Film

Edinburgh

Films are listed by city, then alphabetically by cinema. Listings are compiled by Henry Northmore.

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Bad Santa 1 151 3.511. 5.1111. 5111. 11.311. Coffee and Cigarettes 1 151 4.10. 11.1111.

Facing Window (La Finestra Di Fronte)

1151 12.115.

Look at Me (Comme une Image) 1 13.1\1

1.311. 1.55. (1.55. 11.05.

My Summer of Love 1 151 1.35. 11.511.

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Bad Santa 1 151

H.111}: 11.50. 0.20.

.\1x0 1.111‘ 111 1k Sal: 11.10.

Coffee and Cigarettes 1 151

0.111}: 11.2511101S11111. (1.5011101\\1‘d1. 0,10.

.>\1\0 Ialc 111 1\ S111: 11.50. Earthquake 1 1’( 11 [4111' 1'11 1& Sat: 1 1.50.

It Takes All Kinds (Le Goutes Des Autres)1151

111. Sal. .\111111\ 1111211111: 2.05.

Sun: l.-l0

“1'11: 2.0.5. (1.4.5.

Look at Me (Comme une Image) 1 | 3.1\1 H.111}: 1.2011111IS11111. 5.55. (1.30. 9.05. My Summer of Love 1 151

H.111}: 2.10. 7.00.

Earthquake 11*(11 + The Day After Tomorrow 1 I3.1\1

1111111111 S1111: 1.50.

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1111 JRSDAY i 8

Birth1151 1.311. 4.110, 3,411.

Bridget Jones: The Edge of Reason 1 1.51 3.1111. 5.1111. 8.00.

Finding Neverlandd’m 1.30. 3.15. .‘1.45. 4.411. 11.110. ".40. 3.30. Hero113.»\1 11.111.

Ladies in Lavender1l3.1\1 1.30. 1.411. 4.011. 4.25. 11.20. 8.35. 8.35. The Manchurian Candidate 1 1.51 3.311. 5.50. 15.30.

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Bridget Jones: The Edge of Reason 1 151 \VL‘L‘kda}\I 2.00. 5.00. 3.00.

Sal: 1.10. 5.40, (1.30, 0,35,

Sun: 2.00. 5.20. 8.50.

Finding Neverland 1P(;1

\VCCi'xkiLl-\\I 2.1.5. 4.40. ".40.

Sal 1& Sun: 3.50. (1.35, 8.40,

72 THE LIST ‘5 I‘-.-r _“ ..

Ladies in Lavender 13 \1

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Shark Tale11 1

\1.1I1111'1'S.111\ S1111 I 511

Warren Miller’s Impact 1 13 \1

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Edinburgh FIIm GuIId

.11 '1 111‘ 111111111111“: SS 1 111111.111 i\’11.111. 0151 225 20.\1\ \11'111111-111111150 (1111M 1111.111 [111 \1’11-1‘11111; L1 50 1’11'.1\1-1111I1- 111.11 1111-1'1' .11'1' 111111.1111'1101 .11111-111 .111d \1‘11'1'11111y\ 11.111.110111111111‘1111'1}

Al N0 Corrida11x1111111 The Public Enemy 111111 111111

8.1 11111/11’ . . 1. It Happened One Night 11’(i1 11 011 The Spirit of the Beehive 1 151 11.110

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1. Birth 1 151 3.10. 11.15. 5.45,

2. The Corporation 11111 3.15. x15. Stage Beauty 1 151 5.45.

3. Bread and Tulips (Pane e Tulipani) 1131 3.1111. 11,1111 .1111.

111111111 1(1NOV

1. Poids Leger (Lightweight) 1 151 3.311. 11.110.

L’Esquive (the Dodger) 1 151 M5.

2. Birth 1 151 5.50. (1.15. 15.45.

3. In my Skin (Dans Ma Peau) 1 1.11 3.1111. «1.1111.

Goodbye Dragon Inn 11'1 11.45.

SAHJHDAY 71) NOV

1. Le Monde Selon Bush (The World According to Bush) 1 1.51 3.311.

Les Choristes (the Choir) 1 I3.\ 1 11.110. Je Suis Un Assassin (The Hook) 1 1.1 1 5.311. 2. Birth 1 151 3.311. 11.15. x45.

3. In my Skin (Dans Ma Peau) 1 131

3.45. 5.1111 (1,1111.

Goodbye Dragon Inn 111 7.115.

SUNDAY .91 NOV

1. L’Esquive (the Dodger) 1 151 1.1111. Le Monde Selon Bush (The World According to Bush) 1 151 3.45. Exiles (Exils) 1 151 3.15.

2.Birth1151 z111. 5:5 Manoflron-1’1’11x1u1

3. Goodbye Dragon Inn1l 3 5

In my Skin (Dans Ma Peau)11\1 ; :5.

