ORDESA
The weekend afternoon gigs at the Tron present an opportunity to present more experimental music than would be commercially viable on the bigger stages, and Ordesa fall into that category. The group is made up of three significant creative musicians on the London jazz scene. and feature an unconventional instrumental combination. Best known name is likely to be Canadian trumpet master Kenny Wheeler, 3 long time London resident. who teams up with saxophonist Stan Sulzmann and guitarist John Parricelli. This unusual trio will explore spacious and imaginative contemporary soundscapes in creative. rather cerebral fashion. (Kenny Mathieson).
ION/(3’ :: :. ' ‘Si."é;J_.u
lioui l’t-iiwi |a// \\\.lltl \\llllllll_:_' \iiigi‘i'. \iki l\'ui;'. mix-x lioui lwi iw“ (‘l).
l III:
I Wee Small Hours \llllt'llllllllll llowl. ( icoigw‘ Squaw. “I (iflll llpiii. l'lt't' \t‘t' \\ k'tl .‘
" “‘32 l’ j
{in all; ‘21: 1 w
I Kids Drum Workshop Spii';w'llciil. (woig't' Squaw. 5(i.l i-lilll. II II -l5.iiii .\ iiooii l.‘ ~l5piii L' V :\g_'c\ || llllliltllli'llt'll io lllk' \M‘xl '\l|'lL';lll tllt'llll‘t‘ illlllll. li‘.l\'lllll_‘._‘ \iiiiplc l'll_\llllll\. Hooking t‘\\\'llll.ll (all ill-ll 553 5553. I Beat That! (icoigt- Squaw. 504 Hill) l.‘ l5|iiii lwi‘ l\\t'iil} loill' \uouy all uoiiicii iliuiiiiiiiiig group pla} \Iio liia/iliaii uilIut-iit‘cil lll)llllll\ on llli‘ l\’i\_\.il Hank lilj.‘ Slagi' I Brasshoppers (it-oi-ggc Squaw. RM illlll l illpiii l'wi‘ Hi3; \Hlllltl\ill \.lllll‘.l. lll.illll‘i‘. lunk .llltl \‘a|_\p\o ilriwn lo a iliioliluiigg llll‘.l. illlllll\ .llltl [it'it'iixxioii ilitiliiii \t‘t‘lioii oii lllk‘ Ro}al liaiik llij: \l.l_‘.'\' I Graeme Wilson Quartet laiiiw\ liai. i-l lx'iiifg Slwcl. 553 “IZ‘. 3pm llk'k' llux lHlllMilllt‘. lioiiwil li} l.|lt‘lllt'il iouup \.l\ pliwi \\ ll\illl. pla) l‘np l\ll iiiawiial \\llll clliiiw lllllllt‘llt‘L‘S. I Tommy Smith Youth Jazz Orchestra (it-oigt- Squaw. SM Moo. 2 .‘llpiii llk't' S.i\oplioiii\l lilllllll} Siiiiili\ lwcii it'lwaniiig.‘ llux )iiuiig: lug: l‘Jlltl \iiiu' la\l \uiiiiiit'i. .llltl llw} 'w \ouiiiliiig iiwll} liol I Brian Molley Quartet \lk‘lli‘PillllJll. \lt‘wliaiil Squaw. (‘aiiillt'iiyyx 55: ‘l-lll: 5PM]. l'i‘i't'. \ouiw \.l\i\|‘lli\lll\l \lollm ll'i‘lll\ llll\ lt‘lllSHHlt' - I Next Generation SI .\ll\ll't'\\ '\ in the Squaw. ()ll Saluiiarlwl. Sl :\lltll'k‘\\ \ Siwcl. 5»l.\ (illle 5"!” l'wc. l'w\li iicxx |a// l‘Jlltl i‘ll llw \t'ciw I Tea for Three ("aw ('ii\\.it~liol.. Rll\\l.tll ('iiliuial ('ciilw. lll King; Slwcl. 551 H5“ ‘piii lwc Su‘ l‘l'l J. I Bourne, Davis and Kane 'l'i-on llwalw. ti: lioiigaw. 553 430". 5PM]. [Ill l {xi Sut- paiicl. lcii, I Brasshoppers Spit-gclicni. (icoigc Squaw. 5h~l Hill). 4pm. l'wc.
