Events are listed by date, then city. Submit listings at least ten days before publication to comedy®list.co.uk. Listings are compiled by Rachael Street.
Thursday 16
Glasgow
BBC Radio Scotland: Sabotage ( ‘u_\ ll.Ill~.. ( LIndII'In'g» 15% \IHI Ipni hm" hm llkhl'll'tl \Iniml \ll.ll.l\lL'l \lxt'lkllt'\ IInIn (iI.InI H'RnuIlII'. l 1m I Luan-I. JL'lllllC (iiml. IIIIIl lIlI'llIl\ I'IIII HI (IIIIK'IH'.
I/III nun‘wnu/ ( um: II. I: \IIIIII
Lost in Time liIIIunnIu l’IuIanII'nn \lIIxII' “.1”. ll i I l" lInnguII'. “WK-l (Hill~ lpin l In‘ huI InlI'lI'd linium \hnu lmwd .unund lll5lt‘ll\.1lt'\k'lll\ \uggmu‘d h} lllk' .IllIllL'lkI' (I/( 'l
Sherlock Holmes and the Case of the Missing Plot lintunnm l’.InanImn \luxn llIIll. ll 5 llq llnngulc. “5951
II 4‘71 l " I Winn l'II'I' hul III‘lu'II'd Ill) \ndI'Iwn .Ind l)llR KI‘I I'II'IIII' .I luund III‘\\ \ .lM' lHl \llI'IlHI'lx llIIlIlIL'\ l‘.l\L'tl .IIIIIIIIIl .IIIIlII'nII' \uggwllnnx (i/( I
Aeneas Faversham IhII.InIn.I l’llll(,l‘ll\“il\1l|\l\lll‘l|l. ll 5 ll“ 'lInIIgIIII'. HWM 11471 I 5. h 5UP!!! l IL‘L' lull llL'lNk'lk'kl.
l \III'II llIlllIlI'l\. gmw Inlilung und lllIllI\Il|.Il nwnlunnn Ill Ilnx \lu'h'li \hnxx \I'I In \ IIInIIun l.nndnn \k'\. null), (i/( 'I'. BBC Radio Scotland: The WhY Front ('u} ll.lll\. ('.IndlI'II_-.'g\. 555.51“). ~pin. l'II'I' l‘lll Inlclcd ivk'l lllL' lmlllc nl lllL' \I'\L‘\ mnunvnu- .I\ annc \idk'Kk'll/IC l'.lll\. lulII' ( 'nninlw. .\l.In \ld nth-II} Iind (inidnn \lqun \I.II III IlII' InIth «"110 nl Ilnx pnpului \hnu (i/( 'I,
Stand Up, Drink Up ( 'th‘I'x. 25h 20H lijmw Rnud. “h h5l l " Winn. L‘" I£5i \|.In \llIlL'l\Hll .Ind Linc} (indh') lI'ud Ilnx InuI .unund lllk‘ \lI‘It‘lIunI (u) '\ lxn‘x. th .I Innu‘dmn III-Ilninung .II Cdk'll \Inp (III In David Kay l‘llk‘ SLIIIIl. 55.5 \\IiIiIll.IllIl\ Rn“. ILVII (lllll I»I)55. 7~l5piii LII. Sunml I.uul\|1ng\lInInIlII‘l’I‘I'quu'klud.(i/('/y Gina Yashere ’l m (inmgc. WI) Suut'luI-hull \III'I'I. “Hill Ill ‘ SIM. Spin. {HI I [NI lcnin llI'nI')\ Ruggu gu'l gnw \UlH (III .
Jongleurs Comedy Club .lInglL'Iu‘\.
l'( i(‘ Building. RL‘llllk‘“ SII'I'L'I. (WWW VIN)". Spin ‘4" IL5I. .\illL'\ ('I'uulnrd ;Ind l’.uIl Sinhu Itaun up In Ihc I'nlnpun) nl' Innu' I‘nIncd) p.le In hc illlllIlllllL'Ctl. (i/( I. Laughter in the Church ( )mn .\lnr.
" il a 5.5 (ii‘ml “Alvin Rnud. INTI) (ll 5 MM .‘plll. L11. l:\pcI'Icnt'I‘d luuglIIcr IIIL‘I\lL‘l\ .Ind hcxh tum-x nnnglc ;u Ilux uninth \L'\\lllll In .i I'.uhci gI‘und \cIIIng. (lllk'\l\ Ingludc liill l)c\\;u‘. ch .\ndci\nn .Ind Qucnun Ronnldx. (i/( I.