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1. Les Choristes (Parent and Baby Screening) 13 \ 10 111.1111

Les Choristes (the Choir) 1 13 \ 1 3 I11 The Clan (Le Clan) 1 1\1 11 10 2.Birth1151 110.1115. 115

3. In my Skin (Dans Ma Peau) 1 I\1

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Goodbye Dragon Inn 11 1 11 :5

1. 20h17 rue Darling 1 1\1 :10 Melodie en sous-sol (Any Number Can Win) 1 151 11110

Le Soleil Assassine (The Sun Assassinated) 1 1\1 x =0 2.Birth1151=10.1115.\15

3. In my Skin (Dans Ma Peau) 1 151

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1. Melodie en sous-sol (Any Number Can Win) 1 151 3, :11.

201117 rue Darling 1 1m 11.1111

602 (Seek you Two) 1 rm 5.10

2. Birth 1 151 5. ;0. S115.

Model Behaviour 1 151 11 15

3. In my Skin (Dans Ma Peau) 1 1x1

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1. C02 (Seek you Mo)11.\1 3. <0 Swimming Pool 1 151 11,011. Seducing Dr Lewis (La Grande Seduction) 1 151 .1311.

2. Birth 1 151 1,111. 11.15. 1x45.

3. In my Skin (Dans Ma Peau) 1 1m _:.1111_ 111111 111113-1\\1”;’111\1<>,’

1. Callas Forever 1 151 Princesa1lx1 11.15. 2. Swimming Pool 1 151 1.111. Seducing Dr Lewis (La Grande Seduction) 1 151 4.110.

Genesis 11’(‘11 11.311,

Tais Toi! (Ruby and Quentin) 1 I3.-\1 3.45.

3. Histoire de Marie et Julien (The Story of Marie and Julien) 1 151 3.1111. 3.15.

Post Coitum 1 151 11.110.

SAHJRDAY 71‘ NOV

1. Callas Forever 1 151 3,311. 3,15. Princesa1 1.11 11.15.

2. Genesis 1110 3.1111.

Je t’aime moi non plus (I Love you Me Neither) 1 151 4.00.

Folle Embellie (A Wonderful Spell) 1 1x1 11.1111.

Venus et Fleur 1 151 3.30.

1 511‘ S31),

3. The Deserter and the Nomads (Zbehovia a Putnici) 151 1 1111

Birds, Orphans and Fools 151 1 15 Histoire de Marie et Julien (The Story of Marie and Julien) 1 151 5 15. \ 15

1. Princesa 1\1 ;10

Callas Forever 151 \ 511

2. Venus et Fleur 151 3 111

Notre Histoire (Our History) 1 151 11 10 Violence des Echanges en Milieu Tempere1151 11110

3. The Millennial Bee (Tisicrocna Vcela) 5 I N

Histoire de Marie et Julien (The Story of Marie and Julien) 1 151 5 15. \ 15

1. Callas Forever 151 1 =11. \ 15 Princesa1l\1 1110

2. Notre Histoire (Our History) 1 1 51

111

Quebec-Montreal 151 11 1111

Je t’aime moi non plus (I Love you Me Neither) 1 151 510

3. Histoire de Marie et Julien (The Story of Marie and Julien)1151 .‘ 011. \ I5 I’m Sitting on a Branch, Enjoying Myself

1151515

1.Princesa1l.\1 1<11

Vagabonde1151 11 :11

Callas Forever 1 151 x 15

2. Quebec-Montreal 1 151 3 10

Trois Hommes a Abattre (Three Men to Kill) 1 1.\1 111111

Brodeuses (A Common Thread) 1 1.\1

S 111

3. Histoire de Marie et Julien (The Story of Marie and Julien)1151 31111. 115 Bored in Brno (Nuda v Bme) 1 151 x 1 5 11111 1. Callas Forever1 151 1 <0

Ignorant Fairies (Ie fate ignoranti) 1 1.\1 0. | ,5.

Princesa11.\1 «1,1111.

2. Trois Hommes a Abattre (Three Men to Kill) 1 1S1 3.111.

Monsieur Klein 11’( 11 11. 111 Inguelezi1151 (1.1111.

3. Histoire de Marie et Julien (The Story of Marie and Julien)1151 3.110. 315. It’s Better to be Wealthy and Healthy than Poor and III 1 151 5.45.

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11111111‘3111'11/ .1 I11 1’, 1. Callas Forever 1 151 Princesa11.\1 11.111. 2. Monsieur Klein 111111 3. 111.

Right Now (A Tout de Suite) 1 1m 11 1111 Janis et John 1 1M x10.

3. Histoire de Marie et Julien (The Story of Marie and Julien)1151 3.1111. S. | 5. An Ambiguous Report About the End of theWorId1151515.

1 111. 3.15

Annette Bening and Jeremy Irons in Being Julia