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Love is, of course, much spoken of in rational discourse, and often alluded to in poetry, song and prose. But are any of these media capable of exploring the prerational totality of the experience? Perhaps nothing is, yet Kathy Boyd’s production comes close, exploring the never fully requited, and therefore by its nature and context, obsessive end of this emotion. Telling the story through photography, projection, sculpture, soundscape and some splendid cello playing, this piece is an extraordinary assault on the senses. The love concerned is that of Elizabeth Smart, the essayist poet and novelist, for the already married George Barker. Smart had several children by Barker in the 19405, but their partnership was never fully realised. The highlight of this piece is surely a part erotic, part mourntul cello duet, yet there are many delights in competition here. Go see. (Steve Cramer)
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VALENTINE PELKA
A'- THE LIST FESTIVAL MAGAZINE 71