I Madman is Absolute Nut-'n‘SIm/y 12! Suiit'hichull Slim-l. 3 H (Willi Hpin H. Hurduuc llHl\L‘llli\\ I Wing and a Prayer 'lglmi ()\ll;l. ~12 ()igign i..'lilk'. ‘55 4511 Hpin L2 i'ilih/i‘IUL'\ till“
I Paulo Nutini, Adriana .inil Juniper Spark King 'liiik \\';ili \\.ili Hui. I‘Li Si \ inu'iil Slit-cl. 331 *3") Killpin L5 |’.ii\|i'} pup pimihg} \ihm hih play-ii \xilh lhc llkc\ ml Spa-whiny I Saint Jude’s lntirmary 'l’lic liiiilci'll} .‘ind lhc l’ig. |<1 Hulh Slit-cl. 23' 71' 1 UPI“. i‘l’L'L'. Hillli'} L'Wlii'ii \HL‘ill\ lllt't'i \L'lwl l'nilcigimiinii inlhicnu'x ill lill\ (‘ig.ii'cllt'\ and link All night
I Standard Lamp Sessions 'l'lii- Hull Bill. Hill \Vnniilginilx Riiiiii. ‘53 (NW). ‘lpni. I'icc. .'\L'Ull\llL' \ingi'i/mngurili'i' nighl \xilh .it‘h in he L'mnlii‘inui.
Edinburgh
I Kano 'l'ht- \t-niic. I7 3! (lillmii Rmud. 557 3i)" i. 7. illpiii. L'lll. l‘priinilr coining Inniimn gi'iinc i'iiiipci uhn gclx lhc lhiiiiihx up li'miii \Iikc ‘Sli‘cclx‘ Skinner.
I 28 Costumes ( ‘iihiii-ci \‘mliiiii'c.
36 ‘3 “lilll' hll’i'cl. :3” (il7h. 7pm. £5. i.l\L‘l'[lllt“lilll inilic ruck hand.
I Martin Waugh 'lhc .|;iin Hniixc. 5 ()iiccn Slit-cl. 220-1380. 7.15pm. I‘i‘cc ht‘iill't‘ lllpin; £3 ullci'. \Vuugh L‘i‘niinx iilnng lm \iillltiill'ti\ in.iilc liiiiimux h} Siiiiili'u and Hit i‘cxi nl' lhc Rulpiick.
I Harry J Brown Hginnci'niiin'x. \iildi‘} Sli‘ccl. 55h 335-1. NJSIHH. H. I’lii}iiig lhc lllll\lL‘ iii .1] KillL‘ iinii Huh l)}|;iii.
I Distant Soul iiiid Sub-Opt \\'lii\llciiiiikic\. -l (v South lii‘iilgc. 557 5| l-l. 0pm. i-i'cc. Inilic linin l)l\l;llll Siiiil iind l‘iink} ping-ruck li'nin Suh— ()pl.
I The Debonaires 'l‘lic .l.iiii Hullxc. 5 ()llL‘L'll Sll‘ccl. 33h 438i).
lllpin iiiiihiighl. (3 Min lllpin. Scc Thu 3.
I The Coney Island Freakshow 'l‘hc LC“ Bunk. 37 (iiilhi'ic Sli‘ccl. 235 074-71. lllpin. i‘rcc. Scc Thu 2.
Cumbernauld
I Abba Mania ('iiinhcrniiiilii 'Hlt‘ull't‘. Kilih'iiin. (lilih 72887. 7.45pm. US it I”). ('clchi'uling 3i) )t‘ui‘x nl‘ gnlilcn llllx \\ iih ii liiniiixlic i‘c-ci‘culinii nl' lhc liw .-\hh;i \him.
Glasgow
I Figure 5, The Moneyshot and The Apple Scrufts ’l‘lic liquid l.niingc. *)4 Wm! chciil Sii‘ccl. 353 (i333. “’pin. H iL'Ri. (igii‘ugc. lllUti. indii‘ and Bi'ili'mck.
