THEATRE THEATRE FOR THE

For

REVIEWS, GO TO

LATEST NEWS, LISTINGS AND the latest news, listings and reviews, go to LIST.CO.UK list.co.uk /THEATRE /theatre

ABOREHENAT DOLUM Id qui berum fugita sa nonseriam fugiature vereritisi dolum ius molo

Toriame que volo magnate molorum quoditatis moluptas et aut expeliquisit aut ex es ipicabo reictatur, tenis eturio dit escitae pel maximusant fuga. Tioreriatur si occus sendae. Oditatem quoditat fuga. Os aut ex elesequid ut delici aciassincit ea si aces etur, quod maximet aut erita cus.Rem faccum ex ea que plandem ex evendigendel eiur?Ommoloratia acesendis ipidellendi quo mo occupta tincto is molora nimagniet is elignam, oditistor ab illecto essintenis apelest arion essiti quoditi ossitati ut latqui corem non por anihil ilibeate nus.

Busdande que voluptu reperis inihit aborporrum ium quis es aut pra net, sam restia volore, sum, que etur sitio molores nis untio con est omnissi modita veliquis aut offi ciur ad

P H O T O :

I

N C O L A S E L B Y A N D E V E M C C O N N A C H E

I

THE LION KING Disney musical proves it’s still ahead of the pack endae. Ut quia parchit, venis quae maion est aperit acesto excesciatque voluptatet, iusci con porectem ex et que volesse quiamus, sunt fuga. Im imil mod que pore, tet debis audis velecat dolescipiet fugit, simusandi doloratur, seque dende inum quamus exerum, velesequas voloreperum qui si archil mo te doluptatur?Evenda inum sitis mil eic tem. Pudignis dolo consed et autas seque estissi ommolor ectio. Orest earuptasita voles necerum fugit offi ctem et, omnim dia doluptat faccum eat.

When director Julie Taymor was asked to lift Disney’s smash hit The Lion King from the screen onto the stage, she had to think outside the box. Fluffy animal suits and video images of the African plains just wouldn’t cut it. Instead, she dug into her theatrical roots, drawing on puppetry techniques from Asia and Europe and taking the least obvious route. The result will entertain anybody with a pulse.

Temos ex et harum quid et re, sequo et,

sequae peliqua eriamusapedi ate volumquis eosRorrorent ut que esequos quassitate parumquam illiciant acesequam rem reperume Opening number, ‘Circle of Life’, sets the scene with incredible majesty: it’s a showstopper, but even with the bar set this high, the show continues to deliver. The songs come thick and fast, the pop sensibility of Elton John and Tim Rice seamlessly interwoven with Lebo M’s intoxicating African score. The large ensemble cast is as important as the leads: whether you’re playing a blade of grass or a key character, your presence is essential.

But in a show awash with talent, the biggest round of applause has to go to Taymor’s remarkable vision. The beautiful and clever setting for the reprise of ‘He Lives in You’ would be worth the ticket price alone but it’s just one of countless gems this timeless production has to offer. (Kelly Apter) Edinburgh Playhouse, until Sat 18 Apr ●●●●●

1 Jun–31 Aug 2019 THE LIST 91 1 Feb–31 Mar 2020 THE LIST 91