Neil Dougan l‘hc lIIIlI Hui. liill \\nndl.Ind\ Rnud. “8"” “15 MM 8pm. (5 I‘; h l‘hc liclquI |;Id \hcdx u t‘nnuc lighI nn I'nunt'Il \'\l.llk' In Ing. \u'ccl pl‘cuclicrx und In.uIch lllL' (i/( 'I.
Sex, Chips and Ouzo SI Andi-cu \ In Ihc SIIquI'. SI .\ndI‘c\\ \ Squaw. 55‘) 5WD. Spin {ll IL‘h .lnin \lnuu und Sudic nn llu‘u hnhdu} In (‘_\pI'u\ III which nl \un. \nngx .Ind \pul‘ld) linnh llll‘L‘\. ll'x Ilic "llx .Ill nu'I‘ IIgInn. (i/( ~In
Sham Wagon lh'nunnlu l’.Innput‘nn \llhlx' ll.Ill. |l5 ll" 'linngult‘. “"084 (H71 I 5. Milli. l-Icc huI llk'lxt'lt‘kl. linpi‘nx \hn“ hnnging InchhI'I mincd} \I}|c\ II‘nnI \cu \nI'k. (‘lugugn .Ind ('ungidu. (iI( I. You Owe Me Glue lilucldrnu'x Rh lik‘ll SIII'I‘I. “5"” (ll 5 5464, 3pm. in I£5 I. 'l‘nni lhngun :Ind l'lIl\L‘| (uniphcll'x \uI'I‘cul \kclt‘ll \hnu IcIuI'nx, (i/( ‘I.
Brendon Burns vs Crocodile Dundee (il.I\gH\\ l‘iIllII 'i‘llk‘illlk'. l: RIHL‘ Snccl. 552 MIN .\'.5llplll. t" IL5I. .\
\linu Ing nl ( 'mI mIIII' IIIIIIIII'I III I-\ \\Illl Inc cnnuncnhu'} I'I'nIn Ihc \\ l'.llll-llllt‘\l liurnx). plu~ hanx \It‘kn .Ind Jnc. (i/( 'I-. Die Clatterschenkenfietermaus 'l‘hc l‘nncrxil. 5“ 5‘) Suucluchull lunc. 0871) H15 5404. X5llplllI L’h IE4 i. The pI'nud-In- mun-I- pnp dun I‘m l\ll\ \nlnc nl’ Ihcu' \xner hux. Sec plclurc tuipunn. (i/( I,
Alun Cochrane: Comedy with Sad Bits lii‘cl. 5‘) ~15 .-\\hInn Lunc. (IS—(l Ill 5 540-1. ‘Ipin, £5 IL'5I. SnIuII \Iund-up luccd \\ uh quicI cnnIcmpluIinn II'nIn nIu' llnnurilc
44 THE LIST "1 8 ‘.I.u 1“
l HIIIlHIl l‘dVCkl \UIllhlI \Hllx\llllk'lli.lll
(,‘II ’/
The Big Bluu Comedy Gong Show liluu. 5H lInIIg.IIc. \ik'lklldlll ('u}. 5.1\ 1‘5“ ‘Ipin l‘lCC \uIlI \gIn'u lIII\I\ llII\ 'Iirxl pm! Ihc gnng‘ C\ll.l\:l_‘.,‘.lll/.I ill uhnh hngI'nnIng Inniu l.IlClll\ II'} In \Inn IlII' (Inud \\llll\ll[‘[\1'l'l IInIn \u\.In('.IlIn.In l)c\ \ikik'dll. Ruynmnl \lmxnx .uId lung} (iIKllL') (i/( I
Bratchy: Alpha Nerd 'l hc \It'ut-x 35% '\Ig'\lc SIII'L'I. “VII 2-1“ "525 ‘I 15pm U IUH 'l'hc Ix-nulIunIIII' Incinth nI Ihu hunnux lirult‘liplcw I‘nInI'd} I.unIl\ I'clcluulcx lllL' lL'llllll n! my gcclx (I/( I BBC Radio Scotland: Laugh Out Loud ( ’II} llullx. (Luidlcnggx 555 NM” ‘I. llll‘lll l‘lL'L' l‘Ill llt'le‘lL'Il 'l-llk' l‘I'} ‘ llI'III l).Incc Mnnkc} lint i).lll\k' IIlI.II\ \llI-n ('hulnmx. l)c\ \lt'l cun. R.I}IIInIId \lI'.un\. Sund} \vlwn .Ind l’.uIl l’n'IcI dn lllI‘lL' nI Ihcn t‘I.I/} llllhlL'Ill nnpinx \Iull (III / Bennett Arron: It Wasn’t Me llu' SLInd. 5” \\nndl.Ind\ Rn.Id. HAW) (MI) 0055 ‘H5pin L" 'lhI‘\\L'l\li».lc\xi\li Iunn_\In.In lHllljJ\ .I \xhnlI- um nununng In IhI- \\ N' \KIIIIl\ nI Sliugg} Mlllil lian-Iull} \UIIIL' nl ln\ dunt'c lllH\L'\ InnI In Iln\ lk'.ll lIIc Iulc nI IdcnuI} lllL'll. (i/( 'I
Edinburgh
Big Word Performance Poetry llu' 'l'Inn. ‘I llunIcI Squul‘c. llIglI SIII‘I'I. 3% (Nil, ‘Ipin L5 IE3), 'l‘nI'nnIn Ih}nung lung l)\\.l}llL‘ \lnigun qunx up \\illl Sl.un lnIIndI'I' \lII‘lIuI-l lii'nun und ncu gnl I Inn.I l.lll\l\;l_\.
