PREVIEW SINGI R SONG‘A’RITFR THE PICTISH TRAIL

The Caves, Edinburgh, Wed 17 Sep; Captain’s Rest, Glasgow, Fri 26 Sep

The Pictish Trail is coming out of the shadows. Johnny Lynch (for the Trail is he) has until now focussed on running the Fence Collective and playing guitar for head-honcho King Creosote (aka Kenny Anderson). But with the release of his fantastic debut album, Secret Soundz Vol. 1, it’s time for him to step into the limelight.

‘This is the first proper headline tour I’ve done, and it’s odd not having Kenny here to bail me out,’ says Lynch. ‘I don’t know what to expect, but I’m excited.’

The tour sees Lynch performing solo with guitar and keyboard, creating a stripped down version of the Secret Soundz vibe. That record is a rattling romp of random genius, swithering between singer-songwriter majesty and oddball geek-funk vignettes, with Lynch taking touchstones like Hot Chip, Beta Band and Midlake and turning them into something original and wonderful. Despite rave reviews across the board, he’s not getting carried away.

‘I don’t want to get too excited and set myself up for a big fall,’ he laughs. ‘lf bands start believing their own hype they fall on their arses.’

Lynch’s attitude is largely due to his grounding in the Fence Collective, hunkered down in Fife’s East Neuk. Having watched mates King Creosote and James Yorkston sign with big labels, Lynch’s eyes are wide open.

‘At every point in his career Kenny has said, “This is good, but let’s not get ahead of ourselves”. That’s given me a level head. If I got offered a deal like his, I’d probably take it but there would be lots of caveats.’

Lynch admits that the amazing reception of Secret Soundz has made him take both his live shows and recordings more seriously. Next on the cards is a joint album with Adem of ‘properly electro, 80s, dancey stuff’, followed by a second Trail outing next year. Oh, and the little matter of keeping the Collective going.

‘We’ve built up a loyal fanbase who are excited about the music we put out and hopefully that can build,’ says Lynch. ‘If people get sick of it, we’ll just move onto making jam or something.’ (Doug Johnstone)

I

PREVIEW FOLK DREVER, MCCUSKER AND WOOMBLE

Tolbooth, Stirling, Tue 30 Sep; Royal Concert Hall, Glasgow, Fri 3 Oct; Queen’s Hall, Edinburgh, Sun 5 Oct

There comes a ttnie in most rock miisicians' careers when they long to swap the frenetic i'o<:k‘i“ro!| lifestyle for something more sedate. After a decade of touring the ‘.'.’C)l'l(l y'xitlt |(H(}‘.'.’ll(l. Roddy \".’ooinb!e's inclination of late has been top-raids folk music. After his i'npressi‘.'e 201M} solo debut f/i'f. Secre.‘ Is f/f',’ Silence. he has nos: teamed up with fellow folkies Kris Dreyer and John McCusker on Before {he Rafi".

It's a comfortable collaboration. and unsurprising (It‘.'(}'l this m:iii folk supergroup move in the same circles. My Secret if; M"; Si/ence unras produce-d by McCusker. the fiddle virtuoso once liizt"t“(}<l to Kate Rusby. who \"Joon‘.ble has also performed "SHUT. Drover. '.'."h N: 2006 debut [Mack ".'./.'1!er earned hurt a BBC l‘olk Az'xards' best ll(}‘.‘.’(l()ll‘.(:r gong, has also been produced by McCusker.

They admit they r; ttled out the dreamy Before the Ruin. featuring cameos from Teenage Fanclub's Norman Blake and Capercaillies Donald Shaw, in a matter of weeks. 'It was ama/Ingly guick.' says Drover. 'We had a target number of songs we ‘.‘./anted to record. and we really didn't discard many. A lot stayed guite strip;>ed-dox'xn. keeiiing that ray-txnessf

the trio share '.’."'lill‘(} credits Drever and \I‘Joonible for vocals. WilllO McCusker's 'i’éthiOI’flll production holds it all together. In many y'rays it's exactly the record one might expect this trio to make -v honest. raw and a little bit bruised. Drover hopes the songs ‘~.‘.’l|l speak for Ifit‘lilfS(3l‘.(}f;. ‘I don't know that (E‘.‘(?l‘y()ll(}lf§ preconceived ideas of the album '.'.’|l| be.’ says Drever. Statistically some people would have to be surprised. Hopefully the experience WI“ be a pleasant one.’ (Rache! Dex/inei

H m LIST ‘8 Set: 70:12:)le

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