RGI KELLY GALLERY
IIS Douglax Strcct. 34S (fih’h. .\lon l’rr ltlfillarn 5pm: Sat lltfiltarn lprn. Glasgow Society of Women Artists Sill 3 Sat 33 l't‘l‘. .-\ \L‘lt‘c‘ltotl HI. paintingx h} mcmhcrx of thc \ocict}.
SCOTLANDART.COM
(i Burnlicld Road. (iill'ttock. 058 l3llll. 'l‘uc l‘ri llam 5pm: Sat Illam 5pm; Sun noon 5pm.
Winter Show l'nnl l‘ri 3S t-‘ch. .\ \clcction ol' al'l‘ordahlc \xorkx h} gallcr) ar‘ti\I\ including l’ctcr \ardini. Sarah ('arrington. Sinton (irccr. Blair .\Iillcn. (iracmc Sharp. Mairi .'\itl\cn. .-\lan ('onncll and Jonathan Shcarcr.
STREET LEVEL
36 King Strcct. 553 3l5l. 'l‘nc Sat
lttatn 5.30pm.
0 Iftikhar Dadi and Elizabeth Dadi Inc -I l‘ch Sat l5 .\lar. l\\o ncn \xorkx h} ll'tikhar Dadi and lili/ahcth Dadi. ill/Icy .I/ut/t' l/t\lul'\ l\ ;t \cricx ol circular lighthmcx pot'tt’a} ing iconic tron \tcxtcrn ligurcx \thilc ("lax/r or ('I't‘i/ixuliom [\I'L‘\L‘ltl\ a \crtc\ ot' hillhoard tttxlallationx \xhich ctnhod} maxx tncdia imagcr} of South .v\\ia.
TRANSMISSION GALLERY
3S King Strcct. 553 4313. lth Sat
llam 5pm.
Charlie Hammond t'ntil Sat 1 l'ch. .\ \olo \ho“ lrom (‘harlic Hammond. Lynn Hynd l'ttlil Sal l l'clt. Solo \ltou. Peter Donaldson, Kalin Lindena and Tobias Putrih Inc I t ["ch Sat b Mar. :\ group \ho“ lcatttrin; \ tdco nork h} l’ctcr I)Ull;lltl\tttl. “all p;tlttliltf_'\ h} Kalin l.indcna artd \culpttn'c h) 'l'ohiax l’ntrih. M
TRONGATE STUDIOS
IS .»\lhion Strcct. 553 3S33. .\lon l’ri Illam 5pm.
Impressions of Nature l'nnl tn H l'ch. .\ \olo \hou ol paintingx h} 'l‘rongatc Studiox mcmhcr l)onald \Vat'dt'op.
WELLINGTON FINE ART
ll5 \VL‘SI RL‘gClll Slt‘c‘c‘l. 33l (llll‘).
.\lon I'ri 10.30am 5pm.
A Winter Selection l‘ntit tn 2.\ l‘ch. Painting. drauingx. \culpturc and limitcd cdition printx.
WHERE THE MONKEY SLEEPS LS3 “cxt chcnt Strcct. 33h 34m». \lon l-ri "ant 7pm; Sat Illam “pin Pogo Sat l Thu 3" l‘ch. .\ tra\clling_' c\hihition ol' hlack and \thitc docurncntar} photograph} h} :\tttct‘ican artixt l’ogo.
Glasgow Museums
This section lists museums currently showing temporary exhibitions. For details of other permanent attractions, see Glasgow Lite, page 93.
ART GALLERY 8: MUSEUM, KELVINGROVE
.'\l:_"\lc Strcct. Kchingrmc. 3S" 3N“). .\lon 'l'hu & Sat Illanr 5pm; l-ri & Sun
I lam 5pm. ('al'c. l‘rcc.
A Kelvingrove Centenary l’ntil Mon 30 Jun. .\ commcmoratn c c\hihition marking thc ccntcnar} ol~ thc .-\rt (iallcr.\ and .\Ithclllll. Kclxingrmc. Endangered Wildlife l'nnt .\lott 3H Jun.:\ttc\hil\iliot1highlighting thc cndangct'cd \\ ildlilc in Scotland.
Young Talent 2003 l'ntil Stilt 33 Mar. To mark thc littropcan Ycar ot' l)i\;!ltlctl l’coplc. (ilttxgou \ l’roicct Ahilit} L‘ttt';tlc‘\ thix c\hihition ol art \\ol‘I\ h} childrcn and )otttig pcoplc \xith atttixlic \pcctrum dixordcrx.