St‘t‘ Sal \
I Soundbone and the Funk- Out-Fit (icorgc Squaw. 5(i-l i-lllll 4.45pm. l'wc, \cxx liaiiil li'oiii lroiiilioiiixl (‘lirix (iwiw \\llll \ll'llllllllt'l' l’aul .\lill\ llial \pu'ialiw lll \Ulll. luiik aiiil ia/l iiiixurprixiiigl}.
I London Community Gospel ChOlt‘ (iL‘UI‘gL‘ .Sqllal't‘. 50-1 .Hllll. ().5ll[3lll. l‘wc, llic \‘llilll' lL'lltl llit'ir iiiiiii‘c\\i\c collccliw \owc lo \oul. \uiiig aiiil lilucx ax \wll a\ claww goxpcl \oiigx ax pail a lwc concert at Ilic (ilaxgou Jan l‘cxmal.
I Lynne O’Neill Trio ()K(), (m liigraiii Slwcl. 572 I500. ".Rllpiii. l'wc l.}llllL‘ ()‘Nk'lll ll‘lii lL‘;iil\ llll\ li‘lii xiiigiii}: lira/iliaii lllllL‘\ and mu \laiiilarilx.
I Dougie Harrison and Duncan McCallum 'I‘lic liruiixuwk llolcl.
“in .S’ lli‘iiiixuwk Stwcl. 55h 5(ilfi. Spin.
l’i'cc. llllltN. l.aliii Auwrican aiiil liuropuaii 34H“) lllll\lL‘ li‘oiii flux guitar tllltl.
I Wayne Krantz Trio Spit-gclicni. (icorgc Squaw. 5(i4 340i). Sillpiii. {13. l’oxwrl'ul l‘lllt'x lroiii Nu“ Yoi'lu'r Ki‘aiilL UllL' ol the llL‘iH icxl ia/I guitarixh oii lllL‘ \(L‘llL‘ loila).
I George Ogilvie’s Chicagoans Si .’\lltll‘L‘\\ '\ iii llk‘ Squaw. ()ll Salliiiarlwl. Si .-\iiilw\\ \ Slwcl. 548 Mill). N5llplll. l‘wc. llic ltcxl iii traditional and NC“ ()l'lL‘ulh ia/I lul l\_\ (ilaNgim '\ liingLNl L‘\l;il\ll\llL‘il hillltl lg‘utlL‘l'.
I BuZzy ('il} liiii. l'iiiiiioloii Qua). 22" WW. ‘lpiii. £18.05 £35, ('lii'ix (irich llL‘\\ group pla) lllf.‘ .-\l'ro-(‘ul\aii lllllCS \\ llll a touch ol’ ia/I. l’arl ol llic (ilmgon .la/l l'L‘xli\al\ iliiiiwl' |a//
I Boogaloo Investigators H.” HI. 0| ('antllcriggx. 553 52l l. ‘).3llpiii. l'wc. lbnamw (\ll\ \l}lL‘ lunk \Ulllltl\.
I Stuart Brown Trio likwklriarx. 3h llcll Slwcl. 553 592-1, lllpiii, l-‘wc. lliglil} proiiiixiiig _\oung u‘io lel h} llll\ uinmaiiw tlruuimcr.
I Tina May SPIL'gL‘llClll. (iL‘HI'gL‘ Squaw. 50-1 5-10“. llllfiilpm, {54 _-\ ialcnwtl. \CllSllUlh and \L‘l‘Sttlllc \owc iii llic \xoi‘lil ol' l‘K ia/l.
