MAILBOX

IMPOSSIBLE STANDARDS The List’s managing director Simon Dessain offers a personal opinion of the boycotting of Israeli theatre group Incubator at the Edinburgh Festival Fringe

I disagreed with the position taken by the group of people in the Scottish arts who wrote a letter to The Herald suggesting that the Underbelly should cancel the run of The City, the state-funded show from Israel at the Edinburgh Fringe. I also disagreed with those who maintained that the group who wrote the letter were in any way racist or anti-Semitic. Subsequently an issue has arisen as a result of actions by the Tricycle Theatre in London causing the cancellation of the Jewish Film Festival after eight years. The theatre demanded the ending of the sponsorship for the Festival from the Israeli Embassy in London.

I do not believe this position, on this country, at this time can be justii ed. In every country of the UN, there is direct or indirect support for the arts delivered through a variety of mechanisms. If it is not the company, promoter or artist receiving the i nancial aid (for example in Germany), it may be more circuitous via social security (as in France) or direct to the venue, gallery or space involved (such as in the UK).

As soon as any closer analysis is

made of the arts in an individual nation it is all but impossible to make any clear distinction between those activities with state support and those without. So my i rst objection is that I consider it useless

to draw such a distinction as a basis for action. I chose the example countries above with some care. Whilst many in the arts disagree aggressively, vehemently and fundamentally with actions that each of these nations have taken at some recent time, on some serious matters, I have not heard any suggestion that we should seek to undermine the free expression of their artistic endeavours (with or without state funding).

Changing the countries brings this position into sharper focus. China, Russia and Zimbabwe make for uncomfortable scrutiny. It would be easy to i nd consensus that these countries

have all behaved in totally unacceptable ways involving the deaths of hundreds of their own people or near neighbours. Yet we have seen no suggestion that we should boycott their arts output. The Mariinsky Ballet performed at Covent Garden very recently, as it happens with a British principal dancer, without any objection.

I would support an approach by

which we more consistently measured the policies and the behaviour of other countries but I see no evidence of any attempt to create such guidelines. I therefore think it wrong to suppress

the arts output of one country, at one point in time.

GRAPHIC CONTENT What we’ve been talking about this month

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HURRICANE BERTHA

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2 THE LIST 21 Aug–18 Sep 2014

ROBIN WILLIAMS

AND LAUREN

BACALL RIP

CONTRIBUTORS Publisher & General Editor

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