AULD KIRK MUSEUM
'l'hc ('roxx. Kirkintilloch. 53S til-H. 'lttc Sat lllam lpm (k 3 5pm
The Painted Face Sat I t-ct» Sat I .\lar. l’ortrait\ and hcad \tttdicx h} local at‘ttxt (iot'dott l’ickcn. 3-.5 3' " '
BURRELL COLLECTION :llhll I)Ulll\I\\ll.l\\\ Rtutl, 3S" .\lon 'l‘htt tk Sat Illant 5pm; l'ri t\ Snn llanr 5pm.
Treasures from the Store: 19th Century European Paintings l'nttl lttrthcr notrcc. a ncu \clcctton ol «uh I\ on dixpla) highlighting thc t'.t;tj.1co| Sir William littrrcl|\ l.|\lt‘c l-cattn'cd \\t»l'I\\ inclttdc paintrncw h) Born in. l\)tl\ttl and .\lillct and .1 Mid} \cctt otl h} llcrnr l c Sidancr.
355M.
GLASGOW BOTANIC GARDENS "3U (ircat \chtcrtt lx’oad. 1‘ 1 3433, Hail} llatn lpm.
Markus Karkus t ntrl \lott St .\lar. Ncu wulplttrw Ill \tccl and tcclanncd \crap tnctal h} \l.tll\lt\ lx'arkm l'hc \xorkx lta\c hccn \\cldcd h_\ \olar and anal poncr Ior tltc lll\l tttnc 2n (il.t\§_‘o\\ and thc_\ arc colotncd \xrth rcd o\rdc.
HOUSE FOR AN ART LOVER lic‘lldllttlhlttll I’.tt‘l\. ll! lhtnrlncck Road. 55.1 l” i. I).tll_\ lll.tllt 5pm.
Biddy Lanham l'nttl l‘tt 1| ,latt. l.and\c.'rpc\ Ill oil h) llrdd} l.anham, Contemporary Scottish Paintings \Vcd 5 l-rr 3S l’ch. .\ nn\cd \ho\‘. o! paintincx h} cottlctttpot';tt'_\ artrxtx
HUNTERIAN MUSEUM
l'ni\cr\tt} .\\ctttrc. HH ~133l. .\lon Sat Ufillam 5pm.
The Cabinets of Dr Todd ‘t'tm (t l'ch '1 Int I .\la}. .\ \clcctton ol ntatcrral ll‘Ulll lllL' (Ullk'k'lltlil HI .I (ittl'tlttll lll‘tlkl. \\ lttt \lllct‘ Illt‘ .‘tf_‘t‘ til l|\t‘ ll;t\ I‘L‘t‘lt collccttn; rnincral» lt‘SSIIS. \hcll~ and tttwc‘lx ‘ .'
The Cabinets of Dr Todd Inc I t l‘ch l3,-l5prn. ,\ \ltot‘t talk \xrth (iotdott ‘ltttltl.
Lucy 'lttc -l l'ch. l3.~l5ptn. .llttt l)c\rttc gi\c~ a \hort talk on tltc hlc and lllllc‘\ ot an carl_\ \\otttatt.
MUSEUM OF TRANSPORT
Kclxrn Hall. I llttt'ttltottxc Road. 3\" 33“. Mon 'l'htr tk Sat lllam 5pm; I'M A; Sun llant 5pm.
Fire! linttl l'l'l 5| ()ct 3llll5. l'hc hixtor) ot' Inc-lighting; in thc ucxt ot Scotland ix doctnncntcd in thix c\hihiliott t'cattrrrng; a l.c_\ land I’ircma\tcr cttginc ghcn to thc lllthcllttt h§ thc Strathchdc tirc hrrgadc and olttcch trom thc paxt and prcxcnt.
PAISLEY MUSEUM 8: ART GALLERIES
lligh Strcct. .\S‘) 3 l 5 I. Inc Sat
lllatn 5pm: Sttn 3 5pm l'ircc.
Fish & Ships l'ntil Sttn l5 .\pr. Painting on a maritirnc thctnc tll';t\\ n lrottt thc pcrmancnt collcction.
On Dry Land l‘ntrl Sun l‘.\pr. l ltc di\cr\rt} ol thc Scotttxh landxcapc IS c\p|orcd in thr\ dixpla} draun trorn thc pcrntancnt collcctron.