I Wee Small Hours \lillt‘iiiiiuiii Howl. (icorgc Squaw. 352 (VI 1. l lpiii. l'rcc. SL‘C \VL‘Ll 3.
4.- 4 ~“ 1:.3‘ .. [ELL-1 ‘Pk' ‘ ‘5 319-55.»
(Hamil/)3.
I Sunday Brunch with Tom Colquhoun \;\i.---.-Ii.-iii. ( wot-g.- Squaw. 5H1 11"“ Tlaiii licz‘iii i'fw :.:\l \l.i_\ i‘l lllt‘ ( il.1\‘_‘«‘\‘- l.:.’x'l\‘\l1‘..il'.‘.llll _‘_‘llll.ill\l li‘ll‘i ('wlquliouii
I Sunday Brunch with Stephen Duffy and the Sandy Taylor Trio llw lit‘aitliiiow lloicl. lit'aiiliiiow \iw.‘I. (‘litlt'liaiik “51 NW“ \ooii ii‘iii \‘.\lll;' ia// \lllt't'l Slci‘lwii llull} waiiix ill‘ at. iili !lw Sautl} la}loi liio loi a luii. liiiiuc
I Billy Jenkins and the Blues Collective Spwvclwiil. (i.'«~i§.'t‘ Squaw. 5i»; ililli ll‘lll to lx’cluiiiiiiz‘ lo lll\ lll\l low ilw lilum Hill} lt‘lllxllh L‘li".‘.l\ lll\ i‘l‘Sk‘l\.lllHll\ oii iiioilt'iii lll’x'. \iiili \oiiw luw L'llllal uoik your: oii uiiilt'iiwaili
I Dave Wilson and the Uptown Shufflers ('ii} liiii. l iiiiiwxiou Qua}. 3:51lllll ll‘lll Llh 5” \ii iii‘ lciiiim \t'lu‘lioii ol liail. l)i\wl.iiiil .llltl w. inf.‘ ia//. llhl‘llt'tl l\_\ ia//'\ li‘ill\ lll \iiwiita'x tlk'k'l‘ \Hlllll l’aii ol llw w\li\al\ \llllllt‘l
I Jazz Brunch ('ait- \omw: Sl \lltllk'\\\ iii ilw Squaw. Si \llill\'\\\ Squaw. oll Salluiailwl. 515 ND” ll‘lll l'wc liolili} \\ l\ll.lll .Illll liwiiilx pla} a ia// l‘lllllt'll loi a t'liillcil k'lltl lo llw \wclwiiil l’iwt' iiit'luilcx lt'llk'Slllllk‘IIIS l‘lll iio cliaigt' loi l‘al .llltl \ltlk' louiigt'
I Poindexter Quintet l aiiiick “al. N km}: Slwcl. 553 filf‘ Iiiiii lwt' (illll.ll'l\l ('liailt'x Rt'ill} lk'JtlS llll\ liiw iiiaiiixlwaiii ia// quiiiwl
I The Black Star Steel Band Spwgcllt'iil. (worgc Squaw. 5ii-l i-lllll ipiii. l'wc \ol \lllt‘ll} |a// liul a \clu‘lioii ol pwal \Ullllil\ lioiii llll\ (‘ai'ililwaii \C\t‘ll pwu‘ l‘.|ll\l wauiiiii: \wcl tli‘uiiix auil \.i\ill\lli'llt'
I Campbell Cosidine and Stewart Harrison Duo \\a\_\ ()‘(Jllllllll‘M ‘l'l \\ L'\l (willpt' Sllt't'l. til 5l5-l. 5pm. l'wt' Siiiiigiiigg |a// \ot'al\ \\llll Swuari llairixoii on liaxx
The king of swing Tony Bennett performs in George Square, Sun 6 Jul.
2E5 éul 2003
I Ordesa lroi: lli.‘att.‘. '9‘ lioiiz'aw.