I Wetton Downes Band Rciilrcix li‘i‘i'}. .‘\lltiCl’\lUll Qua). 'l'hc Hi‘mniniclim. ()lh‘m’ 205 5| l. 7.3(lpin. ['5 (:ld\;lllL‘L‘l. L I 7 HiUUI'l. i':\-.-\\l;l. \'L'\ and King (‘i‘iinwn incinhcrx .lnhn \chnn illlti .lcl'l' l)U\\ ncx phi} lliillt‘l'ltll l'i'nin lhcii' nc\\ iilhuin lmn iinil lhnxc hcuii} ping (in) x.
I Fifth 8: Pontiac \it‘t“ii‘.\‘|¢;i/}. 421 Siiuchichiill Sii‘ccl. 333 (Mill). Spin. [4. Album liiuiich.
I The Phantom Band, The Site of Future Rome and White Label Burn). :0” (‘l_\\iL‘ Sll'CL‘l. 0qu) ‘NW (NW). Spin. £4. Sui-R hlcnd L‘l;l\\lL‘;ll cclln \xilh guiliu' lickx
I Cosmic Rough Riders, Elin Ruth and Brady Cole King ’l‘ui‘x \\';ih \Viih Hiil. 372:1 Si Vinccnl Slrccl. (MHZ 7’77 20‘). 8.30pm. L'h. .I;lll:_'lL‘_\ I’CII'U indic pup l‘i‘uin (iliixgim \ ('nxinic Rough thiCH.
I Kung Fu, The Rise, The Scufiers iiiid Operation Take Out Carter Fur} .\luri'_\ \. Uh .\l;i\\\c|l Sli‘ccl. 22] 65! I. 8.30pm. £4. including cnii'} in pml-gig chih. \Vcckl) \hU\\L‘tl\C Ul- IUCJI llldlL‘ hulldx
I Eye Contact Leads To . . . 'l‘lic Hull Btll'. H30 \Vuudlundx Rugid, 0900. 9pm. [flux
72 THE LIST -T—v‘z? M33 .QQ‘U
I The Pedestrians, The Colleuges .iiiil Villa Nova l ‘~ili \mic (Lilc. 5” (ill King Sli'ccl. 55“ In“ ()plll, L-l. liliiw}. giuiigc} (Hilli‘il hmiihnc lill\ Ilk‘dl hill. \iippmilcd h} m walhmnc miillil ihc (‘mllcugcx .inii punk} imgk li‘min \'i||.i \m\.i
I Rollin’ Joe 8. the Jets \M 'liuil|\. Jll High Slit-cl. 553 3| ‘5 lllpni l-icc Rmt'k'n‘i'mll li'min lhc .lci‘i} I.L'C 1 «Mi» lining .lmc.
I The Fratellis Hiirllx. Zhn ( 'lxilc Sum-i. (ism tin“ nimii in. :npm ' {R
iU l, I'llllhillht‘ cluh iiighi.
Flavours lhc .|.iiii HHlI\L'. ‘ ()iii'cn Edinburgh Slim-i, 33h .llxll " lipiii ll illuin Li, I Artisan Thieves \Vcc RL'tl Hui. lg" .liit'l l.iiii l niiiiu' .iii.iiigcini'iil\ ml Izihnhiii'gh ('mllcgc ml .\i‘l. I..llll'l\lilll \u'll knmun (mu-h limin lhc I .l\i
l’lmc, 2:" 1.1.12 hpiii lici' liiihc im \l.ll'l lik‘ L'k'hk‘lhi
I Big Tuna .lllii Roguestar \\ill\liL'i‘llii\lC\. 3 h \miilh Hiiiigi: “W 5| H. (mm l'icc hclmic iiiiihiighl. Ll .illci \lmhiiiii im'kiiig limiii lx’mgiicxiui iiiimic i‘.lllti\ li‘k‘
I The Cinematics ( Lilxiii-i \i‘iIJllC. 1h ‘8 Iiiuii \lii'i'l. :3” Mali "pin 1“ (i|.i\gm\\ hurl \Hllli‘i' Ii\lin;,' [ilk‘ll lllilllt'llx'LN .i\ \\ llL‘. ik'l\‘\l\lilll.1ilk‘ ('iiic. lhc \iiiillix. L'iL \ignnl im l\ l RUL'lllti\ \cc pm ii-u. [‘.l_‘._'\' h ‘
I The Last Resort .iiiil The
-~ ~ As the launch night of what promises to be an impressive season of shows at the Queen’s Hall,
comes Yasmin Levy. Nine gigs, nine women, all with very different takes on the solo songwriter idea, all under the banner of Vox Femina. Israeli born Levy has been setting gums bumping with much exposure via nominations in the Radio 3 World Music Awards and the obligatory Jools Holland spot but her sumptuous vocal style of interpreting songs from 15th century Judeo-Spanish culture is deserving of the attention. Seek out the debut album Romance & Yasmin. Also this issue, Karen Matheson and Carol Kidd perform as part of the season on 12 and 16 March respectively.