Capital Comedy l'hc .Mmdc Bu Ix ('nt‘ldun'n SIII‘I‘I. 330 INT ‘Ipni. L’ i. .lnIn Mug Slur Ini' :uInIhI'I' churuul‘lc luughlci' \L'\\lUll “licu' [Ml’l (ll lllL' llt'lu‘l [‘IIII‘L' gIIL'\ dn‘I't'Il) In :1 gnnd cuuxc.
The Thursday Show The Slund. 5 \‘nI-k l’luu'. 558 7373, 0pm. U» IL‘5 (5|: \lni'c pnlIIc pnhntul gcinx l'InIn \It'k Rcwll. Indcd und :Ilicllcd h} .\l;u'IIn Snun. niugicmn SIcwn Hick. |,c\lc_\ Kcll} and hnxl lh‘ucc l)c\ lin.
The Snatch Social l'hc l.lI]lIIIl RnnIn. ‘It' \‘II‘InI‘iu Slim-I. 235 504. Minn 5d”). £5. (‘nInL-d} cupcrx II‘nIn Hun) ,\lll\\\Hl'lll und ’l‘nn} (lu'II'I ;ll Ilnx chuck} (ill‘dl'L‘l Clllll—(th‘H.
Glasgow
BBC Radio Scotland: Sabotage (‘u_\ llullx. ('IIndlcrIggx 555 NIH). lpin l-Iu' huI IIt'kcch. Scc 'l'lIu III.
Lost in Time llriIunnIu l’IInanu'nn .\lll\lt' llull. l l5 ll7'l'I'IuI}1;IIL‘.“7984“57%|”, lplll. l'l'L‘L‘ l‘lll lICGClL‘Il. SL‘L‘ llillll l(\. Watson’s Wind-up 0|.“ng l'lllll 'l'liculi'c. l2 Rnxc SII'L'L'I. 553 MIN. lpni. l'lL'L‘ hul uckclcd. 'l'npicul mnicd} lun :u Ihc I‘ccni‘ding nl lilif ScnIlund'x pnpului \lNL'lL‘ll \hnu \Igu‘I'Ing .lnnthun \Vgllxnll. BBC Comedy Writing Workshop 'l he Slund. 555 \Vnndlunth Rnud. UN-“ NW («55. 2pm. l'I‘cc huI In‘kcch. .-\ chunt'c In lcurn Innic .IhnuI \II‘IIing mined} l'ni'
Iclcx [\lUll und lllk‘k‘l \ninc mluhlhhcd
\\ rut-Ix and 'l‘\' prmlut‘crx. ('nnlucl lili(‘ Scnllund lill .In :Ipplu‘unnn Innn. Shenock Holmes and the Case of the Missing Plot lh'uunnlu l’unnpucnn Mum~ llull. l|5 I l" 'l‘rnngulc. IV‘IM U511 l 7. 3,5lll‘lll. l‘il'L'C l‘lll llcle‘lI‘Il. SL‘I‘ 'l'llll l(i.
Aeneas Faversham Bruunnm l’unnput'nn \luw llull. ll5 ll" 'l‘I'nngulc. UNIX—l “574 l “I (I 5UP!” l‘Il‘L'L' lllll llL‘le‘lL‘Il. SCL' ‘l'llll lh.