PEOPLE’S PALACE 8: WINTER GARDEN
(ilaxgoxx (irccn. 551103;. Mon l'hti & Sat lltam 5pm: l't'l & Sun llam 5pm. Remembering Hiroshima and Nagasaki t‘nnl .\lott 5 .\la_\. ()n (i '\tt;_'tl\l ill-15.1hc l'nrtcdStalcx \rnt} V\rt l’otccx dtt‘l‘l‘cd thc ltt'\l alotntc hornh on His .lapancxc ctt} ot lllltt\ltllll;t. 'l‘htcc da_\\ latct anotth hotnh \\a\ rclcaxcd on \agjaxakr 'lhix [Hiljillttttl c\hihrtron Iront thc llll'lt\lllltl;t l’cacc \lctnorral .\ltl\L‘ll|tt tcllx thc \tor} ol thc cll'cctx ol lltc dropping.) ol thc l‘thtl‘M through poxtch and dtictnncntatron. In a attctnpt rctnrnd pcoplc ot lltc horrorx ol atotnic \waponx,
QUEEN’S CROSS CHURCH
.\‘tt (iarxcttltc Road. U-tt» (moo, .\lon to lllattt 5|ntt1Stnr3 5|nrr
Louise Annand on Annie French \\cd 5 l'clt. [Lillian 2QS.5H tL'".5lt rncnrhcrxt. I.ttlll\L‘ .\nnand gin-x a lttnchtrtnc talk on tltc \\ot'l\ ol (ilaxgon (irrl. \nntc l-rcnch. hcxt knoun tor hcr hlack and \xhitc llltl\ll';tllttlt\_
SCOTLAND STREET SCHOOL MUSEUM
.\ltt\ctrnr ot latltrcatton. 335 Scotland Strcct. 3S~ H51)” .\lon ’l'htt t\ Sat
lHam 5pm; In N San llain 5pm. Bairns and Backstreets tnnl .\lon Io .lnn. l’hotographx ol' ( ilaxgou h} lirrc \Vatt. a mcrnhcr ot thc (‘hrccn‘x ('arncra (‘ltth \incc l‘t5S lcatttrrn: oxcr ill digital [‘l'llll\ Irotn thc 5th to thc \llx
ST MUNGO MUSEUM OF RELIGIOUS LIFE AND ART
3 (.QISIIC .\ll't‘t‘l. 355 \lttlt I lit! t\' Sat lllanr 5pm; l-ri & Stilt llanr 5pm, One Island, Many Faiths l ntrl Sun 33 \pr. l’hotographcr Rachcl .\lorton totrrcd thc cottntr} to drxco\cr thc drllcrcnt mpcricnccx ol' tatth in llrrtant toda}. lhc rcxttlt\ ix a \cricx ol photoyt'aphx accornpanicd h} a pcrxonal \tatctncnt lrom thc pcoplc in\o|\cd.
THE TALL SHIP AT GLASGOW HARBOUR
lllll Slttlk‘l‘tt\\ Road. 5 Want 5pm. H5“ t L? L‘lllltll'c‘ll lI'L‘L‘. Across the Water lintrl Mon to Jun. ;\ nc\\ c\hihition mploring thc lttxtor} ot croxxing tltc (‘l_\dc ax thc ri\cr grcu in hoth \i/c and importancc ttnttl thc dcttti\c ol' thc l'crr} \cr\ icc in I‘VU.
5‘) “()5 l. l).ti|_\ 35b: accornpantcd
Ansel Thompson’s Fibre Optic Chair on show at the Lighthouse
“stings Art
Edinburgh Galleries
BOURNE FINE ART
(r l)ttnda\ Strcct. 55" 4H5“. .\lon l‘rr Illatn (rpm; Sat llatn 3pm
Scottish Oils and Watercolours l'tttil l’ri 3S l'ch. (lilx and \\;llt‘t\'ttltttll'\ It} Sc‘otllxlt :tl'lt\l\ tlttlittg lt'oltl
txoo lotto,
CALTON GALLERY
lll Rotal Alct't‘acc. 55h lltltr \lon I'll lllattt (rpm; Sat h} apporntrncnt. Mixed Exhibition l'ntrl l'l'l 3S l-ch. .v\n c\hihrtion ol' paintings trom \tock including \Kot‘lxx h_\ (icorgc lltttlxlolt, .ll) l'crgtrxxon. .\laclattchlan .\ltlnc and l’\\' .-\dam.