r Dues 5 Hail. ELu’u/Wg}... 8.." 3 mar
lx’cxmil lmllmxxci! i‘\ limiiw ixiiii‘. lhc
l i.1\i‘lll\
I White Widow, 1, 2, 3 8 the Fours, The Sound Divide .-.::.i Big G \ii'l‘\\.:\ tum-.21; h‘ll mi “* lifilm . ;i"‘ll. :2 wk rink. 7‘ :mi. l'mit: \\ 'llilc \\ zilm‘.‘ '.'.".l\ Hlmmi'. Hfi‘fiit‘f\ iiigitl
I Econoline, Uter .13li‘. North Atlantic Oscillationi .i‘ip.im;-.;.<.'i
Ii.it.~.i\.:\l\cix ‘ (‘ii1,‘\‘11\f\‘ll\ \lii'cl o h
\ "'l‘ll 1. ill.’ 1'117'.:l\ inn: likh .iiiii lli‘lx‘ gimp l'mi'i This; 1.i:ii..‘i‘.
i‘.li1\i\
I Kinaeda, Sub-Opt .zllii Douglas Kay liiiiiiciiiiuiik \ziiiiu \liix". ““ ‘C‘i \ l‘i‘ii‘ t1 ix’mi. Uni“; tiiiizc
I The Hustlers .iziil Skyless lli.~ li‘ll. lz"( i'\\‘.‘.ilt'. ll" ‘ L1 lighl ltiiii. .inii ih\lhiii .iiiii lilziix limiii lhc Hll\ii\‘l\
‘;\ll]\l‘\ WPH‘
i’.iir;lw,
I Tony Shoebox, Benchmark, Oraculum .llli‘. Diamond Sea l lll‘x \iiiii\\_ l§\hiill‘;c \lici'l H12] \\‘l W)"; \l‘lli t; \lim\\..i\c ml l«u.:i i‘.ll‘ii\
Stirling;
I Stevey Hay & the Ray Vons .iiiil Wang Dang Delta lmliimmiii. I.iil \\}ii,i_ ill \ii _‘ ‘ lliliii \I‘lj‘l g\ grii (illiltl [llll\'\ illll\'\ liim limiii | \iilmilcil j.'iiil.iii\l .lilii \Illz'i‘l \li'wx ll."-
Saturday 11 (\iliitsgfl‘f.’ I The Merchants, Airspiel .lllii Endor \|i( ‘3. “ll \iiiihichull \lii‘cl. 3.717;) 'iiiii Hi Iiix'_\ :miLiii' iiiiril limiii lhi- \lvii il.llli\. iiiclmiiii iimii liki limiii \_\i i‘.‘.ii\i \ll\[‘l\‘l .illii [HUIlNilx iiitilC \t‘llllii\ limiii l iiilmi I The Fall of Troy, The Zico Chain .illii Secondsmile ll.iiil\. .‘hli ( 'lxili- Silk-(i. ii.\"ii iiii" iiiiiiii ":iipiii {ii In, /.i\'m ( ~h.iiii .iii' .i i'.ii.i_~:i‘ rink liim ulim ilig \Imlmihmil. lh'iiiiii\ .lllii ilic \\ Illli‘ \liiiwx V-illh‘ ilk'.llilllli'l\ lh.‘ 1 .ill ml llil'. .iic lhii't‘ it'k'll\ limiii \liihhi'm. \\.i\hiiiglmn \th .lik' 1h.