I 3.": ;;‘l'.‘: 1 lH :\I \c." now]. in: I Tony Bennett (worsc Squats, ‘hi 11"“ “pm :5 (l1: tlw l\,l‘\.'.l llalllx liiz'
\l.:'_‘\‘ orig ol Ilw “zkz‘cxt aiiil lit-\i lowti
\ii1;'c:\ l‘t'lli‘lll‘A. .tlltl \\lll lll‘i\l\‘lll‘l\‘\ll\ l‘c ‘.'l\‘.ll‘.' a wittitixozt o: li:\ \iz'iiaiiiw. ‘l l.'!T :ii\ llcaii Zl‘. \aii l l.ill\l\ti“
I Lynne O’Neill Trio i m lllIl. liiiiixmioii (‘lll.:\, lillH ';\iii
il\ "‘- L.“ \t'c \ai ‘
I Duncan McCallum and Dougie Harrison I h: iiiszaizi \iwcl. 5 l 1‘,‘ .l‘lll liq.‘ (iiiiiai tluo i‘l.i\iii§.' l‘llix‘S. l aiiii .lllil §_'\;\\\
I Bobo Stenson Trio \iiiu-xcliciii. (wiiix'c \qllalt‘. 5h; 11!“! \IHH tl‘ \\\\‘ill\ll l‘l.illl\l lioln- \wiiwii l\ li‘lllt‘il lit l‘.i\\l\l \llili'!\ loiiiiiii .1ll\l illllllllllt'l lnii I all li'l .iii .'\\'iiiii:' n1 lllll\l\ lll.tl \ll.i\‘.\ oii lolk iii.‘l~u‘.it'\.( iil\.iii liallatlx aiiil ( wiiiiaii l wilci loi a iiiiiqiw l.:,’/ \l‘lllltl St't' iiw\ wu.
I Cafe Cossachok Finale i .m- (auxitliok. l\’ll\\l.ill ('iiliuial t ciilw, lll lSlllj.‘ \llk'k'l. 55 i ll" ‘1 “pm 9‘ :2 1i lx’ouiiiliiij.‘ oll ('oxat lio'i.\ ‘.'l_‘.'\ i‘\\‘l ilw (ilaxyou Jan I c\li\al. l\t'\lia .llltl llw \lii\\i\\\ ('liililwii'x l.i// | iixt'iiililt‘ ioiii
I Picante lila.l.ii;ai\. W» li.-ll \llt‘i'l. 55.‘ 5".“ ‘liiiii lit‘t‘ lxt'ii \lalliitwoii'x lxuul pl.i}iii_:' I aim lllllllk'lhk'il iiioilt'iii i.i// .llltl l‘llli'\ \‘-llll \iit-t I.il '.'ll\'\l \a\oiilioiu\i .liiiiiii} \\l‘l‘\l
I Paul Towndrow Quartet lion 'l lwalw. (ii lioiig'aw. 5‘.‘ 33h. Hi i Lli llw oiil} iilait'i lioiii ilicl l\ in wayli llw liiial oi llu\ _\cai\ \\t‘ll\l Sa\oplioiw (‘oiiipciilioii iio lw lwlil .il llw \loiilwiu .la// l-miixal Ill lulu play iwu lllllt‘\ lioiii lll\ lawxi .lll‘lllll. ('u/ulllx
I Tommy Smith and Brian Kellock Spwi'i'lli‘iii. (it-owe Squaw. iltl Milli lllpiii 2.5 Sclliiijg a ll\'\\. lllll\l\'.tl \laiiilaiil \\llll llll\ iiii't-liiij: ol lxxo oi St'ollaiiil\ _-._'w.iw\l |.i// lll.tt‘\llil\ I Wee Small Hours \lllli'llllllllll llowl. (wowc Squaw. ‘k‘ lV'll lliiiii l'lk‘t‘ SUV \\ k'tl .3
‘l z'liiui
‘THELIST51