T IN THE PARK

VLADIMIR This Dundonian quartet t come with the View’s seal of approval, and in this instance it’s not hard to guess what they sound like. Thumping drums, jagged edge guitars and a love of loud noise all i gure, although in this case lead singer Ross Murray’s vocals lend a sense of Echo and the Bunnymen or Editors.

WE CAME FROM WOLVES Formed in Dundee and based in Glasgow, WCFW are the band whose sound most heavily echoes that of fellow Scots success stories Biffy Clyro and Frightened Rabbit, which is only a surprise if you think that’s all the judges wanted to hear. It sounds staid, but good musicianship and strong pop hooks play a big part in their success.

THE ONES YOU DON’T KNOW YOU LOVE . . . YET

ATOM TREE Epic post-dance bleepery from synthy Glasgow trio Atom Tree: two boys, a girl and we suspect either a wall of synths or a wee petite laptop. Founder Shaun Canning counts Radiohead and Atoms For Peace among his biggest inl uences, and has already earned a seal of collaborative approval from Fergus Cook of Edinburgh’s Discopolis. BIRDHEAD Mighty and occasionally mental post-rock duo Stephen Donkin and David Nicklen (pictured, page 23), whose sound at its very best could have come straight out of Cologne in the early 70s. Last year’s debut album Pleasure Centre was an excellent i rst effort from a band who will appeal to the hipster with taste in the crowd.

NAKED Formed in Sweden and based in Edinburgh, NAKED have given us plenty to get excited about in their young life as a band. Namely, listen out for the debut single on Song, By Toad ‘Lie Follows Lie’, a heart-swelling surge of pealing female vocals and churning guitars. TISOKI A departure from T-Break’s usual style, the Edinburgh-based Londoner known as Tisoki produces big and utterly contemporary bass music centred on raw, serrated synths and a party-friendly undercurrent of beats which draw from acid house, hip hop and dubstep. Go expecting to dance.

SECRET MOTORBIKES We’ll commandeer SM’s own description of themelves as ‘Glasgow’s most effeminate punk band’ because it sounds good, and then we’ll deny its truth. The punk thing’s kind of passing us by: this actually really good group combine lo-i Factory indie- rock with the noisy exuberance of early Chemikal Underground.

24 THE LIST 12 Jun–10 Jul 2014

UNDER THE

RADAR: Paolo Nutini

performed to surprised fans on the T Break stage in 2008 under the name Snake Derrick. In 1996,

Joe Strummer busked in the campsite.

Wave of Mu-T-ilation The legendary rockers return. Chris Taylor chats to Pixies drummer David Lovering, before they make the Balado crowd wonder, where is their mind?

‘W e’ve been taking bets on how many times it’s going to rain during our set,’ laughs Pixies drummer David Lovering ahead of their headline show at T In The Park.

‘The whole band and all our crew about 14 of us are all in on it, we’re all sticking in £5, so there’s a lot of cash up for grabs. Dei nitely enough for the winner to have a good time.’ And, despite the ever present threat of rain at the country’s biggest festival, the beating heart amid all those thrashing guitars, admits he can’t wait to get back in front a Scottish audience. ‘There’s just something really special about the crowds here, they really get into it,’ he explains. ‘It’s maybe all the drinking they do before, during and after. They just have a real blast and it’s hard not to get caught up in it all, we all just get in on that energy too and it all just boils over.’

The legendary rockers head up the bill in the King Tut’s Tent on the i rst day of the Balado shindig and have promised fans old and new a night to remember. They arrive riding a fresh ‘wave of mutilation’, high on the success of their i rst new record in 20 years. But how do they think the riotous T crowd will react to material from this year’s Indie Cindy? Come on pilgrim, this is Pixies - they’ve never played by anyone else’s rules. ‘The newer stuff has been getting played since September, we’ve now got to the point where we’ve got it i gured out and we can do what we want with them up there,’ David enthuses. ‘It’s funny, you look out and see some of the kids and they’re singing along to the new songs just as much as the older stuff. They weren’t there the i rst time and so everything is new.’ But despite having a critically acclaimed new record to plug, diehard fans need not worry that their favourites will be left off the setlist because there isn’t one Instead, the sticksman, who performs as magician ‘The Scientii c Phenomenalist’ when not making music, prefers to sprinkle some . . . well, Pixie dust. ‘We never, ever soundcheck and we’ve never been into writing down what we’re

going to play, says David. ‘We know which song we’re going to start with but after that, we just go with whatever feels good at the time. We play all the ‘classics’, songs like ‘Monkey’, ‘Debaser’, ‘Hey’ and ‘Where Is My Mind’, but we’ve been adding three or four new songs into the mix too. We’ve got about 70 songs from the Pixies’ canon which we bust out on any night.’ Not only do the band arrive in Kinross with a new album, they’ve also a new bass player to show off. Veteran Paz Lenchantin has played with some of the biggest names in alternative rock. The 40-year-old is no stranger to festival crowds, having set heads banging with A Perfect Circle and Billy Corgan’s short-lived supergroup, Zwan. She replaces fan-favourite Kim Deal, who i nally called time on her tumultuous 28-year stint with the band last year.

Although Deal’s presence will be sorely missed by the band’s long suffering fans, David believes the new player is a perfect i t.

He added: ‘Kim was a real presence onstage and off and her vocals have been a real signature part of our sound for such a long time. But playing with Paz has brought a new intensity to our performances. She’s got a real energy and people love her, they just can’t take their eyes off her. Paz is amazing and although it’s a bit different, we’ve still got the girl vocals in there and it just works. There’s a renewed energy up on stage and she’s made me really up my game, she’s so good I need to take things to the next level because I don’t want to get caught out or end up looking stupid.’ Pixies will be hoping for an easier ride at this Scottish gig. Famously, during a 1990 show at the SECC, in Glasgow, the stage collapsed beneath them and the gig was called off amid the chaos. ‘It just went with a huge bang,’ says David ‘I remember walking around the SECC before that show and there were all these illuminated signs. There was one for the Beach Boys, then Pixies . . . then another for the British Neurological Society. It blew my mind, it was totally weird but it just seemed to i t.’