- illl\[‘llll_:‘ ml \Hiii.in liimlhi'ix’ \K'\\||‘H iiiiim l.lll\ ichclhng .lL‘.llll\i lhi'ii ixiiciil~ hx ilmiiit .i \i.l\i\lllf_‘ \i.ll\ \ilil.l lllt‘t'h liilii‘ii Himlhi'ix pimg iiiiiii. \[ll.lll‘_' Rix'miiiiiicnilcil I The Amphetameanies \l\k'.li.\lk‘.l/'\. -1.‘_l \illlx i!l\'ii.lH \iii‘i-l. 1H Hill Ill \i‘lll Ll (i|.i\\‘.i‘:'i.iii xi..i \iipi'igimiip \th hum hmmliui ini-iiihi-h Hi ii.ill/ it'itiliiJlitl .lilli Iii'llx‘ i\ Schuxliun in lilL‘Il i.iiil>.\ I The Feeling, The Like .lllii Vivamelodica i‘\lll:’ liii \ \\.ili \\.ili Hill. :HjJ \l \ iiiii'iil Mini ,‘.‘1 ‘—.‘ "l x ilipiii \Hl Hill I \i-li \iilcil 'xmll “Rhill\h.l\'l'l“;'l\l\. illllll\ll\\1". khiim .l\i\i\\' [hk'll illllilk'llxk' ~iimii'l liaii liu' thin-xi". \lll‘l‘l'iik'ti h} .illiiiiiliiimiix :‘llli illil lilL‘ Illu‘ I Kylie Minoise, Wounded Knee, Usurper .lllil D Abraham Turner lilil \iilt‘ ( ‘.liL'. <‘) "H Klilf.’ \lli'k'l. *\ ‘ In“ \ ii’l‘lll 9-1 iik'k'ill’1\\'.UltXlil‘iili \'\[\L'lllllL‘lllJlliIll .iiiii mlhci ilimiim. liiiii .illii i‘lk'k'!‘\ .ll lill\ HL'Mlllii (illiui .iflii i '. ll iiiglil I Martin Luther .lllki L-Marie Iiik' \i‘t’hm. 35‘ \ig}lc \livci. “\“ll 3 ill "535 .\ “Will U» ink limiii ilii- .L’mi mh. iiml lh.il \i.iillii I lliili'i. hill \iillIlHi,lllilk‘l.illlillk'1li'Jii‘nkdih"-‘.Hil l’hill} hip limp k'lhk'llli‘lk' lilk‘ Rimh \\ iili \iippmil limiii lmhil iiilxiii Li»! \I.ii;i' Su- Lillillllll. puri- “l I Mojo Rising lilk' H.;Il l'mi. lull \\mmill.inii\ l<(l.i\i. 1‘: ‘I‘l‘lli ‘Iiiiii lik'k' Hml hliicx .ulimi: I Tigers on Vaseline \ltl liuill» in High Slit-cl. “I 31 i; Illiiiii Iii-c l).i\ iii meiic liihiilc I The Cinematics (il.i\f.'H‘»‘- helium] ill .\l'l. In“ chliuv. Slim-i. 3V1“! llpiii Ui lLSl (’Iiih .\\H. lllL'ilI. iL‘.iIUl'lll_‘..' ihc (‘iiiciimiit \. nuhm Lik'\\iii‘k' lilL‘lll\L'[\L'\ .l\ 'l<.iihmhc.iii iiiccliii: |)iii;in [)lll.ll1.l[.lik’lU-hll'llUlllpL'lIHil.i liilit' imm llllltii xix-ul' \ci' [‘lk"- IL'\‘-. imgc (i1