IhI'IIII'tL'IIl IIIILI'IIIICI'Ix. 'l lll\ \\ Ill Il\k' (CHM) \I|l|;IIC I'I'I't nl thc \pIIu' III\lIlL' thI' \IIIIltIIIg I'IIIIIIII} (II'L'IIL'\ llIIIlI‘I' (iIIngnu '\ ('I-IIIIIII StIIIInII. Ihc IIIt'gcst \pIIL‘I' In I\' II\L'(l tnI' II pi'nIlIII'tInII III the thI-IIII'c'x lIl\lItl'}, III II. “C \\III (IL'\\CII\I tn llcll \kIIlI IIII.‘ [Int-I. IIIIIl \‘.IIIIL‘\\ IIIL‘ liI'I- .IIiIl hittnxtnttc lIItc nl IIIIIII} II \IIIIIL‘I' (t\ \w |Ittll'lk'} lllIIlIL‘I (II)\\II. nhwnitig IIIL' iIIIlchIII‘IIt IhIII II\\;III\ \nIIII‘ III'IIIIIII} \Illl (IIIIIL‘ II‘I'ngIIthIhII‘ \IIIIII'I'\.
Ihct'c'x II L'HIIICIIIINH'QII} L'Ilgv In IIll Ill|\. IIlthnIIgh Ihc \tIIgitig I\ Hi} hkc II IIII'IIII'IIII Pit\\lttll pIII}. YnII IIIIght lx- IL‘IIIPIL'II In iniII IhI- I'nIIIlI'tIIIII‘Il III thcit‘ I'I'Iiting nl gIIt'IIII‘titx IIIiIl inIIxhiIig nl II‘I'Ih giwn thc IItIIImplII'I'c I‘I‘I'IItI-Il II} (iIIllIIp‘x (IL‘\l:JII\ IlII'nIIglI IIIIIII} II \pIII'c. hIIt it'll hI- il\ Iinthing In IIIL' \III'II‘I'iIIg nl' IIIC pnlitiI‘iIItIx IIIIIl hIItikI‘I‘x. \xhich. _\nII lllll\l IIIIIIIII. I\ II I‘IItth‘ \IIII‘IIIiIIg IhnIIght. I IIII'IIII. \\II;II \InIIlIl _\nII \\l\ll nII thc lIlIIiI‘x. ('IIIIII'I'nIIx IIIIII litixhcx nt' this \xnt'lIl'."l'I‘_\ IIIle
"l‘hI- pnlIticiIIIIx. ll\lll‘L‘I'\ IIIIIl IIIIIIII‘UI'IIIII'I'x hIIw II IIIII'IiI‘IIlIII' plIII'I'. 'l‘hI'} III‘c \IIIlkIIIg. IIIIIIil}IIIg IIIIIggIII~I'IIII'Ii I‘IIIIIIu'I‘x. 'l‘hv) \tIIggcr III‘nIIIiIl clutching thcit' IIIIklcx IIIIIl tIIlkiIig l'I'nIIi tlII‘iI‘ III‘xI'x. 'l'hcyrc thc l£I\I pcnph‘ )nti IIIL‘L‘I hcl'ni‘c Ihc l)I'\il hittiwll thc lnumt lcxcl nl cnI'I'IIpIintif (iIIllIIp tcllx IIII'. ;\\ _\nII might Icll li'nIII llttx. :\I‘IInlIl\ iIItI‘I'pI‘ctIIIinII nl' I);llIIL' IIIIIII iIIIlI'cIl. I).IIItI-\ ni‘iginIII Int) IlncxII'I IIL'L‘C\\;II'II_\ gn IIInIig \xith L'IIII\L‘I'\1III\'L‘ (‘lII‘iinIIII IlnI'lI'iIch.
‘lt isn‘t that In hIII'k IIp II I‘I‘III'IinIIIII'} tIntinII nl'
IIInI‘IIlit}.’ ( iIIllIIp pnintx nIII.