BBC Radio Scotland: The WhY Front ('iI} ll.|ll\. ('IIndch‘iggx. 555 NIKKI "pin. l'I't‘L‘ l‘lIl llk'lsL'lL‘kl. SCL‘ 'l‘lIIl l(i.
Glasgow Stands Up: Bruce Morton & Friends l’unick Burgh llIIll. ‘) Burgh llull SII'ch. ()545 55H 55‘”. Spin. L5 'l'hc gmnddudd} Iin \pu'iI. nnI )cum nI Scnquh L'Ulllt'tl} L'Clt‘l‘I‘IIlLK llIL‘ lk‘\l I‘ll \VL‘L‘gIC \Iund-up IulcnI. Including (kn) l.iIIlc and KM in BI'IngL'\. (iI( hI'.
Irish Comedy Special 'l’hc SIund. 333 \Vnlelundx anl, INTI) (\le (1)55. 5pm, L"), (‘clchrulc SI l’udd} \ du} In tho llgllkl\ nI limcmld lxlc luughIcr—Inchrx Michucl Rcdinnnd. Munin ‘liigl’lg' .\lnI'. \cul DnugIIn and chin \chlccr. (il(‘Ia
Jongleurs Comedy Club Laugh-aux l (i(‘ Building. lx’cnIII‘xx \III'I'I IIV‘IV VIPH“ \I‘In Ll‘l \g; lltn Eh Kim Hope and the Sometimes Anti-Heroes limqu lilIInIII lhunmnk llnIt'l liuwincnl. l'lh liiunuxtt l: \III'I'I. “\‘I'Hl 5 51h: \IIII; L" ItV lx'nIlIlI‘w \uxxn' l\nn llt‘lK' ii'lll\ uiiiiml} Iniu'x \HIlI('luI\ llI'In}. \nIh \n .Ind \.I\lt'l ll‘l‘:\ I Laughter in the Church I nun \lI‘I, 5 1l ~15(iII'.II\\I-\II-In RnudJ'VIHIl 4 51ml \pin 1% \‘I' ilIu lh
Mark Steel lhI- ( i.Il.Ij_‘\'. Mn \Iutlnchull \llk'k'l‘ 55.‘ llIH 5pm 1 l: I: llh lnIyllIgI‘nI \Iund up IIunnIn InI ln\
liliI ‘olI'pIIuI' wuw \I'c \II\\\I‘I \lIIIlnnIa
pugr ll: (III I
Neil McFarlane: Posh Glaswegian Him-Mm“. 5IIliI'll\III\'I.H\15 Kin Nil Mun U» My Iunud In Iw pmh Hunxdcn l.IIl \I'lL'l‘l.IlI‘\ ll|\ l.IlI' l‘lI'I'Il \l.‘.lll\ (II( I Sex, Chips and Ouzo \I \llIllI'\\ \ lll IhI- \Illluu'. \I \ndn-u \ \duun- 55" WH,‘ \[un {ll '1‘): \‘t‘ lhu lh
Sham Wagon lilllullllld l’.Inannnn \lum’ ll.Ill. ll 5 ll“ lInnguIc. H‘Hl Iii—l l 5 Spin l II'I' l‘lll In lxk'lk'tl \I‘I' lhu l(\
Brendon Burns liluu. 5“ llHIIjJuII‘. \lI‘II'hunH ll}.lli\~lllll5§1Iil \ alIn L" I15» \lI-II' lllllI .Ind IInIlnng LigI' IInIn ilk” l.IlluIll\ \ll\\lk' (/II I
Bumper Value Ireland vs Scotland lilutllnuix. 5h lh'll SIII'I'I. IIVIHll ‘ 51h! .\ 5lll‘lll U» W5) lhc gin-n MI- nnpnih \IquII' up .I_L'.llll\l Ihc lInInI' n.IIInn In my \x'UIlIIl Hl lllcu' I‘I'lllL'Il} (lldlln'llg‘k' Inult'hcx. (III I
Bruce Fummey: The Greek, the Apple and the Time Machine I ‘III llullx. ( IInIllI'IIggx. 555 KIN)“ ‘lpln U) lhc nnc Innc [\ll}\l(\ Implici lk'lllllh \\ IIlI lux (nun-d) I.Il\c nn Ihc lllk'l‘llk'\ nl .\II\InIlI' .Ind l'.lll\lL‘lll (i/( 'I
Des McLean: Awesome 'I he I )Id l'I‘uIIIn.II'l\t'I. \llunn \III'I'I. IN" 551 l