CAMEO CINEMA BAR
3S Ilornc Slrcct. 33S «Ill l.
Dulce Et Decorum Est . . . (Pleasant and Becoming is It) l‘ntrl \Vcd l3 I'ch. .\cu work It} (Ktt'oltttc Scott c\plorin}_' lttm prcconccncd rdcax changc and rntcrlcrc \\ itlt onr hchcl'x.
CENTRAL LIBRARY
(icorgc l\’ Bridgc. 335 55S-l. .\lon l'hu lttatn Spin; l~ri Illam 5pm. Sat
‘lam lpm.
100 Nights l'ntil I'l'l 3| .latr \\ rtnc“ .\cgix' mohilc c\htltiliott. III!) Vic/1h; (it'mu it/t' III l\)ll(I/l(/(r'. /‘/‘/4. \\lttch doctnncntx onc ot’ thc moxt co|dl_\ orchcxtratcd actx ot' gcnocrdc \incc thc lIUlUc‘dlhl.
THE CIRCLE GALLERY
l5a/15c l)lltttl;t\ Stt'cct. 55o SSSo.
.\lon Sat Illaltt oprn.
Marie Hart and Isobell Campbell-Gray t'ntit Mon to t-ctw. (‘ontcmporau Scottixh landxcapcx. Tony McCorry l'nnt .\lott to tit-ti. .\ \olo \hou ol ncv. paintingx.
Antonio Claudio Carvtho \Vcd t2 l‘ch \th 3h .\lar. |._\rtcal mtmngx lrom thix lira/than paintcr and poct.
Dave Driscoll \Vcd 12 l'ch not 20 Mar. (iiant cotttpoxlllottx cornprixing: l‘l'Ul'u‘ll cggxhcllx. marigold g|o\c\ and ctttlct'}.
Sally Gatie “MI I: l‘t‘l‘ “ml 30 .\lat‘. l.ar;_'c \calc ligttram c paintingx.
David Keenan “ml 13 I'ch \\cd 2t» .\Iar. (ilaxx \c‘lllplllt't‘.
CITY ART CENTRE
3 .\lat‘kct Strcct. 53‘) 5995. Mon Sat lllam 5pm.
Joan Eardley: Paintings and Drawings l'ntil Sat 22 l‘ch. Painting and draxx ingsx h} liardlc). drann lrom thc ('.I\(”\ pcrrnancnt collcction. 'l'hc \clcctton lcatttt‘cx hct' latniliar portraitx ol' (ilaxgoxx childrcn. land and \c;t\capc\ inxpircd h} thc tixhin; \lll;t_L'C ol ('altct'linc \\hct'c \ltL‘ ll\ctl ltt latcr lilcc Toil: Images of Rural and Urban Working Life l'ntil Sat 33 I‘ch. .v\n c\hihition ol- \xorkx rcllccting axpcctx ol thc rural \\a_\ M hlc and traditional nrhan ltltlll\lt'iL'\ l'catttring; Rohcrt .\lc(irc;_'or. Sir .lamcx \Vingatc. Kcn (‘ttrric. l’ctcr llou \on and Katc I)o\\nic.
Recent Acquisitions t'nnt Sat 3.‘ l‘ch. 'l'hc (..v\(‘ dt\pl;t} \ ll\ tttoxl t'cc‘cttl acquixitiom including: paintingx h} ('allttm lnncx. draningx h_\ ('had .\lc('ail. photographx h} Nathan (‘o|c} and a papcr cut-out h_\ .lonathatt ()ucn.
To Bear the Bright Tradition Back l‘ntil Sat l5 l'ch. :\n c\hihition cornrncrnoratmg thc arri\al ot’ thc tirxt \ItltlL‘ltl\ at thc Scotx ('ollcgc in Rotnc. l(i(l3.
Graduates of the Scots College in Rome: John Gray and Frederick Rolfe 't'hu (» t-ctx
l3.3()pm. ()\\cn Dudlc) lid\\ard\ gixcx a talk.
Martin Fengel: Das Edinburgh Experiment t'nnl Sat 23 l‘ch. .‘\n c\hihition of photograph h} (icrman photographcr .\lartin l5cn;_'cl ax part ol an oil-going: c\chang_'c hctnccn thc l\\ in citicx ol' lidinhttrgh and Munich.
um . THE LIST 87