Which IIIight IIIIIkI' ll\ IIInI‘c lth'I'IIl t'nlk II‘I‘I DWI!) cnIIIlnI‘tIIhlI‘. hIII nn nIIc is I'nmplctcl} \pIII'cIl. I'IL'L‘ thinking III't_\' 1}]ch \\III) I'I'IIII Ihc right hnnlm might Run“ II lnI. hut \HIIIL‘IIIIIL‘\ kiinululgc Cilll IIIII'III}'\I‘ pcnplc. l‘nr II lntig IIIIIL‘ nIIt‘ iIIIclch'tIIIIl lI‘IIIch‘x \wt‘c I'cIIIch‘I‘Il iIIIII‘Iiw h} thc IlcprIiI‘ nl‘ Ihc \InI‘lIl L'I'I'IIII'II in part h) meIIInIch‘II I‘L‘IZIII\'I\III. III-11% thc IIII‘IIIphnI‘iI'IIl \pIII‘k IhIII lIIIIlL‘I‘IIL‘\ ('IIIllIIp'x \I\lli|l\. "I'ltct'c‘x II \xIIt'IIing Int" IIl| nl llx \xhn IIt'c ilIlIL‘I\I IlllL‘llL‘I‘lllL|l\ \xith II lIIiIh in Ihc I‘cIlI'cIIIiIIg pnxwr nl' Ihc (II'I\. pi‘nhIIhl) pcnplc like II\.' \II}\ (iIIIlIIp. "l'hc_\ ‘II' in l.itIIhn. 'l‘hc_\ III'cII‘I IUI'IIII'L‘II (IN IIIllL‘lI ;t\ pcnplc nn Ihc lnucr lcxclx. 'I‘hcft'c llIL‘L'lIillIIL'illl} turning tho [IIIgcx nl' \\(Il'l'\\ nI' I'III'Ihl} IIII-I'IIIIII‘I‘. in thIII \cll t‘clL‘t‘cnIiIIl \VIH'III nl‘ IIL‘IIIchIic.~
Sn lcl'x tint gct Inn \I‘llVL‘nnliIlI‘ttl. l)IItIlI‘\ \VIH'III \ccmx In ho nnc which L‘illl IIIkI‘ IIII (IL'L‘IHIIII nl' thnxc IIIIIIIIIIIIIinnIIl intcrmtx IlIIIt |III\I' I‘I'I‘IIII'II IIL'II nn L‘ill'IlI IIU\\. hIII \IhIII nl Ihc l'nlk \x'hn L‘ntitcmplIItI‘Il thcit‘ II;l\L‘l\ (I\ this \\nI'|Il \\II\ I't‘cIIIcIl'.’ l’crhIIpx men thc I)()IIIIL‘&III} III‘IIII‘III ill'll\l\ uhn IIII'I\L‘(I in the I\’()\ IIIIIl ‘)(l\ h} \[II‘IIkiIIg nl Ihcmsclxcx IIIIII thcit' k‘l£|\\. I‘IItth‘ IhIIII Ihc \I'nrlIl'.’ In IIIIntI' Ihc pnct \xhn. iII IIIL‘IIIL‘VLII limes L‘I‘I‘IIICII Ihc \xnt'k Itpnn which this \\'It\ hatxcil: "l‘hc IlIIt‘lxcxl plIII'I‘x in llcll III'I' I‘I‘xct‘wtl l'ni' thnxc \xhn IIIIIiIItIIiII thcii' III'IIII'IIlit} iIt IiIIiI'x nl InnI'IIl I‘I'ixix.‘
\Vhich ht'ing\ ll\ ntiIn Ihc I'm/h trick} \Iihicct. I'Cligintt Ilu‘lli. .IilIL' \ I\Itttt III~ I);IIIIL‘ \CL‘III\ \pccil'iL‘IIll} (‘ht'NIIIIt tn Ihix \\IIII‘I'. ‘liltci‘c’x It significant Ilixtinctinn hctchn II (‘hI‘ixtiIIII (‘InIl and It .chxixh nI' .\Ill\lllll IHIL‘Z Ihc lIIttcr tun \crxinns Itt‘c likc Ihnxc IIIIIlgcriIig \cll'rhclp gIII'IIx \xhn OCCIIP> nIII' ’l‘\' \I‘I‘cciix. l.ikc thc l.l\lllttll cnnxttltcrx. Ilng It‘IIinL‘I‘x. Ili\niu' cnIIiixcllnI'x IIIiIl \Itt'inus nthcr \IIIIIll~\I‘I‘u‘II \cll iIIIpI‘nu‘I‘x. .lc\\ ixh IIIIII l\Ill\lIm (itklx \II‘I‘III} \ct Ilnxxn L‘IIIICIII I'ntlcs l’nr Ihix lilc nn L‘III'th. \igni‘ntle} I‘IIl'nI'I‘iIIg thcm
IIIIII I'cminIling )nII nl‘ thc CUII\CIIIIL'IIL‘C\ nl'
l'IIilttI'c. .-\ll thi\ Ihnttgh. in thc han nl IIIIIl-Iittg _\ntt II hctlcr pet'xnn nn CIIIIh. lit In cntct' [I;|I';IIII\L‘. The (‘hI‘iinIIn (3nd. thnIIgh. is mnt‘c likc .-\|IIII
‘THE DARKEST PLACES IN HELL WERE RESERVED FOR THOSE WHO MAINTAINED THEIR NEUTRALITY
IN TIMES OF MORAL CRISIS’
SIIgIII'. IIL‘ II\\.Iit\ )nIII‘ cti‘nIx \Iliilc IhI‘I‘IItcnitig IIIIIIixlIIIIL‘IiI. IInt III-Iv. httt ltII‘thI‘I‘ Ilnun Ihc littc. \IhI‘I'I' hc In}lttll} \III'kx _\nII. I‘IIxtttig _\nII itttn I‘II'I‘IIIII IliIlelIt'\\. l'nt IIll lhI' hIII‘\htII‘\\ nl IhI‘ ()lIl IIk‘\I£IIIIk'III (intl. Ilk‘.\ lL'\\ Itltntll L‘ICI'IIIII IlIIIIIIIIItInII and thc II‘III' nt It. IIIII IIIIIkiIIg _\nII II III'III'I‘ [II‘I'xnII nII L‘III'III.
