgow, Fri 4 Apr–Fri 2 May
culture and advertising, paying
homage to both the bright kitsch of Pop Art and the accessibility of public art. The exhibition’s title
comes from the London duo’s recreation of Robert Indiana’s iconic and endlessly riffed-on
LOVE image, sculptural versions of which grace public plazas (and now swimming pools) around the
world. (Jaclyn Arndt)
Govanhill Baths, Glasgow, Fri 4–Mon 21 Apr
14 THE LIST 20 Mar–17 Apr 2014