Winn L1H. \nI nnl_\ I\ llk' I;I\nIuI'd h} Hill} ('nnnnll} huI llH\\ l’I'IcI Ru} ll.I\ IIIIIIL'Il llk‘ lull Lllll‘ lHH. \II \MIIIIlCI lII‘\ I‘;Ill\ llllll\I‘ll Immninc. (i/( 'I
Four Men and a Little Lady liluthlliufx l" liL'll \III'Cl. “\‘ll Ill 5 Q—lh-l " l5pn. :5 UM ‘I'II'I \IIthzxnn. l‘.Iul l‘uu‘ .Ind l‘xcn \lt \llMI'I II-nw l.I\l yank 15mm} InInI.:I. \Hlll lII-II‘ Tann \uxxu' Rmmn I flutu‘lx-ll .Ind Innn Inlndcn \umn (‘.Il:I‘..:I‘. (III I
BBC Radio Scotland: Laugh Out Loud I In ll.:ll\ (XIIIdlI'IIggx 5‘5 MN“
‘I Winn lII'c huI IIlecII'd \I'I‘ lhu lh lmprobabble Comedy Players 8 Guests lllx‘ \lult‘ lidl. l5\ llI‘llIIllil Silk‘k'l. "I" ".‘W ‘I mI‘In :5 I141 \lnII' nanm Inn lll‘ll! Ihc ginup \I.uIIng liill} linnln‘lx. l I.:ntc\ llI'ul}. \IMIn l nu .Ind ('luix llInnInItI-ld IIIII
Festival Club lhv \Imd. 555\\nndlund\ RHHI nx'WI Mill III)“ III :Iipm {Ill [‘11,- nIghI culv1I.:nuncnI IInIn .I \‘ll.lllf_'lll:.' InI.I nI lk'\il\.ll Iunnnx (III I
Late’n’Loud ('II\ lIIIll\. ('.Indlcngg\. 5.55 MN“ I” WIun :5 \l.In \ndI'Ixnn MCI“ IlIc l.Iu§_,'lI\ Inlling nun Ihc IIIglII. \\llll hclp IIIIzn Ru} Innnd \lI'uIm .Ind IhI' I\\I\ lh'wx \lIl Iain .Ind ( luln' I:/( I
The Ultimate Comedy Quiz
liluI kIIIqu. 5“ liI'll \III'I‘I. UV” Ill 5 5-1I»1 l lIun 25 \ Iiuh IlnI/ \kllll .I lcu lIIIlI' dIIII-II-nu'x. \uI h .I\ my Int lll\lHll nI \lilllllk'l5. l\lIIIIlInlIl\ .Ind Ilu‘ Iluunh “In lII'.I\_\\\I‘IglII I lI.unI\Inn nI Iliv \xnild (i/( ~I
l;I lInIdIIIIIh
Jongleurs Comedy Club lnnglI'uh. IhnnI ('I'nIII'. ( iII‘I'nxidI' I’lIIII: UH 'IV \“IHI‘ Nlllll L I” \dIun (‘Inxx luIngx nn Ihc luuglix Ill Ilu‘ I’nInpun} nI Rnch l) and \Ild} llnIglI
The Stand lhc ~\I.Ind. 5 \nik Plan: 555 53“: Upin L\ IUI ldcnlll) I‘I‘Ixixlulcx IInIn lh‘nnI'II \nnn. plux InnI'I' pnliluul pundIII} InIuIt'x} nI \It'k Rt'\t'll, Suppnilcd hx lulu lx'I'll}. \l.nIIn Snun .Ind han liIut'c l)t'\llll
The Bedlam lmproverts liL'IllullI
'l hI'uIIIa llli lill\lII I’LM‘. :35 “5'05
lII Winn L5 5H IL'25H 9; ii l.nng Inc IhI' I'nincd} lt'lk'lk'llkllllll .I\ .I t'lmnging InI.I nl nnpnn [‘l.I_\I'l\ I'ImII- Innn' \pnnluncnux \lII'lt‘th l‘.l\k'(l Illllllllll .IIlIlII'III'L‘
\IlggINllI lll\
No, we’re not exactly sure what that name translates
as either. But when you consider these guys are mocking it up as a ‘brutally Germanic post-retro future-modern synth rock duo', it certainly feels right. Karl Karl and Karl Gunter (not their real names) are the chaps in question. Apparently, Karl Karl has been known to assault nuns who invade their stage. Which sounds like fair warning if you ask me.
lIfiI ,J: Can/r n , /’7