Sn this Ill/I'I'IIU i\ IIhnItI II \IK'L‘IIIL‘UII} ('ht‘ixtiIIIi II'III. (iIIllIIp gl\L‘\ ll\ Ihix piI‘IIII‘c nl III'IIIh II\ II tiIIIc nl II-II'IIIIIIInII I‘IIIhI‘I‘ thIIII I‘cxigttIIIinII \\ ith hix (lk‘\k‘I'IPIIHII nt thc I'III'I} [XII'I\ nl thc piccc. "l'hc IIInIIII‘III \\IIL‘II IIIL‘ l;t\l light (IIL'\ hct'nt'c Ihc IIIIIliI‘III‘I"\ (‘_\k‘\ \u'x IllL‘III lu‘l II\ it the} It hcitig IIIII'iI'Il in IhI‘iI' gIIIxcx. IIIQII IIIIHIIL‘III \KIII’lx\ III‘I‘IIIN‘ nl tltc \nttttIlII'IIL‘lx. lln\\ IIIIIII} titttcx ltII\L‘ _\IIII III‘L‘II III lltL' IllI‘IIlI‘L' \\llL‘t'L‘ IIIL' itllIlIL'IIL‘L‘ I\ nIIIIIIIIIIhI-I‘I‘Il h} IhI' I'IIxt'.’ 'l‘hIII happens III Ihc l",IlIIIhIII‘glI l'I'iIIgI' II|| Inn nlitcn. hIII iti II (IIIICI'L‘III \III}. llI‘I‘I'. IIII IIIIIlicncc nl IIhnttI RI) ix nIIIIIIIIIIth‘I'Il h} thc IIL‘IIl/L'II\ nl llcll h} tht‘cc In nItI'. 'l'hc} \\ ill pct‘cciw IhIII nit this IIIIII'IIL‘}. Iltc} iIIC II IIIiIInI'it}; It's II hig lIII‘tnI‘ iii hnu [ltix \InI‘lxx.‘
.'\ \it\l L'il\l. IIIIIIII' tip nl pi‘nlbxxinnIle IIIIIl \nlIIIItI‘cI’x. IIII L'IIIL‘ \I\IIIII \IIL‘PIICI'IIL'II iIIIn hcing
h} IIII‘ II'IIIIII‘kIIhlI‘ .-\IIIl_\ :\I'IIHIII. II IIIctIIphnI‘ l'nt' thv L‘IHIIL‘IIIIIIHIII'}. I‘I‘Ii'n tuith IIIIIII) £1llll\lt)l]\ nl'
Ihc III‘IInII l'I‘nIII IIIL' 5ll\ tn Ihc 7le) and IhIIt \III'xiinIg I'I-IIIIIIIIII nl thc IIIL‘IIIC\iII in l|\ l L‘ZIII nIIl_\ IL‘I'IIIIIIIIL'IIII IhIII _\ntI gn In Hell. But I‘t‘nIII Ihc lnnkx nl'(iIIllIIp. IK'NI \II‘III' _\nIII' nlIl Ingx.
Arches, Glasgow, Fri 10-Fri 24 Mar.
A concept drawing by Francis Gallup for the River Acheron (below) and Gallup’s visualisation (above) of Jeni Campbell’s costume design for Charon, the boatman
DANTE'S INFERNO
' THE LIST 19